4.3 108
by Gennifer Albin

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"May Arras flourish at her touch."


For generations, girls known as Spinsters have been called by Arras' Manipulation Services to work the looms and control what people eat, where they live, how many children they have, and even when they die. Gifted with the unusual ability to weave time with matter, sixteen-year-old Adelice Lewys is exactly what the

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"May Arras flourish at her touch."


For generations, girls known as Spinsters have been called by Arras' Manipulation Services to work the looms and control what people eat, where they live, how many children they have, and even when they die. Gifted with the unusual ability to weave time with matter, sixteen-year-old Adelice Lewys is exactly what the Guild is looking for, and in the world of Arras, being chosen as a Spinster is everything a girl could want. It means privilege, eternal beauty, and being something other than a secretary. It also means the power to embroider the very fabric of life. But Adelice isn’t interested. Because once you become a Spinster, there’s no turning back.

Editorial Reviews

Publishers Weekly
Sixteen-year-old Adelice Lewis can ?manipulate reality—weaving it like threads in a tapestry—a remarkable gift that only Spinsters possess. When Adelice's ability is discovered by the all-powerful Guild, she is torn from her family and thrust into a pampered but tightly controlled new life. Adelice and her fellow entry-level Spinsters learn how to keep the land of Arras running smoothly by regulating things like weather and births and also by "ripping" threads: instantly removing those who might pose a threat. As Adelice learns more about the questionable intentions of the Guild's leaders, she relies on two attractive, attentive guards to help decide both her fate and that of her world. Captivating and intense, Albin's intricate debut has the right balance of mystery, romance, and drama to keep readers' attention; Adelice's media- and appearance-focused society is reminiscent of the Capital in The Hunger Games, though this story's violence is more cerebral and remote. The reality-weaving can get murky, but it's easily forgiven as the plot races along to an unexpected conclusion, setting up the next book in this planned series. Ages 12–up. Agent: Mollie Glick, Foundry Literary + Media. (Oct.)
VOYA - Shana Morales
On Arrars, the Spinsters are chosen to work the looms that weave food and weather--even lives--at Manipulation Services. On her sixteenth birthday, Adelice Lewys, who spent a lifetime trying to disguise her ability to weave, has been discovered and taken from her family. Her ability to weave through time is unique. There is a sense of pageantry to the undertaking the girls face in becoming Spinsters, and Adelice finds herself in the midst of a love triangle as she comes into contact with males roughly her own age for the first time. At the compound where she will live the privileged life of a Spinster under the Creweler and the Guild, Adelice finds herself fighting against everything they stand for. The language of this book feels out of touch with its genre of science fiction/romance, the conversations feel unnatural, and the book is exceedingly difficult to get through. Aspects of Crewel bring comparisons to The Hunger Games; it includes forced viewing of Guild events on the Stream, the pageantry of being a Spinster, and a love triangle, but overall Crewel falls flat among the growing availability of young adult dystopian and science fiction titles. When looking for upcoming titles to add to your library collection, skip this title. Ages 12 to 18.
Children's Literature - Mary Thompson
Imagine living in a world where every aspect of your life—from where you live and what you eat to where you work and when you die—is controlled. Then, imagine being chosen to join the Spinsterhood, an elite group of women who have the power to manipulate the weave of time and control the world of Arras. The Spinsterhood brings one power, eternal beauty, and privilege. One night, Adelice is torn from her home and family to train at the Guild as a Spinster. She soon discovers that the Guild is full of secrets and the real power belongs to the men who run it. Adelice has the ability to weave time without a loom, which attracts both positive and negative attention. Her constant questions and need to uncover the truth behind all the secrets put her life at risk. She does gain the help of two handsome guards, but their motives are questionable. Her special skill singles her out as the best replacement for the current Creweler, the most powerful Spinster who extracts the raw materials from the ruined Earth to form reality and keep the world of Arras running smoothly. The Guild cannot function without the Creweler, but the group fears giving such power to a girl who has such a rebellious nature. Adelice's character is bold and naturally curious. Her snarky comments add humor to the serious storyline. The plot clips along at a nice pace, but the concept of weaving becomes a bit muddled as the romantic element takes over. Although the author deals deftly with the theme of gender roles, discrimination against same-sex relationships is barely touched on. This is an intriguing new take on dystopian romance and will do well where this genre is popular. The cliffhanger ending will have readers hungry for the next installment. Reviewer: Mary Thompson
Kirkus Reviews
Too many slubs in the fabric of this dystopian romance land it in the "irregular" bin. In Arras, men control everything except reality, which is continually woven and re-woven by Spinsters, all women. They labor at the behest of the patriarchal Guild to maintain a post-apocalyptic utopia. Despite being rigorously coached by her parents to fail her aptitude test, 16-year-old Adelice shows her incredible talent at weaving and is wrested violently from her home to labor in the Coventry for the rest of her life. There, she draws the attention of two handsome young men with electric-blue (or cobalt blue, or sometimes just bright blue) eyes, the oily and evil power-hungry ambassador of the Guild, various catty Spinsters and the Creweler, the most powerful Spinster of them all, who extracts the material that forms the reality of Arras from the ruined Earth. Adelice narrates in the genre's now–de rigueur present tense, whipsawing readers through her guilt, grief, fear, revulsion and lust as she learns the power structures of the Coventry and plots to escape. A genuinely cool premise is undermined by inconsistent worldbuilding, fuzzy physics, pedestrian language, characters who never move beyond stereotype and subplots that go nowhere (including a well-meaning but awkwardly grafted-in gay rights thread). These last may reemerge in the sequel that will follow one of the slowest cliffhangers in recent memory. It's clear that Adelice cares deeply about her fate; it's debatable whether readers will. (Dystopian romance. 12-16)
From the Publisher

