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Overview

Wuthering Heights
By Emily Brontë, Editorial Oneness (Edited by)

Product Details

ISBN-13: 9780141439556
Publisher: Penguin Publishing Group
Publication date: 12/17/2002
Series: Penguin Classics Series
Edition description: Revised
Pages: 416
Sales rank: 14,096
Product dimensions: 5.09(w) x 7.79(h) x 0.91(d)
Age Range: 18 Years

About the Author

Emily Brontë was born in 1818, the daughter of a curate. She was the most enigmatic of the three famous novelist sisters. Losing her mother very early in her life and following her elder sister Charlotte to school, she found life away from the Haworth parsonage extremely hard. Her time as a teacher at Law Hill School near Halifax was similarly trying. Homesickness drew her back to the moors and the life of a reclusive author. It was there, in 1848, that she died of tuberculosis just months after her brother Branwell. Few of her papers survive and her reputation is based on a few surviving poems and one novel, Wuthering Heights.

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Chapter 1

1801.'I have just returned from a visit to my landlord'the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist's Heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

‘Mr. Heathcliff?' I said.

A nod was the answer.

‘Mr. Lockwood your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts''

‘Thrushcross Grange is my own, sir,' he interrupted, wincing. ‘I should not allow any one to inconvenience me, if I could hinder it'walk in!'

The ‘walk in' was uttered with closed teeth, and expressed the sentiment, ‘Go to the Deuce': even the gate over which he leant manifested no sympathizing movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.When he saw my horse's breast fairly pushing the barrier, he did pull out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court,'‘Joseph, take Mr. Lockwood's horse; and bring up some wine.'

‘Here we have the whole establishment of domestics, I suppose,' was the reflection, suggested by this compound order. ‘No wonder the grass grows up between the flags, and cattle are the only hedge cutters.'

Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. ‘The Lord help us!' he soliloquised in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff's dwelling. ‘Wuthering' being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date ‘1500,' and the name ‘Hareton Earnshaw.' I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.

One step brought us into the family sitting-room, without any introductory lobby or passage: they call it here ‘the house' preeminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been underdrawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser, reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his armchair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gypsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose.

Table of Contents

CHAPTER I 3
CHAPTER II 5
CHAPTER III 10
CHAPTER IV 16
CHAPTER V 19
CHAPTER VI 21
CHAPTER VII 24
CHAPTER VIII 29
CHAPTER IX 33
CHAPTER X 41
CHAPTER XI 49
CHAPTER XII 54
CHAPTER XIII 60
CHAPTER XIV 66
CHAPTER XV 70
CHAPTER XVI 74
CHAPTER XVII 76
CHAPTER XVIII 84
CHAPTER XIX 89
CHAPTER XX 91
CHAPTER XXI 94
CHAPTER XXII 102
CHAPTER XXIII 105
CHAPTER XXIV 109
CHAPTER XXV 113
CHAPTER XXVI 115
CHAPTER XXVII 117
CHAPTER XXVIII 123
CHAPTER XXIX 126
CHAPTER XXX 129
CHAPTER XXXI 132
CHAPTER XXXII 134
CHAPTER XXXIII 140
CHAPTER XXXIV 144

Reading Group Guide

1. To what extent do you think the setting of the novel contributes to, or informs, what takes place? Do you think the moors are a character in their own right? How do you interpret Bronte's view of nature and the landscape?

2. Discuss Emily Bronte's careful attention to a rigid timeline and the role of the novel as a sober historical document. How is this significant, particularly in light of the turbulent action within? What other contrasts within the novel strike you, and why? How are these contrasts important, and how do they play out in the novel?

3. Do you think the novel is a tale of redemption, despair, or both? Discuss the novel's meaning to you. Do you think the novel's moral content dictates one choice over the other?

4. Do you think Bronte succeeds in creating three-dimensional figures in
Heathcliff and Cathy, particularly given their larger-than-life metaphysical passion? Why or why not?

5. Discuss Bronte's use of twos: Wuthering Heights and Thrushcross Grange; two families, each with two children; two couples (Catherine and Edgar, and Heathcliff and Isabella); two narrators; the doubling-up of names. What is Bronte's intention here? Discuss.

6. How do Mr. Lockwood and Nelly Dean influence the story as narrators? Do you think they are completely reliable observers? What does Bronte want us to believe?

7. Discuss the role of women in Wuthering Heights. Is their depiction typical of Bronte's time, or not? Do you think Bronte's characterizations of women mark her as a pioneer ahead of her time or not?

8. Who or what does Heathcliff represent in the novel? Is he a force of evil or a victim of it? How important is the role of class in the novel, particularly as it relates to Heathcliff and his life?

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