The Chronicles of Narnia

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Overview

Between the lamppost and Cair Paravel on the eastern sea lies Narnia, a mystical land where animals hold the power of speech . . . woodland creatures conspire with men . . . dark forces, bent on conquest, gather at the world’s rim to wage war against the realm’s rightful king . . . and the great lion Aslan is the only hope. Into this enchanted world comes a group of unlikely travelers. These ordinary boys and girls, when faced with peril, learn extraordinary lessons in courage, self-sacrifice, friendship, and honor.
These classic stories have enchanted millions around the world. Radio Theatre brings them to life in this dramatized audio production. Recorded in London with an all-star ...
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Overview

Between the lamppost and Cair Paravel on the eastern sea lies Narnia, a mystical land where animals hold the power of speech . . . woodland creatures conspire with men . . . dark forces, bent on conquest, gather at the world’s rim to wage war against the realm’s rightful king . . . and the great lion Aslan is the only hope. Into this enchanted world comes a group of unlikely travelers. These ordinary boys and girls, when faced with peril, learn extraordinary lessons in courage, self-sacrifice, friendship, and honor.
These classic stories have enchanted millions around the world. Radio Theatre brings them to life in this dramatized audio production. Recorded in London with an all-star cast of England’s brightest talent from the stage and screen, an original orchestral score, and cinema-quality digital sound design, this innovative recording provides hours of entertainment for the entire family. The Chronicles of Narnia includes The Magician’s Nephew; The Lion, the Witch, and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair; and The Last Battle.

Editorial Reviews

Publishers Weekly
HarperChildren's Audio completes its latest set of recordings of C.S. Lewis's The Chronicles of Narnia, now available as a stylish boxed set. In 2004, Jeremy Northam and Patrick Stewart were the latest British Shakespearean actors to lend their voices to the classic fantasy series reading The Silver Chair and The Last Battle, respectively. Other previously recorded performers on the collection include Kenneth Branagh, Michael York and Lynn Redgrave. Copyright 2005 Reed Business Information.

Product Details

  • ISBN-13: 9781589972995
  • Publisher: Focus Publishing
  • Publication date: 5/28/2005
  • Format: CD
  • Edition description: Abridged, 22 hrs.
  • Pages: 19
  • Sales rank: 488,268
  • Series: Radio Theatre Series
  • Product dimensions: 5.94 (w) x 5.20 (h) x 3.04 (d)

Meet the Author

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and Tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. His major contributions in literary criticism, children's literature, fantasy literature, and popular theology brought him international renown and acclaim. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include The Chronicles of Narnia, Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

Read an Excerpt

The Chronicles of Narnia Movie Tie-in Edition Prince Caspian

Chapter Fourteen

How All Were Very Busy

A little before two o'clock, Trumpkin and the Badger sat with the rest of the creatures at the wood's edge looking across at the gleaming line of Miraz's army which was about two arrow-shots away. In between, a square space of level grass had been staked for the combat. At the two far corners stood Glozelle and Sopespian with drawn swords. At the near corners were Giant Wimbleweather and the Bulgy Bear, who in spite of all their warnings was sucking his paws and looking, to tell the truth, uncommonly silly. To make up for this, Glenstorm on the right of the lists, stock-still except when he stamped a hind hoof occasionally on the turf, looked much more imposing than the Telmarine baron who faced him on the left. Peter had just shaken hands with Edmund and the Doctor, and was now walking down to the combat. It was like the moment before the pistol goes at an important race, but very much worse.

"I wish Aslan had turned up before it came to this," said Trumpkin.

"So do I," said Trufflehunter. "But look behind you."

"Crows and crockery!" muttered the Dwarf as soon as he had done so. "What are they? Huge people -- beautiful people -- like gods and goddesses and giants. Hundreds and thousands of them, closing in behind us. What are they?"

"It's the Dryads and Hamadryads and Silvans," said Trufflehunter. "Aslan has wakened them."

"Humph!" said the Dwarf. "That'll be very useful if the enemy try any treachery. But it won't help the High King very much if Miraz proves handier with his sword."

The Badger said nothing, for nowPeter and Miraz were entering the lists from opposite ends, both on foot, both in chain shirts, with helmets and shields. They advanced till they were close together. Both bowed and seemed to speak, but it was impossible to hear what they said. Next moment the two swords flashed in the sunlight. For a second the clash could be heard but it was immediately drowned because both armies began shouting like crowds at a football match.

"Well done, Peter, oh, well done!" shouted Edmund as he saw Miraz reel back a whole pace and a half. "Follow it up, quick!" And Peter did, and for a few seconds it looked as if the fight might be won. But then Miraz pulled himself together -- began to make real use of his height and weight. "Miraz! Miraz! The King! The King!" came the roar of the Telmarines. Caspian and Edmund grew white with sickening anxiety.

"Peter is taking some dreadful knocks," said Edmund.

"Hullo!" said Caspian. "What's happening now?"