“The halls of Coventry are dark and twisted places readers will want to visit.” —The New York Times Book Review

“Albin has created a unique world that is as fascinating as it is frightening. Absolutely thrilling!” —Josephine Angelini, bestselling author of Starcrossed

“I love how time in Crewel is a physical, shimmering line that can be touched and woven into a pocket of safety in a lethal world. Original, artistic, layered, and nimble, Albin's novel is a compelling read.” —Caragh O'Brien, author of the Birthmarked trilogy

Crewel is a book about romance, knowing who to trust, and destiny.” —

“The next big YA thing-to-come.” —The Atlantic Wire

“An incredibly interesting mix.” —

“Unusual, brilliant.” —MTV's The

“If you liked The Hunger Games, try Crewel.” —

“The next big dystopian blockbuster.” —Booklist

“Captivating and intense, the right balance of mystery, romance, and drama.” —Publishers Weekly

“Aspects of Crewel bring comparisons to The Hunger Games.” —VOYA

School Library Journal
Gr 7–9—Adelice has the gift: a tremendous talent to see and weave the threads that hold the world of Arras together. And so her parents train her…to be clumsy and awkward, hiding her talent, so she will not be among the chosen, taken away to live forever unmarried, a Spinster. Adelice quickly experiences the title's play on words, for the Guild oversees an often cruel world, where men rule, girls are expected to honor purity standards, and Manipulation Services snips out and reweaves deviant "threads" to maintain order. Renewal patches maintain youth for the rich, and weather, farm crops, and population are all controlled by the Spinsters, who weave and tear out as assigned. Arras is an interesting world, where every part of life can be manipulated upon a loom. Those with the gift to see the threads are required to clean, strengthen, patch, or rip out, directly affecting human life. The book sometimes reads like a Hunger Games wanna-be, with food rationing, a sweet younger sister, transport to a special enclave surrounded by eccentric, hypercontrolling adults, and aestheticians who groom an average girl into a beauty. Spinsters are served by male valets, and Adelice finds herself in a romantic triangle. When she realizes the enormity of her talent, as well as the limits to her life if she remains a Spinster in Arras, she weaves her own creation into the tapestry. Readers will have to wait for the next installment to see how that works out. Consider for purchase in libraries where dystopian romance is popular.—Maggie Knapp, Trinity Valley School, Fort Worth, TX

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Product Details

Farrar, Straus and Giroux
Publication date:
Crewel World Series, #1
Sales rank:
Product dimensions:
5.96(w) x 8.34(h) x 1.16(d)
790L (what's this?)
Age Range:
12 - 17 Years

Read an Excerpt


By Gennifer Albin

Farrar, Straus and Giroux

Copyright © 2012 Gennifer Albin
All rights reserved.
ISBN: 978-0-374-31644-0


I CAN COUNT THE DAYS UNTIL SUMMER draws to a close and autumn seeps into the leaves, painting them ginger and scarlet. Right now, though, the dappled light of mid-afternoon is glorious emerald, and it's hot on my face. With sun soaking into me, everything is possible. When it is inevitably gone—the seasons programmed to begin and end with smooth precision—life will take its predetermined route. Like a machine. Like me.

It's quiet outside my sister's academy. I'm the only one waiting for the girls to be released. When I first began my testing cycle, Amie held her pinkie finger up and made me swear to meet her each day after I got out. It was a hard promise to make, knowing they could call me anytime and sweep me away to the Coventry's towers. But I make it, even today. A girl has to have something constant, has to know what to expect. The last bit of chocolate in the monthly rations; the tidy ending to a program on the Stream. I want my little sister to be able to count on a sweet life, even if the heat of summer tastes bitter now.

