Fantasy as a genre is being mixed with all sorts of other elemen
Fantasy as a genre is being mixed with all sorts of other elements these days, so it was inevitable that noir would have its chance as well. Remember noir has already been mixed with steampunk, sci-fi and even comic books. Luckily, my first encounter with fantasy noir or noir fantasy (whichever way you think it’s best described) is Low Town by Daniel Polanksy. This book alone epitomizes what makes each genre great.
Low Town, published by Doubleday, is the first book by Daniel Polansky and an excellent first outing – one that will draw you back for more. And why? Because Polansky has created an awesome world full of compelling history and elements that leaves you wanting to see more, after all it’s called Low Town and thus takes place in the aforementioned Low Town. Polansky has done so simply by combining those aspects, tropes if you will, which define noir and placing them in a secondary world.
But he does so masterfully by including all those elements and aspects you want in both your noir and fantasy. Angry, nasty, drug addled protagonist with a violent past and an even more violent day to day life – check. Snobbish but dangerous and hedonistic high society – check. Cheap pimps, two-timing whores and crime bosses – check. Don’t forget unforgiving violence, crime and the chance at redemption, all of which just covers the noir. For fantasy you have magic, sorcerers, foreign dangerous beings, talking statues and swords.
It makes for a heady mix of action, mystery and violence through which the protagonist, a man only known as the Warden, must navigate. And it’s one where the body count mounts as a result of both Daniel Polansky’s willingness to employ what he smartly calls “the straight razor cure” and the actions of all the characters. Everything has an consequence and as such the story of Low Town and the Warden leaves everything changed at the end of the book. Yet, never to such a degree as to imply that the order of the universe has been changed – for better or worse the world continues.
Part of what makes the world of Low Town so compelling, aside from a surly protagonist with a drug problem who goes about the world in a practical manner, is the fact that it’s set in a time period reminiscent of the industrial revolution. Meaning there is artillery, not just magical, but explosives resulting in explosions, though no guns resulting in battles that involve swords and knives. The balance of technology, between the old and the new, the mechanical and the mundane makes for an excellent world that is both compelling and intriguing. That’s not even mentioning the other parts of the world that Polansky has so delicately placed without spoiling their possisbilities – hell there’s not even a map so everything is truly left to your imagination.
No review would be complete without an in-depth look at the Warden. He is a man with a past, one that in the best of noir’s wisdom haunts him but also provides him with ample opportunity to go about his way. The best feature I found, of the Warden’s, is that he is more than capable. He’s a man that can do much but is always cognizant of his weaknesses and inabilities particularly in comparison to others and when it comes to fights. It’s his vast library of skills which has enabled him to survive and at times thrive in Low Town and ultimately his knowledge that is the deciding factor in any event.
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