Chester Himes: A Life [NOOK Book]

Overview

Chester Himes's novels and memoirs represent one of the most important bodies of work by any American writer, but he is best known for The Harlem Cycle, the crime stories featuring Coffin Ed Johnson and Grave Digger Jones. His writing made him a major figure in Europe, but it is only recently that his talents have been acknowledged in the country that spurned him for most of his life, though his work is recognized as being on a par with that of Raymond Chandler, Dashiell ...
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Chester Himes: A Life

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Overview

Chester Himes's novels and memoirs represent one of the most important bodies of work by any American writer, but he is best known for The Harlem Cycle, the crime stories featuring Coffin Ed Johnson and Grave Digger Jones. His writing made him a major figure in Europe, but it is only recently that his talents have been acknowledged in the country that spurned him for most of his life, though his work is recognized as being on a par with that of Raymond Chandler, Dashiell Hammett, and Jim Thompson.
In this major literary biography, acclaimed poet, critic, and novelist James Sallis explores Himes's life as no writer has attempted before. Combining the public facts with fresh interviews with the people who knew him best, including his second wife, Lesley, Sallis casts light onto the contradictions, self-interrogations, and misdirections that make Himes such an enigmatic and elusive subject. Chester Himes: A Life is a definitive study not only of the life of a major African-American man of letters, but of his writing and its relationship to the man himself, drawing a remarkable, deeply affecting portrait of a too often misunderstood and neglected writer. This is a work of high scholarship and of penetrating and passionate insight, a rare conjoining of two fine writers-and as much a work of literature as any of their novels.
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Editorial Reviews

John Leonard
Highly recommended
The Times (London)
Chester Himes: A Life is as intelligent, and as much fun to read, as a book by Himes himself. There is no higher praise.
Ian Rankin
Chester Himes's extraordinary life led him to write extraordinary fiction. It has taken an equally unique writing talent-that of James Sallis-to bring Himes back to life
Reginald McKnight
(Chester Himes: A Life) is written with abundant compassion, excellent research, and a novelist's sense of character, plot, place and narrative tension. <%END%>
Publishers Weekly - Publisher's Weekly
Novelist and critic Sallis (Bluebottle; etc.) delivers a satisfying, thoughtful, long-overdue biography of Chester Himes (1909-1984), a singular American writer and fascinating figure. Sallis outlines the author's threefold marginalization--as a WWII-era literary realist, as a crime novelist and as an African-American writer, a colleague of Wright and Baldwin. With unflagging clarity, he embarks on simultaneous explorations of Himes's writing and his tumultuous personal life. Sallis details Himes's upbringing in a fragmented, middle-class family, his brief infatuation with crime and the inception of his writing career in an Ohio state prison, during which time his work appeared in Esquire. In the 1940s and '50s Himes found himself in a cycle of literary aspirations and disappointments, epitomized by Jack Warner's memorable dismissal: "I don't want no niggers on this lot." Sallis weaves such accounts in with his solid discussions of Himes's important early novels, tightly atmospheric works that failed to find an audience in the racially charged climate. During Himes's expatriation in Europe, financial difficulties drove him toward surreal detective fiction, which won him acclaim late in life, as his health declined. Sallis's astute, writerly riffs on American inequities and literary vagaries zero in on what haunted Himes even in exile. As an "outsider" writer who forged unsettling social panoramas through violent fiction, perhaps Himes's only equal is Jim Thompson, and, similarly, Sallis's pithy book has the import of Robert Polito's biography of that better-known master of American crime. B&w photos. (Feb. 22) Forecast: Booksellers may note the appeal of this title to readers of mystery, literary history and African-American studies, and score a trifecta. Copyright 2001 Cahners Business Information.
Library Journal
Chester Himes (1909-84) wrote some of the 20th century's most memorable crime fiction and has been compared to Jim Thompson, Raymond Chandler, and Dashiell Hammet. His life was just as spectacular as his novels. Sentenced to 25 years in prison for armed robbery when he was 19, he turned to writing while behind bars and, when released after serving eight years, published two novels. Their poor reception by the white establishment only confirmed Himes's beliefs about racism in America. He eventually moved to Paris, spending most of the rest of his life abroad. While in Paris, he began to produce the crime fiction that would make him famous, including A Rage in Harlem and Cotton Comes to Harlem. Sallis (Bluebottle, Eye of the Cricket) admits early on that Himes is a difficult subject for a biography, for he was a multilayered and often difficult person. Yet the author succeeds splendidly in fleshing Himes out in this riveting biography. Recommended for all libraries.--Ron Ratliff, Kansas State Univ., Manhattan Copyright 2001 Cahners Business Information.
Booknews
Drawing on interviews with his wife and others who knew him, poet and novelist Sallis weaves together the facts of the American writer Himes' (1909-84) life with analysis of his fiction to find the relationship between the two. Himes began writing in prison in the early 1930s, and is now known as one of the 20th century's best writers of crime fiction, especially in Germany and his adopted France. This is a paperbound reprint of a 2000 book. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Kirkus Reviews
Despite the appalling turgidity of his prose, Sallis (Gently Into the Land of the Meateaters, p. 289, etc.) successfully salvages the life and literature of Chester Himes from critical and readerly neglect. Sallis covers the basics of biography well, beginning with Himes's birth in Jefferson City, Missouri, in 1909 and covering the details of his life with a moderately careful eye. Raised in middle-class comfort in an educationally minded family, Himes ended up in prison after being convicted of robbery; he was sentenced to hard labor and served seven-and-a-half years. These years were pivotal ones, and Himes later drew upon his experiences extensively in his Harlem Cycle novels, which feature his famous characters Coffin Ed Johnson and Grave Digger Jones. Sallis does not shy away from the disturbing aspects of Himes's past, painting his subject as a man with true faults and weaknesses. These positive aspects of the biography, however, cannot mask its many problems. Baroque prose muddies the biographical waters, as allusions flow freely into an otherwise focused narrative. Must the reader know that Himes's mother would have taken Wallace Steven's"Let be be finale of seem" as her personal motto, had she lived long enough to read him? The most trivial biographical details are sunk in a sea of cultural cross-references, such as when Sallis describes how Himes's mother dressed young Chester in girl's clothing—as did Rilke's mother! Combine this pestering pedantry with a firm dependence upon excessive quotations from Himes's literature and autobiography, and the result is a work that fails to find its own voice. Himes deserves a new audience forthe21stcentury—unfortunately, he also deserves a better biography than this one.
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Product Details