A bell tolls and girls pour out in a surge of plaid, their giggles and shouts breaking the perfect stillness of the scene. Amie, who's always had more friends than me, bounces out, surrounded by a handful of other girls in the awkward stages of early adolescence. I wave to her and she dashes toward me, catching my hand and pulling me in the direction of our house. Something about her eager greeting every afternoon makes it okay that I don't have many companions my age.

"Did you do it?" she asks in a breathless voice, skipping ahead of me.

I hesitate for a moment. If anyone will be happy about my mistake, it will be Amie. If I tell her the truth, she'll squeal and clap. She'll hug me, and maybe for a moment I can leach her happiness, fill myself up with it, and believe everything is going to turn out fine.

"No," I lie, and her face falls.

"It's okay," she says with a resolved nod. "At least this way you get to stay in Romen. With me."

I'd rather pretend she's right, to allow myself to get lost in the twelve-year-old's gossip, than face what's coming. I have my whole life to be a Spinster, and only one more night to be her sister. I ooh and aah at the right times, and she believes I'm listening. I imagine that the attention builds her up and completes her, so that when I'm gone she'll have enough not to waste her life searching for it.

Amie's primary academy lets out at the same time as the metro's day shift, so Mom is waiting when we get home. She's in the kitchen and her head snaps up as we enter, her eyes rushing to meet mine. Taking a deep breath, I shake my head, and her shoulders slump in relief. I let her hug me as long as she wants, her embrace flooding me with love. That's why I don't tell them the truth. I want love—not excitement or worry—to be the lingering imprint they leave on me.

Mom reaches up and brushes a strand of hair from my face, but she doesn't smile. Although she thinks I failed at testing, she also knows my time here is almost up. She's thinking that I'll be assigned a role soon, and married shortly thereafter, even if I won't be taken away. What's the point of telling her she'll lose me tonight? It's not important now, and this moment is what matters.

* * *

It's an ordinary evening at our ordinary table, and apart from the overcooked pot roast—Mom's specialty and a rare treat—not much is different, not for my family at least. The grandfather clock ticks in our hall, cicadas perform their summer crescendo, a motopact rumbles down the street, and outside the sky fades into dusky twilight beckoning nightfall. It's a day just like the hundreds that came before it, but tonight I won't tiptoe from my bed to my parents' room. The end of testing also means the end of years of training.

I live with my family in a tiny bungalow outside Romen's metro where my parents have been assigned two children and an appropriately sized house. My mom told me they applied for another child when I was eight—before they discovered my condition—but upon evaluation they were denied. The cost to maintain each individual makes it necessary for the Guild to regulate population. She explained this matter-of-factly one morning as she pinned her hair up into elaborate curls before work. I had asked her for a brother. She waited until I was older to explain that it would have been impossible anyway, due to segregation, but I was still mortified. Pushing my rations around my plate, I realize how much easier it would be if I had been a boy, or if my sister was a boy. I bet my parents wanted boys, too. Then they wouldn't have to worry about us being taken away.

"Adelice," my mother says quietly, "you aren't eating. Testing is over. I would think you'd have an appetite."

She's very good at projecting a calm demeanor, but I sometimes wonder if the carefully painted cosmetics layered until her face is silken with rouged cheeks and plump lips are a ruse to help her stay balanced. She makes it look effortless—the cosmetics, her perfectly pinned scarlet hair, and her secretary suit. She appears to be exactly what is expected of a woman: beautiful, groomed, obedient. I never knew there was another side to her until I was eleven, the year she and my father began training my fingers toward uselessness.

"I'm fine." My response is flat and unbelievable, and I wish I had a perfectly painted face to hide under. Girls are expected to remain pure and natural—in body and appearance—until they're officially released from testing. Purity standards ensure that girls with weaving abilities don't lose them by being promiscuous. Some of my classmates look as beautiful in this state as my mother—delicate and fair. I'm too pale. My skin is washed out against my strawberry hair. If only it was the brilliant fiery red of my mother's or soft gold like my sister, Amie's, but mine is as dull as dirty pennies.

"Your mother made a special dinner," my dad points out. His voice is kind, but the implication is clear: I'm wasting food. Staring at the potatoes and too-dry slices of roast beef, I feel guilty. This meal probably ate up two night's rations, and then there's the cake.

