Word Play: Experimental Poetry and Soviet Children's Literature

Word Play: Experimental Poetry and Soviet Children's Literature

by Ainsley Morse

Paperback

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Overview

Word Play traces the history of the relationship between experimental aesthetics and Soviet children’s books, a relationship that persisted over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet, it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant-garde trends. In the more repressive environment following Stalin’s rise to power, experimental aesthetics were largely relegated to unofficial and underground literature, but unofficial writers continued to author children’s books, which were often more appealing than adult literature of the time. 
 
Word Play focuses on poetry as the primary genre for both children’s and unofficial literature throughout the Soviet period. Five case studies feature poets-cum-children’s writers—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers that are aspects of the childlike aesthetic. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today. Drawing on rich primary sources, Word Play joins a growing literature on Russian children’s books, connecting them to avant-garde poetics in fresh, surprising ways.

Product Details

ISBN-13: 9780810143272
Publisher: Northwestern University Press
Publication date: 03/15/2021
Series: Studies in Russian Literature and Theory Series
Pages: 272
Product dimensions: 6.00(w) x 9.00(h) x 0.80(d)

About the Author

AINSLEY MORSE is an assistant professor of Russian at Dartmouth College. 

Table of Contents

Introduction: Living Backwards: The Childlike in Unofficial Poetry
Prologue: The Dictionary as a Toy Collection: The Avant-garde Origins of the Childlike Aesthetic
1. Soviet Alphabet: Early Soviet Children’s Literature & Experimental Poetics (1920s-1930s)
2. Detki v kletke: OBERIU as the First Unofficial / Children’s Poets
3. Playing with Words: Experimental Unofficial Poetry and Children’s Literature in the Late Soviet Period (1950s-1980s)
4. Vsevolod Nekrasov: We All Come from Childhood
5. Leonid Aronzon: Naked Child on a Hilltop
6. Igor Kholin: Buy Your Kids a Poet
7. Oleg Grigoriev: Children! If You Only Knew
8. Dmitri Prigov: I Am Fragile and Small
Epilogue: We Can’t Keep Hold of Big Loud Letters: The Childlike in Post-Soviet Russian Poetry and Prose
Notes
References
Index

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