  • ISBN-13: 9780802743572
  • Publisher: Bloomsbury USA
  • Publication date: 2/6/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • Edition number: 1
  • Pages: 350
  • Sales rank: 886,078
  • File size: 5 MB

Meet the Author

James Sallis is the author of more than two dozen volumes of fiction, poetry, translation, essays, and criticism, including the Lew Griffin cycle and Drive. His biography of the great crime writer Chester Himes is an acknowledged classic. Sallis lives in Phoenix, Arizona, with his wife, Karyn, and an enormous white cat.
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Read an Excerpt

1. Unnatural Histories

"That's my life-the third generation out of slavery,"1 Chester Himes ended his 1976 autobiography, a book striking off in so many directions, encompassing so much, that it seems one life could never have contained all this.

Almost thirty years before, in a speech before a mixed audience at the University of Chicago on "The Dilemma of the Negro Writer in the United States," sounding remarkably like one of his models, Faulkner, Himes had written:

There is an indomitable quality within the human spirit that cannot be destroyed; a face deep within the human personality that is impregnable to all assaults . . . we would be drooling idiots, dangerous maniacs, raving beasts-if it were not for that quality and force within all humans that cries "I will live."2

Himes knew a great deal about such assaults-about assaults of every sort. Champion Ishmael Reed3 reminds us that by the time Himes reached the age of nineteen, he'd suffered more misfortune than most people experience in a lifetime. Already Himes had survived his parents' contempt and acrimony for one another, his father's slow slide into failure's home plate, his mother's crippling blend of pride and self-hatred, the childhood blinding of brother Joe for which he felt responsible, subterranean life among Cleveland's gamblers, hustlers, and high rollers, and, finally, a forty-foot plunge down an elevator shaft that crushed vertebrae, shattered bones, and, though he recovered, left him in a Procrustean brace for years and in pain for the remainder of his life. He'd go on to survive eight years in a state prison, early acclaim as a writer followed by attacks and, far worse, indifference, an ever-mounting sense of failure and frustration, tumultuous affairs leading in one case almost to murder, and, as Himes never lets us forget, a lifetime of pervasive, inescapable racial prejudice.

Hardly a representative life? Actually, "for all its inconsistencies, its contradictions, its humiliations, its triumphs, its failures, its tragedies, its hurts, its ecstasies and its absurdities,"4 it is.

In prison Himes had come to believe that people will do anything, absolutely anything. "Why should I be surprised when white men cut out some poor black man's nuts, or when black men eat the tasty palms of white explorers?"5 This belief, along with his own inner turmoil, accounts in large part for the level of violence and abrupt shifts of plot in his work, not to mention the absurd comedy, that so distinguish it. We grow to expect sudden desperate acts from characters who in fact often seem little more than a series of such acts strung together. Pianos and drunken preachers may fall from the sky, children may be fed from troughs like barnyard animals, stolen automobile wheels may roll on their own through most of Harlem, precipitating a chain of unrelated, calamitous events. In Himes's absurd world, Aristotelian logic holds no purchase; neither characters nor readers may rely on cause and effect. We can't anticipate the consequences of acts, have no way to predict what might be around the next corner, on the next page. It could be literally anything. So we're forever off balance, handholds having turned to razors, cups of wine to blood. We look out from eyes filled with a nebulous, free-floating fear that never leaves us. We can depend on nothing, expect anything. And nothing is safe.

