Focusing on representations of women's literary celebrity in nineteenth-century biographies, autobiographical accounts, periodicals, and fiction, Brenda R. Weber examines the transatlantic cultural politics of visibility in relation to gender, sex, and the body. Looking both at discursive patterns and specific Anglo-American texts that foreground the figure of the successful woman writer, Weber argues that authors such as Elizabeth Gaskell, Fanny Fern, Mary Cholmondeley, Margaret Oliphant, Elizabeth Robins, Eliza Potter, and Elizabeth Keckley helped create an intelligible category of the famous writer that used celebrity as a leveraging tool for altering perceptions about femininity and female identity. Doing so, Weber demonstrates, involved an intricate gender/sex negotiation that had ramifications for what it meant to be public, professional, intelligent, and extraordinary. Weber's persuasive account elucidates how Gaskell's biography of Charlotte Brontë served simultaneously to support claims for Brontë's genius and to diminish Brontë's body in compensation for the magnitude of those claims, thus serving as a touchstone for later representations of women's literary genius and celebrity. Fanny Fern, for example, adapts Gaskell's maneuvers on behalf of Charlotte Brontë to portray the weak woman's body becoming strong as it is made visible through and celebrated within the literary marketplace. Throughout her study, Weber analyzes the complex codes connected to transatlantic formations of gender/sex, the body, and literary celebrity as women authors proactively resisted an intense backlash against their own success.
|Publisher:||Taylor & Francis|
|Series:||Ashgate Series in Nineteenth-Century Transatlantic Studies|
|Product dimensions:||6.20(w) x 9.30(h) x 1.20(d)|
About the Author
Brenda R. Weber is Associate Professor of Gender Studies and Adjunct Associate Professor of English, Cultural Studies, Communication and Culture, and American Studies at Indiana University, USA.
Table of Contents
Contents: Introduction: a right to call herself famous; Reconstructing Charlotte: the making of a celebrated 'female genius'; 'A sort of monster': Fanny Fern, fame's appetite and the construction of the multivalent famous female author; 'Great genius breaks all bonds': Margaret Oliphant and the female literary greats; Correcting the record, creating a new one: Elizabeth Keckley's Behind the Scenes and Eliza Potter's A Hair-dresser's Experience in High Life; The text as child: gender/sex and metaphors of maternity at the fin de siècle; Conclusion: doing her level best to play the man's game: literary hermaphrodites and the exceptional woman; Afterword: in search of the cult of Charlotte; Works cited; Index.