It's a large frosted cake from a bakery. My mom has made us small cakes for our birthdays, but nothing like this fancy white cake with sugar flowers and lacy lines of frosting. I know it cost half a week's rations. Most likely they'll resort to eating it for breakfast later in the week while they wait for their next disbursement. The frail white scallops edging the cake make my stomach turn. I'm not used to sweets, and I'm not hungry. As it is, I can barely bring myself to eat a few bites of the overcooked meat.

"This is exactly the cake I want for my birthday," Amie gushes. She's never had anything like a bakery cake before. When Amie came home from academy today and saw this one, my mom told her she could have one for her next birthday. It's a pretty big deal for a kid who's only had hand-me-downs her whole life, but my mom obviously wants to soften her transition into training.

"It will have to be a bit smaller," Mom reminds her, "and you won't be having any of this one if you don't eat your dinner first."

I can't help smiling as Amie's eyes widen and she begins scooping food into her mouth, gulping it down hard. Mom calls her "an eater." I wish I could eat like her when I'm excited or tense or sad, but nerves kill my appetite, and the fact that this is the last dinner I'll ever share with my family has my stomach in knots.

"Did you get this for Adelice?" Amie asks between bites, revealing bits of chewed food.

"Close your mouth when you eat," my dad says, but I see the corner of his own curling up a bit.

"Yes, Adelice deserved something special today." My mother's voice is quiet, but as she speaks her face glows and a faint smile plays at her lips. "I thought we should celebrate."

"Marfa Crossix's sister came home from testing last week crying and hasn't left her room yet," Amie continues after swallowing the meat. "Marfa said it was like someone died. Everyone is so sad. Her parents are already setting up courtship appointments to cheer her up. She has an appointment with pretty much every boy with an active marriage profile in Romen."

Amie laughs, but the rest of the table falls silent. I'm studying the scallops in the icing, trying to make out the delicate pattern the baker used. Amie doesn't notice the quiet resistance of my parents to the Guild-approved curriculum and marriage laws, but they haven't exactly been honest with her either. I'm old enough to understand why they don't want me to become a Spinster, even if they've always been careful with what they say to me.

My father clears his throat and looks at my mother for support. "Some girls really want to go to the Coventry. Marfa's sister must be disappointed."

"I would be, too," Amie chirps, shoveling a forkful of potatoes into her mouth. "They showed us pictures at academy. Spinsters are so beautiful, and they have everything."

"I suppose," Mom murmurs, slicing small bites of meat with her knife in slow, precise strokes.

"I can't wait for testing." Amie sighs dreamily, and my mother frowns at her. Amie's in too much of a daze to notice.

"Those girls are very privileged, but if Adelice was called, we would never see her again." Mom's response is careful. My parents have started trying to plant doubt in Amie's head, although her tendency to rattle on to anyone listening makes it hard to talk to her about important stuff. But I don't mind listening to Amie relate the dramas of every girl in her class or the programs she saw on the Stream. It's my break before spending every night practicing and rehearsing what to say—and not to say. Curling up with my sister before she falls asleep is when I get my only sense of normal.

But a cake can't buy more than a night's happiness. My parents will have a long road ahead of them preparing Amie to fail at her testing. She's never shown an ounce of weaving ability, but they'll prepare her. I wonder if she'll still be eager to go when it's her turn in four years.

"Marfa says when she's a Spinster she'll always get her picture on the front of the Bulletin so her parents won't worry. That's what I'd do, too." Her face is solemn as though she's really thought this through.

Mom smiles but doesn't respond. Amie fawns over the glitzy images in our daily bulletin like most pre-testing girls, but she doesn't truly understand what Spinsters do. I mean, of course she understands that they maintain and embellish the fabric that makes up our world. Every girl learns that early in academy. But someday my parents will explain what Spinsters really do—that no matter how good their intentions, with absolute power comes corruption. And the Guild has absolute power over us and the Spinsters. But they also feed us and protect us. I listen to my parents, but I don't really understand either. Can a life of providing food and safety for others be that bad? I only know that what's about to happen to me is going to break their hearts, and once I'm gone, I'll never have a chance to tell them I'm okay. I guess I'll have to get my picture on the front of the Bulletin like Marfa Crossix.

The meal continues in silence, and everyone's eyes gravitate toward our fluffy white centerpiece. The small oak dining table sits four perfectly; we can pass bowls and plates to one another, but tonight my mother served us because there's room for nothing but the cake. I envy the gleeful sparkle in Amie's eyes as she stares at it, probably imagining how it will taste or building her grand thirteenth birthday cake in her head. My parents, on the other hand, sit in quiet relief: the closest to celebrating they can muster.

"I'm sorry you failed, Ad," Amie says, looking up at me. Her eyes dart back to the cake, and I see the longing in them.

