World Music Pedagogy, Volume III: Secondary School Innovations

World Music Pedagogy, Volume III: Secondary School Innovations provides a rationale and a resource for the implementation of World Music Pedagogy in middle and high school music classes, grades 7–12 (ages 13–18). Such classes include secondary general music, piano, guitar, songwriting, composition/improvisation, popular music, world music, music technology, music production, music history, and music theory courses. This book is not a depository of ready-made lesson plans but rather a tool to help middle and high school teachers to think globally in the music classroom.

Strategies and techniques of World Music Pedagogy are promoted by discussions of a multicultural music education, descriptive vignettes of realistic teaching environments, conversations with culture-bearers/pedagogues, and prompts for self-reflection. This volume approaches important issues of multicultural education and social justice that are often neglected in music education texts—proving to be a valuable resource for both nascent music educators and veteran practitioners alike.

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World Music Pedagogy, Volume III: Secondary School Innovations

World Music Pedagogy, Volume III: Secondary School Innovations provides a rationale and a resource for the implementation of World Music Pedagogy in middle and high school music classes, grades 7–12 (ages 13–18). Such classes include secondary general music, piano, guitar, songwriting, composition/improvisation, popular music, world music, music technology, music production, music history, and music theory courses. This book is not a depository of ready-made lesson plans but rather a tool to help middle and high school teachers to think globally in the music classroom.

Strategies and techniques of World Music Pedagogy are promoted by discussions of a multicultural music education, descriptive vignettes of realistic teaching environments, conversations with culture-bearers/pedagogues, and prompts for self-reflection. This volume approaches important issues of multicultural education and social justice that are often neglected in music education texts—proving to be a valuable resource for both nascent music educators and veteran practitioners alike.

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World Music Pedagogy, Volume III: Secondary School Innovations

World Music Pedagogy, Volume III: Secondary School Innovations

World Music Pedagogy, Volume III: Secondary School Innovations

World Music Pedagogy, Volume III: Secondary School Innovations

Hardcover

$190.00 
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Overview

World Music Pedagogy, Volume III: Secondary School Innovations provides a rationale and a resource for the implementation of World Music Pedagogy in middle and high school music classes, grades 7–12 (ages 13–18). Such classes include secondary general music, piano, guitar, songwriting, composition/improvisation, popular music, world music, music technology, music production, music history, and music theory courses. This book is not a depository of ready-made lesson plans but rather a tool to help middle and high school teachers to think globally in the music classroom.

Strategies and techniques of World Music Pedagogy are promoted by discussions of a multicultural music education, descriptive vignettes of realistic teaching environments, conversations with culture-bearers/pedagogues, and prompts for self-reflection. This volume approaches important issues of multicultural education and social justice that are often neglected in music education texts—proving to be a valuable resource for both nascent music educators and veteran practitioners alike.


Product Details

ISBN-13: 9781138041127
Publisher: Taylor & Francis
Publication date: 04/30/2018
Series: Routledge World Music Pedagogy Series
Pages: 226
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Karen Howard is Assistant Professor of Music Education at the University of St. Thomas.

Jamey Kelley is Assistant Professor of Choral Music Education at the University of North Texas.

Table of Contents

Chapter 1: Teaching and Learning in Context

Chapter 2: Attentive Listening for Cultural Awakenings

Chapter 3: Participatory Musicking

Chapter 4: Performing World Music

Chapter 5: Creating World Music

Chapter 6: Integrating World Music

Chapter 7: Surmountable Challenges and Worthy Outcomes

Appendix 1: Learning Pathways

Appendix 2: List of Audio/Video Recordings

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