Much like his work, Himes's life is filled with contradictions and uncertainties, sudden turns, stabs of violence, dark centers at the heart of light. In his time he was no easy man to know; time's filters haven't changed that. There is so much of the life, so many things done, so many places lived, so many apparent selves and so rich an internal life, that, every bit as much as his fiction, Himes's life seems always overblown, exaggerated, too vivid-as though all experience has been rendered down to one single dark, rich stock. One often feels that it is only the centripetal force of the tensions within him that keeps Himes's world from flying wholly apart. He seems a man who must always work everything out for himself and by himself, creating self and world anew with each effort at understanding, "remaining always (in critic Gilbert Muller's words) radical and unforgiving."6

Whatever they and their jacket notes claim, the majority of writers lead dull lives. They spend much of their lives alone in rooms staring at blank pages or half-filled screens. When not in those rooms, they wander half-lost about the house, quarrel with wives and lovers, drink, worry about their work going out of print or not finding a publisher, read new books to see who might be getting a leg up on them, share with other writers complaints over the horrible state of publishing.

Himes's life, on the other hand, is at least as fascinating as his fiction.

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Customer Reviews

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Sort by: Showing all of 15 Customer Reviews
  • Anonymous

    Posted September 16, 2012

    Skyleap

    Watches the camp uncertainly.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 18, 2012

    Wolfpelt

    He killed the bloodclaws." Stop!" A white shecat yowled and toke the kits. She licked them and purred." Its ok. Eat these." Lays some herbs down.

    1 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 2, 2012

    Bella

    I joined wen camp ws at the other place. I didnt kno tht u were part of ths clan. Bella

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 30, 2012

    Foxlily

    "Hello! Im Foxlily, a cat named Wolfpelt told me to come here." She said as she looked around.~Foxlily

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 27, 2012

    Fireblaze

    No. He says to the other cat. Im Flamestars former mate. But if she wont be my mate then ill never have another mate

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 4, 2012

    Mintdream

    *sigh*

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 30, 2012

    To midnightstorm

    Go to midnightstorm result 1

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 25, 2012

    JOIN THE ANCIENTS!!!!!!!!!!!

    At goddess all results. Known as The Protectors, this clan protects all. Each cat, named after the clan they'll protect when they are of age, is loyal and strong, each with a uniqueness to them. She-cats have the suffix "Goddess" (Example: Thunder Goddess) and toms have the suffix "God" (Example: Revenge God). Ask Star Goddess (protector of Starclan an leader of the Ancients) to join. (Sorry for tresspassing. I'm locked out of the warrior cats books.)

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 24, 2012

    To anybody

    Read my post in the first result

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 23, 2012

    Starclan to this clan firestar

    Um excuse me but firestar isnt used in rp clans. Kts a legendary name and isnt used for anyone. Sorry for the inconveincene

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 16, 2012

    Link

    Is locked out....

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 12, 2012

    READ THIS

    A tiny shekit sits in the bushes peering out at the strange cats, tears streaming down her face. Her fur was caked with blood so you couldnt see her pelt color anymore. The shekit thought back to when she was born. Her mother gave birth to six kits. Only two of them surviving- the shekit and her sister. and the rest dying at birth. Imeadiatley the shekits father hated all his kits because none looked like him. He tried killing the shekit and her sister but when he tried to stab the kits hearts with his razor sharp claws the kits mother threw herself infront of her kits. The kits father tried pulling away but it was too late. His claws went right into the kits mothers throat. She slumped to the ground, gasping for breath and blood pouring out. No... the kits father said. Nononono. Then he lay by his mates side until her last breath while the two kits fled, never to return. The kit has been wandering the forest since that horrid bloody night, flinching at every rustle of leaves or whisper in the wind, fearing that her father would come get her. The shekit whimpered silently then shrieked as thorn sharp claws raked down her pelt. The shekit turned only to be slashed in the face and she fell on her back. She looked up fearfully. There stood above her her giant black uncle. Hello there. He said snarling. H- how did you find me, bloodclaws? The shekit asked flinching. Bloodclaws leaned in close. Because i know everything. Then he raked his claws over the shekits face all the way to the end of her tail then flipped her over and did the same thing. He fipped her back around and bit her constantly. The shekit was screaming now, struggling to get bloodclaws off. He just got a stone and hit her in the head with it knocking her out. Ah. Better. He growled. The shekit was laying in a pool of her own blood now and it was spreading out from under the bushes too. Bloodclaws continued to kill the shekit. She was running out of blood. Soon to die...

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 2, 2012

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted September 30, 2012

    Midnightstorm

    Midnightstorm walks away her eyes and pelt not glowing anymore.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 2, 2012

    Lepordpelt

    Ive been with like five clans totel write now

    0 out of 2 people found this review helpful.

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