"Adelice didn't fail," my father tells her.

"But she wasn't chosen."

"We didn't want her to be chosen," my mother says.

"Did you want to be chosen, Ad?" Amie's question is so earnest and innocent.

I barely shake my head.

"But why not?" Amie asks.

"Do you want that life?" Mom asks her quietly.

"Why are you so against the Spinsters? I don't get why we're celebrating." Amie's eyes stay focused on the cake. She's never been so blunt before.

"We're not against the Spinsterhood," Mom responds in a rush.

"Or the Guild," Dad adds.

"Or the Guild," Mom echoes with a nod. "But if you pass testing, you can never return here."

Here—the cramped two-bedroom house in the girls' neighborhood, where I've been safe from the influence of boys my age. My home, with books stashed in hollowed cubbies behind panels in the walls, along with family heirlooms passed down for almost one hundred years from mother to daughter. I've always loved the radio in particular, even if it doesn't work anymore. Mom says that it used to play music and stories and proclaimed the news, like the Stream does now but without the visuals. I asked once why we kept it if it was useless, and she told me that remembering the past is never useless.

"But a Spinster's life is exciting," Amie argues. "They have parties and beautiful dresses. Spinsters have control."

Her last word hangs in the air, and my parents exchange a worried glance. Control? No one granting permission to have children. No predetermined cosmetic routines. No chosen roles. That would be true control.

"If you think they have control—" Mom begins quietly, but my father coughs.

"They have cake," Amie says with a sigh, slumping against the table.

Dad takes one look at her pitiful face, throws his head back, and laughs. A moment later, my usually stoic mother joins in. Even I feel some giggles bubbling up my throat. Amie does her best to look sad, but her frown twitches until it turns into an impish grin.

"Your cosmetic tokens should arrive next week, Adelice," my mom says, turning back to me. "I'll show you how to apply everything."

"Arras knows, I better be able to apply cosmetics. Isn't that a girl's most important job?" The jibe is out of my mouth before I consider what I'm saying. I have a habit of cracking a joke when I'm nervous. But judging from the look of warning on my mom's face, I'm not being very funny.

"And I'll jump right on those courtship appointments," Dad says with a wink, breaking up the tension between Mom and me.

This actually makes me laugh, despite the numbing dread creeping through my limbs. My parents aren't as eager to get me married and out of the house as most girls' families are, even if I am required to be married by eighteen. But the joke can't elevate my mood for long. Right now the thought of getting married, an inevitability that was always too surreal to consider, is out of the question. Spinsters don't marry.

"And I get to help you choose your cosmetic colors at the co-op, right?" Amie reminds me. She's been studying catalogs and style sets since she could read. Mom doesn't take us to the metro co-op to shop often, because it's not segregated, and when she has it's been for home supplies, not something exciting like cosmetics.

"I hear they're increasing the number of teachers in the Corps on assignment day," Dad continues, serious again.

I've always wanted to be a teacher. Secretary, nurse, factory worker—none of the other designated female roles left any room for creativity. Even in a carefully controlled academy curriculum there is more room for expression in teaching than there is in typing notes for businessmen.

"Oh, Ad, you'd be a great teacher," Amie bursts in. "Whatever you do, don't get stuck in an office. We just finished our shorthand class, and it was so boring. Besides you have to food-gen coffee all day! Right, Mom?"

Amie looks to her for confirmation, and Mom gives her a quick nod. My sister's too oblivious to see the pain flash across her face, but I'm not.

"I do make a lot of coffee," Mom says.

My throat is raw from holding back tears, and if I speak ...

"I'm sure you'll get assigned to be a teacher," Mom says, eager to change the subject, and then she pats my arm. I must look nervous. I try to imagine what I would be feeling now if assignment day was only a week away for me, but I can't. I was supposed to go to testing for a month, to be dismissed, and then get assigned. It was the first time I'd been on a loom, one of the large automated machines that show us the fabric of Arras. It was the first time any of us Eligibles had even seen a loom. I only had to act as if I couldn't see the weave, like the other girls, and answer the proctor's questions with my practiced lies. If I hadn't slipped, I would have been dismissed, and then assigned based on my strength assessments at academy. For years, I'd dutifully learned shorthand, home ec, and information storage. But now I'd never get the chance to use any of it.

"We need a new teacher." Amie interrupts my thoughts. "Mrs. Swander left."


Excerpted from Crewel by Gennifer Albin. Copyright © 2012 Gennifer Albin. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Meet the Author

Gennifer Albin holds a masters degree in English Literature from the University of Missouri. During her student years she served as an editor for Pleaides and The Missouri Review, and since then she's founded the tremendously popular blog

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