A secret and desperate choice, made by young Imogene Sayle during the rigors of post-World War II England, triggers shockwaves through three generations of a family.
Almost fifty years later Imogene’s daughter Penelope, married and living in California, learns of her mother’s illness and imminent death. Despite a toxic childhood, Penelope is driven by an abiding love for her beautiful, imperious and destructive mother and returns to England to care for her.
The story, told from Penelope’s point of view, is set in San Francisco and an English cathedral city, and covers the last three months of Imogene’s life.
While coping with the day-to-day challenges of her mother’s decline, Penelope must also confront self-doubts regarding her own marriage and career, her relationship with her college-aged daughter Caitlin, and the sudden and unsettling reappearance of an old love.
At the same time, through shifting childhood memories, newly-found war-time letters and chance disclosures by Imogene’s old friends and lovers, Penelope attempts to discover before it’s too late what went so wrong in her mother’s life, why she chose to remain deadlocked in an abusive marriage, and why, most importantly, she seemed to blame Penelope for all of it.
Before she can find answers, however, Penelope must ask the right questions.
In this quiet, intense novel, a woman returns to England to comfort the dying mother she rejected long ago. Penelope Sayle Foley fled her parents’ home on the elegant Regent Crescent in England after a mysterious family dispute. In 1997, she now has a sexy Irish-American husband, a college-age daughter and a San Francisco advertising job, but she must leave them all behind to deal with Imogene, her difficult, demanding mother. Imogene is on morphine to dull the pain of what she calls “tummy trouble” (really “the Big C”) and drifts between the past and present, haunted nightly by “her”—a ghostly figure only she can see and who, Imogene insists, is trying to take her to hell. The novel’s title refers, in part, to Penelope’s decision to move the ailing Imogene to a nursing home, but as the story progresses, readers discover what Imogene herself had to do years before.
Although Penelope eventually accepts the fact that she’ll never know the whole story, she learns bits and pieces from Lord Storey, an elderly man who loved and lost Imogene to Penelope’s father, Frank Sayle, during World War II; she finally comes to terms with Imogene after her death. The author’s clever prose—a cross between British and American style that perfectly reflects Penelope’s inner conflict—provides sharp dialogue and a group of charming, eccentric characters straight out of a BBC television series, including Bethany, who does tarot readings and loves her dog; the gardening McBrydes; Simon, a gay architect who always knows just how to handle things in an emergency; and Miss Bannerman, who once pined for Frank Sayle. All serve as perfect foils to the confused, miserable Penelope, who finds herself caught between two different countries, loving and hating a woman she never understood. An enthralling, well-written family novel.
Here’s a novel that reads like a movie. In scene after scene, Mary-Rose Hayes takes on the complex bonds between a mother and daughter, moving the story skillfully towards its surprising finale. It is an excellent and satisfying read.
—LYNN FREED, author of The Servants’ Quarters
A touching and suspenseful novel, a brilliant portrait of a difficult, dying woman, her complicated daughter, and the ambivalence of love.
—DIANE JOHNSON, author of the forthcoming Flyover Lives
Mary-Rose Hayes thoughtfully examines territory many a family will recognize, and also provides compelling mysteries. An intriguing read from an accomplished storyteller.
—SANDS HALL, author of Catching Heaven Sensitive and gracefully written.
Mary-Rose Hayes captures the ups and downs of maternal romance with accuracy and insight.
—MOLLY GILES, author of Iron Shoes
|Publisher:||Cavendish Hill Press|
|Sold by:||Barnes & Noble|
|File size:||483 KB|
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Most Helpful Customer Reviews
Every woman has a story to tell about her own mother-daughter relationship, some good, some harrowing, but the peculiar nature of each person’s story is great fodder for fiction. Seeing the similarities and the characters working with, through or in spite of the conflicts is interesting and often illuminating. Mary Rose Hayes has captured all of that intensity in her book What She Had to Do. With a sense of purpose and obligation, and even love, Penelope returns to England to care for her ailing mother Imogen, in the final stages of cancer. Not unlike many children, she has an inexplicable love for her mother, despite the woman’s imperious, cold and often destructive behavior. Distance had been Penelope’s choice, crossing the ocean and the continent, marrying an “unsuitable” man, and not returning to England for years after a mysterious conflict fractured the relationship: we already know that she will be looking for answers and resolution to her own conflicted emotions. With decisions made for full time care, part of the “what she had to do” to provide the proper circumstances for her mother, the aid of morphine and fear of a ghostly vision that appears only to Imogen unearth a long-ago series of events. Perhaps there is some tactile reason behind Imogen’s behavior when Penelope was a child, and she decides to dig deeper for the answers. Slowly the author takes us through the discoveries and the effect they have on Imogen, Penelope’s thoughts about her mother, and on Penelope’s own views of her place in the world. A curious mix of sentiments, both British and American in feel, highlight the dichotomy that exists within Penelope even before her thoughts about her childhood and relationship to her mother are explored. The style of prose is lovely and smooth to read; great skill is used to maintain the tension on a slow build as both Penelope and the reader are searching for answers, and only able to catch a full breath after each new piece of the puzzle is revealed. Dialogue and some eccentric yet beautifully drawn secondary characters add to the story, with clever asides, hints dropped and each presenting a very British sense of self and place. As often happens in situations that require the reevaluation of facts not previously known, Penelope isn’t able to make peace with her own feelings about her mother instantly, yet peace does come: to the relief of everyone involved. A beautiful story that alternates between moments of “I know that feeling” and curiosity as to where we will go next, this is one of the better family relationship sagas that I have read. Be prepared to not want to put this book down, and to be sitting and reevaluating your own mother-daughter relationship long after. I received an eBook copy from the publisher via NetGalley for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.