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This book combines three influential and much-quoted books Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues, updated with additional new essays, which collectively confront the problem of how, when and from where the blues emerged and developed. It emphasizes the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues. Redressing some of the misconceptions that persist in writing on African-American music, it will be essential reading for all enthusiasts of blues, jazz and country music.
|Publisher:||Cambridge University Press|
|Edition description:||Revised Edition|
|Product dimensions:||7.00(w) x 9.80(h) x 1.10(d)|
Table of Contents
Introduction: yonder come the Blues Paul Oliver; Book One. Savannah Syncopators: African retentions in the Blues: 1. Afternoon - Nangodi; 2. Africa and jazz historian; 3. Music in West Africa; 4. Savannah song; 5. The source of the slaves; 6. Africa and the Blues; 7. Afterword Paul Oliver; Book Two. Blacks, Whites and Blues: Foreword; 8. Minstrelsy; 9. Old familiar tunes; 10. Letting out the Blues; 11. The Idea of the White People; 12. Out West; 13. Out East; 14. Afterword Tony Russell; Book Three. Recording The Blues: 15. The birth of a new industry; 16. The new market 1920-2; 17. The classic blues; 18. Into the field 1927-30; 19. Hard times; 20. Urban blues 1934-40; 21. End of an era 1941-5 Robert M. W. Dixon and John Godrich; 22. Afterword Howard Rye.