Crosley turns her satirical eye toward love in a time of searchable options, of data trails, of Instagram-enforced remembering, of an always-present past…The cultlike quality of companies offering camaraderie in lieu of livable wages is an ideal subject for Crosley, who skewers the setup but regards those who fall for it warmly.”
—Maddie Crum, The Washington Post
“[A] sidesplitting novel that serves both as a critique of surveillance capitalism and a redemptive (yet grounded) love story.”
—Emma Levy, The Seattle Times
“A new Sloane Crosley is always a good opportunity to plant yourself on the nearest upholstered object with a book and not get up for several hours. Cult Classic is the second novel from the celebrated humorist, whose essay collections are required reading for smart people who also identify as fun.”
—Jenny Singer, Glamour
"I was hooked from the first chapter. Cult Classic is easily the funniest fiction I’ve read this year. Crosley brings the same offbeat humor she utilized to acclaim in her nonfiction to this novel that defies easy categorization. Riotously funny, suspenseful, weird, and insightful, it’s a unicorn of a book that’s a perfect summer read if you’re looking for something that’ll make you laugh while keeping you on your toes."
—David Vogel, Buzzfeed News
“Cult Classic is an inventive, fantastical comic novel with decidedly modern preoccupations, among them wellness, social media and hipster-cool… As ever, Crosley is reliably funny as well as winningly piquant with her characters' observations.”
—Shelf Awareness
"[Cult Classic] combines Sloane Crosley’s signature humor with a provocative core, and a surprising mashup of genre elements . . . Deliciously satisfying.”
—Jordan Snowden, Apartment Therapy
“Cult Classic is a spirited, sometimes delightfully mean-spirited, occasionally weird trip through urban life and love in the 21st century."
—Carolyn Kellogg, The Boston Globe
"Like your favorite rom-com meets Eternal Sunshine of the Spotless Mind . . . Crosley casts a spell with lightning wit, devilish dialogue, and walloping truths about how little reason there is to anything resembling love."
—Booklist
"Crosley is nothing if not ambitious here, interrogating contemporary wellness culture and the very nature of love as [her narrator] confronts a gauntlet of ghosts from her romantic past . . . It’s Crosley’s analytical acumen and gift for the striking metaphor that really gives the book life. Thoughtfully and humanely acerbic."
—Kirkus Reviews, starred review
“Did the comic romantic thriller exist before Sloane Crosley, or has she invented it? Either way, Cult Classic is a classic. Funny, suspenseful, unputdownable, here is one of America’s wittiest writers at her best. A pleasure on every page.”
—Andrew Sean Greer, author of Less
“The witty, improbably propulsive rom-com you didn't know you were waiting for - and just the sparkling, slightly sinister love letter to New York City that New York City deserves. An effervescent delight.”
—Elif Batuman, author of Either/Or
"Cult Classic makes an uproarious time of romantic carnage. Crosley captures the brutal mirror of past love, the slow creep of ambivalence into dread, and the sense that a detour can easily become a life."
—Raven Leilani, author of Luster
“Cult Classic is aimed with deadly accuracy at those unfortunate enough to have dated only during the twenty-first century. It’s witty—of course, because Sloane Crosley wrote it—and razor sharp, and very clever, ditto, but it’s more romantic and redemptive than one had any right to expect. It also contains one-liners destined to appear on T-shirts and coffee mugs. It’s so good. I couldn’t stop reading it.”
—Nick Hornby, author of High Fidelity
"I love a secret society, and I love a wry narrator alive to the mysteries and absurdities of the world. Cult Classic has both, taking us on a journey that, even as it unspools into comic mayhem, only becomes more real. Here is a book that is unbelievably smart on modern love and startup mystics alike, and a Manhattan that feels accurate down to the molecule. Sloane Crosley can do it all."
—Robin Sloan, author of Mr. Penumbra's 24-Hour Bookstore and Sourdough
01/01/2022
International award winner Cercas expands to literary suspense inEven the Darkest Night, featuring a young ex-con who read Les Misérables in jail and after the murder of his sex-worker mother joins the Barcelona police and is sent to investigate a particularly brutal double murder outside the city. In another genre blender, the New York Times best-selling Crosley purveys humor, psychological twistiness, and strong writing to create what could be a Cult Classic featuring a woman who leaves a work dinner to buy cigarettes and encounters a string of ghostly ex-boyfriends (100,000-copy first printing). From Dermansky (e.g., the multi-best-booked The Red Car), Hurricane Girl sends 32-year-old Allison Brody from the West Coast to the East Coast, where she buys a small house on the beach and is promptly hit by a Category 3 hurricane that leaves her with a bleeding head and some very confused thoughts. Following Delicious Foods, which boast PEN/Faulkner and Hurston/Wright Legacy honors, Hannaham's Didn't Nobody Give a Shit What Happened to Carlotta features a woman who transitioned in prison and is finally released after more than two decades, returning apprehensively to a New York she barely knows and a family that doesn't understand her (40,000-copy first printing). Winner of the Publishing Triangle's Bill Whitehead Award for Lifetime Achievement, Holleran returns after 13 years with The Kingdom of Sand, whose nameless narrator has survived the death of friends from AIDS and his parents from old age and tragedy and is surviving his own end time by enjoying classic films and near-anonymous sexual encounters (50,000-copy first printing). In Laskey's So Happy for You, following Center for Fiction First Novel finalist Under the Rainbow, Robin and Ellie have always been best friends, but queer academic Robin has her doubts about being maid of honor in Ellie's forthcoming wedding. In the medieval-set Lapnova, from ever-edgy, New York Times best-selling Moshfegh, hapless shepherd's son Marek—close only to a midwife feared for her ungodly way with nature—is caught up in the violence surrounding a cruel and corrupt lord. In this follow-up to Newman's multi-starred The Heavens, all The Men in the world mysteriously vanish at once, leaving women both to grieve and to rebuild. Prix Marguerite Yourcenar winner Nganang follows up hisLJ best-booked When the Plums Are Ripe with A Trail of Crab Tracks, whose protagonist slowly reveals his story—and the story of Cameroon's independence—on a prolonged stay with his son in the United States. The dedicated assistant principal at a New Jersey public high school thinks she has a lock on the principal's job when the current principal retires, but alas for the durable protagonist of Perrotta's Election, Tracy Flick [still] Can't Win (300,000-copy first printing). In Thrust, a motherless child from the late 21st century learns that she can connect with people over the last two centuries, from a French sculptor to a dictator's daughter; from Yuknavitch, a Brooklyn Public Library Literary Prize finalist.