"Rowell imbues her magic with awe and spectacle. Its a powerful, politically minded allegory about sexual, ethnic and class identity - with a heady shot of teenage lust." —New York Times Book Review
"It’s a brilliantly addictive, genuinely romantic story about teenagers who can’t be neatly sorted into houses, coping with stress and loss and the confusion of just trying to be who they are. It’s as if Rowell turned the Harry Potter books inside out, and is showing us the marvelous, subversive stuffing inside." —Time Magazine
"Full of heart and humor, this fantastical tale is a worthy addition to the wizarding-school genre." —People Magazine
"Carry On is the fantasy book I didn’t know I’d been waiting for for years...Rowell’s mystery, magic, and political intrigue is the sexiest love story I’ve read in a long time." —Julie Beck, for The Atlantic
"The funny, wised-up dialogue, the tumultuous, sweet, and sexy love story— is grade-A Rowell...almost impossible to put down." —Publishers Weekly (starred review)
"Stock up on copies—this one begs to be reread." —Booklist (starred review)
"With rock-solid worldbuilding, a sweet and believable romance subplot, and satisfying ending, Carry On is a monumentally enjoyable reading experience. Hand this to fans of Rowell, Harry Potter, love stories, and magic." —School Library Journal (starred review)
"Carry On is a triumph. Thrilling and sexy, funny and shocking, deeply moving and very, very magical. Trust me, you have never, ever seen a wizard school like this." —Lev Grossman, #1 New York Times bestselling author of The Magicians trilogy
“Absolutely captivating.” —Kirkus (starred review) on Fangirl
“Rowell manages to capture both the wildly popular universe of fanfic and the inside of an 18-year-old's head. Consider me a fangirl of this charming coming-of-age tale.” —Entertainment Weekly on Fangirl
“A deliciously warm-hearted nerd power ballad destined for greatness.” —New York Journal of Books on Fangirl
“A funny and tender coming-of-age story that's also the story of a writer finding her voice . . . touching and utterly real.” —Publishers Weekly (starred review) on Fangirl
“The magic here is cast not with wands but with Rowell's incredible ability to build complex, vivid, troubling and triumphant relationships.” —Booklist, starred review on Fangirl
“(A) charming coming-of-age novel . . . filled with complex subjects (such as divorce, abandonment, and mental illness) handled in a realistic manner, and the writing effortlessly and seamlessly weaves these threads together.” —School Library Journal, starred review; Best Fiction Books of 2013, on Fangirl
“As funny as it is embarrassing, and as charming as it is true-to-geek-life . . . Fangirl is a cute and poignant read for fangirls and fanboys of all ages.” —Tor.com on Fangirl
2015-11-01
Meta-slash fiction for jaded optimists.Rowell pulls on a central thread of Fangirl (2013)—Cath's fanfic epic of Simon Snow, the Chosen One and Mage's heir—and uses it to weave a tapestry of realigned affections and alliances. Deftly self-contained so that readers need not have read Fangirl to enjoy this tale, it will nonetheless appeal to Harry Potter fans sophisticated enough to recognize the fundamental tropes at work. Simon, an orphaned magician whose power is so immense that he is mostly inept at wielding it, returns to Watford School of Magicks for his final year of education in the magical arts. He has a talented, stalwart friend, a fascinatingly ambiguous foe, and a complicated, emotionally unavailable mentor. There is a great battle between good and evil. But there are also mobile phones, contemporary slang and pop-culture references, and gay romance. Rowell's creation is less preoccupied with the trappings of wizard life than it is focused on the relationships of the characters. The narrative perspective, shifting among Simon and his supporters and opponents, gives voice to their deeper motivations and angst; the dialogue, both internal and external, is contemporary and occasionally profane, with an authentic level of teenage snark.The novel playfully twists genre conventions—there are plenty of wink-wink, nudge-nudge moments to satisfy faithful fantasy readers—but it also stands alone as a modern bildungsroman. Carry on, Simon Snow. (author's note) (Fantasy. 14 & up)