"Both falling apart," said Edmund. "A bit blown, I expect. Watch. Ah, now they're beginning again, more scientifically this time. Circling round and round, feeling each other's defences."

"I'm afraid this Miraz knows his work," muttered the Doctor. But hardly had he said this when there was such a clapping and baying and throwing up of hoods among the Old Narnians that it was nearly deafening.

"What was it? What was it?" asked the Doctor. "My old eyes missed it."

"The High King has pricked him in the armpit," said Caspian, still clapping. "Just where the arm-hole of the hauberk let the point through. First blood."

"It's looking ugly again, now, though," said Edmund. "Peter's not using his shield properly. He must be hurt in the left arm."

It was only too true. Everyone could see that Peter's shield hung limp. The shouting of the Telmarines redoubled.

"You've seen more battles than I," said Caspian. "Is there any chance now?"

"Precious little," said Edmund. "I suppose he might just do it. With luck."

"Oh, why did we let it happen at all?" said Caspian.

Suddenly all the shouting on both sides died down. Edmund was puzzled for a moment. Then he said, "Oh, I see. They've both agreed to a rest. Come on, Doctor. You and I may be able to do something for the High King." They ran down to the lists and Peter came outside the ropes to meet them, his face red and sweaty, his chest heaving.

"Is your left arm wounded?" asked Edmund.

"It's not exactly a wound," Peter said. "I got the full weight of his shoulder on my shield -- like a load of bricks -- and the rim of the shield drove into my wrist. I don't think it's broken, but it might be a sprain. If you could tie it up very tight I think I could manage."

While they were doing this, Edmund asked anxiously, "What do you think of him, Peter?"

"Tough," said Peter. "Very tough. I have a chance if I can keep him on the hop till his weight and short wind come against him -- in this hot sun too. To tell the truth, I haven't much chance else. Give my love to -- to everyone at home, Ed, if he gets me. Here he comes into the lists again. So long, old chap. Goodbye, Doctor. And I say, Ed, say something specially nice to Trumpkin. He's been a brick."

Edmund couldn't speak. He walked back with the Doctor to his own lines with a sick feeling in his stomach.

But the new bout went well. Peter now seemed to be able to make some use of his shield, and he certainly made good use of his feet. He was almost playing Tig with Miraz now, keeping out of range, shifting his ground, making the enemy work.

"Coward!" booed the Telmarines. "Why don't you stand up to him? Don't you like it, eh? Thought you'd come to fight, not dance. Yah!"

"Oh, I do hope he won't listen to them," said Caspian.

The Chronicles of Narnia Movie Tie-in Edition Prince Caspian. Copyright © by C. Lewis. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. <%END%>

First Chapter

The Chronicles of Narnia (adult edition)

Chapter One

The Wrong Door

This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.

In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won't tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.

She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.

"Hullo," said Polly.

"Hullo," said the boy. "What's your name?""Polly," said Polly. "What's yours?"

"Digory," said the boy.

"I say, what a funny name!" said Polly.

"It isn't half so funny as Polly," said Digory.

"Yes it is," said Polly.

"No, it isn't," said Digory.

"At any rate I do wash my face," said Polly. "Which is what you need to do; especially after --" and then she stopped. She had been going to say "After you've been blubbing," but she thought that wouldn't be polite.

"All right, I have then," said Digory in a much louder voice, like a boy who was so miserable that he didn't care who knew he had been crying. "And so would you," he went on, "if you'd lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been brought to live in a beastly Hole like this."

"London isn't a Hole," said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on --

"And if your father was away in India -- and you had to come and live with an Aunt and an Uncle who's mad (who would like that?) -- and if the reason was that they were looking after your Mother -- and if your Mother as ill and was going to -- going to -- die." Then his face went the wrong sort of shape as it does if you're trying to keep back your tears.

"I didn't know. I'm sorry," said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory's mind to cheerful subjects, she asked:

"Is Mr Ketterley really mad?"

"Well, either he's mad," said Digory, "or there's some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. ell, that looks fishy to begin with. And then there's another thing. Whenever he tries to say anything to me at meal times -- he never even tries to talk to her -- she always shuts him up. She says, 'Don't worry the boy, Andrew', or, 'I'm sure Digory doesn't want to hear about that', or else, 'Now, Digory, wouldn't you like to go out and play in the garden?'"

"What sort of things does he try to say?"

"I don't know. He never gets far enough. But there's more than that. One night -- it was last night in fact -- as I was going past the foot of the attic stairs on my way to bed (and I don't much care for going past them either) I'm sure I heard a yell."

"Perhaps he keeps a mad wife shut up there."

"Yes, I've thought of that."

"Or perhaps he's a coiner."

"Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates."

"How exciting!" said Polly, "I never knew your house was so interesting."

"You may think it interesting," said Digory. "But you wouldn't like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew's step to come creeping along the passage to your room? And he has such awful eyes."

That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day.

Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years. That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing...

The Chronicles of Narnia (adult edition). Copyright © by C. Lewis. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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