In Write to TV (third edition) industry veteran Martie Cook offers practical advice on writing innovative television scripts that will allow you to finally get that big idea out of your head and onto the screen. With this book you’ll learn to craft smart, original stories and scripts for a variety of television formats and genres, including comedy, drama, pilots, web series, and subscription video on demand.
This new edition has been updated with expanded coverage on writing for global audiences, content creation for streaming services such as Netflix, Amazon and Hulu, as well as writing the web series, podcasts and utilizing free platforms such as YouTube. It also features new chapters on writing for niche markets; breaking into the writers’ room; creating binge-worthy series and how to accompany pilot scripts with a series pitch document. Plus, expanded information on creating complex and compelling characters including writing anti-heroes and strong female protagonists and much, much more.
Including information directly from studio and network executives, agents, and managers on what they’re looking for in new writers and how to avoid common pitfalls, advice from successful creators and showrunners on creating original content that sells, and tips from new writers on how to get into a writers room and stay there. This book contains information from more than 20 new interviews, access to sample outlines, script pages, checklists, and countless other invaluable resources, and is the ideal book for anyone who wants to break into the TV writing industry.
|Publisher:||Taylor & Francis|
|Sold by:||Barnes & Noble|
|File size:||3 MB|
About the Author
Martie Cook has over three decades of experience as a respected writer and producer of television and film. She has worked for all four major networks and PBS as well as for Warner Bros., 20th Century Fox, Columbia Pictures and Universal Studios. A member of the Writers Guild of America West, Cook has written for hit television shows such as the top-ten Nielsen rated Full House, and the cult classic, Charles in Charge. She has served as a writer/producer for Entertainment Tonight, America's Most Wanted, and the PBS Emmy Award-winning children's show Zoom. Cook currently teaches Television Writing at Emerson College in Boston, MA, where she also serves as the director of the BFA in Comedic Arts and the Founding Director of the Center for Comedic Arts.
Table of Contents
PART I How Hollywood Works
Chapter 1 FROM DINOSUAR TO DIGITAL: AN OVERVIEW OF THE TV INDUSTRY
Chapter 2 THE LAY OF THE LAND
Chapter 3 THE SPECTACULAR SPEC
Chapter 4 GETTING YOUR SCRIPTS READ
PART II Comedy
Chapter 5 WRITING FOR LAUGHS
Chapter 6 DEVELOPING YOUR COMEDIC STORY
Chapter 7 COMEDIC STRUCTURE
Chapter 8 OUTLINING YOUR COMEDIC STORY
Chapter 9 SCRIPTING YOUR COMEDY
Chapter 10 OTHER KINDS OF TV COMEDY
PART III Drama
Chapter 11 PLOT-DRIVEN DRAMAS
Chapter 12 CHARACTER-DRIVEN DRAMA
Chapter 13 FORMATTING FOR DRAMA
Chapter 14 DRAMADIES
PART IV Creating Original Series
Chapter 15 THE MECHANICS OF A TELEVISION PILOT
Chapter 16 BUILDING YOUR SERIES FROM THE GROUND UP
Chapter 17 SELLING AN ORIGINAL IDEA
PART V Characters
Chapter 18 CREATING COMPLEX AND COMPELLING CHARACTERS
PART VI Dialogue
Chapter 19 WRITING DIALOGUE THAT DANCES ON THE PAGE
PART VII Rewriting, a Necessary Evil
Chapter 20 REWRITE THE HECK OUT OF IT
PART VIII Pitch Perfect: How to Pitch Stories and Series
Chapter 21 ESSENSIALS OF A PROFESSIONAL PITCH
Chapter 22 PITCHING IDEAS FOR EXISITING SERIES
Chapter 23 PITCHING PILOTS
PART IX Niche Can Be Nice
Chapter 24 WRITING FOR FRAGMENTED AUDIENCES
PART X Thinking Out of the Box
Chapter 25 WEB SERIES AND PODCASTS
PART XI The Business Side of Television
Chapter 26 THE WRITERS GUILD OF AMERICA
Chapter 27 AGENTS, MANAGERS, AND ENTERTAINMENT ATTORNEYS
Chapter 28 WRITING TEAMS
PART XII How to Get Your Foot in the Door
Chapter 29 HOW TO GET WORK AS A TELEVISION WRITER
Chapter 30 GETTING THE INTERVIEW
Chapter 31 CONGRATULATIONS, YOU’VE GOT THE JOB … NOW WHAT?
Chapter 32 THE POWER OF NETWORKING
Should You Bring Your Spec Scripts?
Chapter 33 OTHER THINGS THAT CAN HELP YOU SUCCEED
Chapter 34 Welcome to the Room!
Chapter 35 Some Final Thoughts