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The Wheat Princess

The Wheat Princess

3.3 3
by Jean Webster

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An excerpt from the:


If you leave the city by the Porta Maggiore and take the Via Prænestina, which leads east into the Sabine hills, at some thirty-six kilometers' distance from Rome you will pass on your left a gray-walled village climbing up the hillside. This is Palestrina, the old Roman Præneste; and a short distance beyond&


An excerpt from the:


If you leave the city by the Porta Maggiore and take the Via Prænestina, which leads east into the Sabine hills, at some thirty-six kilometers' distance from Rome you will pass on your left a gray-walled village climbing up the hillside. This is Palestrina, the old Roman Præneste; and a short distance beyond—also on the left—you will find branching off from the straight Roman highway a steep mountain road, which, if you stick to it long enough, will take you, after many windings, to Castel Madama and Tivoli.

Several kilometers along this road you will see shooting up from a bare crag above you a little stone hamlet crowned by the ruins of a medieval fortress. The town —Castel Vivalanti—was built in the days when a stronghold was more to be thought of than a water-supply, and its people, from habit or love, or perhaps sheer necessity, have lived on there ever since, going down in the morning to their work in the plain and toiling up at night to their homes on the hill. So steep is its site that the door way of one house looks down on the roof of the house below, and its narrow stone streets are in reality flights of stairs. The only approach is from the front, by a road which winds and unwinds like a serpent and leads at last to the Porta della Luna, through which all of the traffic enters the town. The gate is ornamented with the crest of the Vivalanti—a phoenix rising out of the flame, supported on either side by a smiling full moon —and it is surmounted by a heavy machicolated top, from which, in the old days, stones and burning oil might be dropped upon the heads of unwelcome guests.

The town is a picturesque little affair,—it would be hard to find a place more so in the whole of this picturesque region,—but, like all of the Sabine villages, it is very, very poor. In the march of the centuries it has fallen out of step and been left far behind; to look at it, one would scarcely dream that on clear days the walls and towers of modern Rome are in sight on the horizon. But in its time Castel Vivalanti was not insignificant. This little hamlet has entertained history within its walls. It has boldly outfaced robber barons and papal troops. It has been besieged and conquered, and, alas, betrayed— and that by its own prince. Twice has it been razed to the ground and twice rebuilt. In one way or another, though, it has weathered the centuries, and it stands today gray and forlorn, clustering about the walls of its donjon and keep.

Castel Vivalanti, as in the middle ages, still gives the title to a Roman prince. The house of Vivalanti was powerful in its day, and the princes may often be met with—not always to their credit—in the history of the Papal States. They were oftener at war than at peace with the holy see, and there is the story of one pope who spent four weary months watching the view from a very small window in Vivalanti's donjon. But, in spite of their unholy quarrels, they were at times devout enough, and twice a cardinal's hat has been worn in the family. The house of late years has dwindled somewhat, both in fortune and importance; but, nevertheless, Vivalanti is a name which is still spoken with respect among the old nobles of Rome.

The lower slopes of the hill on which the village stands are well wooded and green with stone-pines and cypresses, olive orchards and vineyards. Here the princes built their villas when the wars with the popes were safely at an end and they could risk coming down from their stronghold on the mountain. The old villa was built about a mile below the town, and the gardens were laid out in terraces and parterres along the slope of the hill. It has long been in ruin, but its foundations still stand, and the plan of the gardens may easily be traced. You will see the entrance at the left of the road—a massive stone gateway topped with moss-covered urns and a double row of cone-shaped cypresses bordering a once stately avenue now grown over with weeds. If you pause for a moment—and you cannot help doing so—you will see, between the portals at the end of the avenue, some crumbling arches, and even, if your eyes are good, the fountain itself.

Any contadino that you meet on the road will tell you the story of the old Villa Vivalanti and the " Bad Prince " who was (by the grace of God) murdered two centuries ago. He will tell you—a story not uncommon in Italy— of storehouses bursting with grain while the peasants were starving, and of how, one moonlight night, as the prince was strolling on the terrace contentedly pondering his wickednesses of the day, a peasant from his own village up on the mountain, creeping behind him, quiet as a cat, stabbed him in the back and dropped his body in the fountain....

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wheat princess 3.3 out of 5 based on 0 ratings. 3 reviews.
TheBookmaiden More than 1 year ago
I loved this book and found it so fascinating! The style and story are nothing like Webster's other books (Patty series and spin-offs or Daddy Long Legs and sequel). Instead this is a serious piece of fiction, geared towards adults. My main fascination was the setting of recently united Italy in the 1890s with its tempestuous political climate and the rising (and warranted) discontent of the peasant class. I have never seen this part of Italy's history discussed in prose or film, and I found it hugely compelling. Plus, the fact that this is not a historical novel written a century or more later but rather a contemporary novel written in the early 1900s in Italy - that makes this a special work. Particularly as the author has a similar background and similar life experiences as her characters, giving a rare reality and truth to their perspectives and actions. One isn't taken out of the story by wondering at its verisimilitude to the values, morals and thinking of the time. This book is such a gem, and I'm so glad I found it! Additionally, I'm fascinated by how different this book is in tone and writing style from Webster's other books. I've loved her for years and voraciously read all that I could find of her work, so I was incredibly surprised by this offering - decidedly different from the rest. Webster's selection of so sober a topic and her evident compassion for the Italian people provide a real insight into her character, showing her as a whole person and not just a clever wit. I'm also impressed at her ability to switch to a writing style more akin to a humanitarian Henry James or to an Elizabeth Gaskell than to Webster's usual lighthearted style. The story and characters themselves could use some polishing, but they're very compelling. Once I got past the first chapter, which did stall me for a time, I found the story to be a real page turner, finishing it eagerly over two evenings. Plus, I came to really love the heroine and her romance, something I doubted I would at first. I rarely write a review, but I felt the need to wax poetic over this undervalued and read book. Do give it a try!
Anonymous More than 1 year ago
Never so much with si kittle info of story
Anonymous More than 1 year ago