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Model Home
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Model Home

3.5 41
by Eric Puchner

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Warren Ziller moved his family to Southern California in search of a charmed life, and to all appearances, he found it: a gated community not far from the beach, amid the affluent splendor of the 1980s. But the Zillers’ American dream is about to be rudely interrupted. Warren has squandered their savings on a bad real estate investment, which he conceals


Warren Ziller moved his family to Southern California in search of a charmed life, and to all appearances, he found it: a gated community not far from the beach, amid the affluent splendor of the 1980s. But the Zillers’ American dream is about to be rudely interrupted. Warren has squandered their savings on a bad real estate investment, which he conceals from his wife, Camille, who misreads his secrecy as a sign of an affair. Their children, Dustin, Lyle, and Jonas, have grown as distant as satellites, too busy with their own betrayals and rebellions to notice their parents’ distress. When tragedy strikes, the Zillers are forced to move to Warren’s abandoned housing development in the desert. In this comically bleak new home, each must reckon with what’s led them there and who’s to blame—and whether they can summon the forgiveness needed to hold the family together.

With penetrating insights into modern life and an uncanny eye for everyday absurdities, Eric Puchner delivers a wildly funny, heartbreaking, and thoroughly original portrait of an American family.

Editorial Reviews

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Meet the Zillers – Warren, Camille, and their three kids – living the life in a Southern Californian gated community, the picture-perfect American family. Or so it seems. There’s Jonas, the youngest, who dresses entirely in orange and is oblivious to the endless trial of humiliation his behavior invites; Dustin, the smart and popular oldest, who’s lucky in love but takes it for granted until it’s too late; and Lyle, the sister in the middle, socially inept, painfully shy, and oddly anemic-looking against the West Coast canvas of tanned starlets and blue skies.

Married for 17 years, Warren is in real estate and Camille makes educational videos with titles like “Conception is FUNdamental.” They’re bright, busy, and determined, yet beneath all the bonhomie lurks a more troubling scenario. When Warren’s real-estate venture goes bust, the car, furniture, and home are all snatched away, and the Zillers are forced to own up to some painful truths. An affair, a tragic accident, and a runaway boy add to their growing estrangement. As they try to recapture what they thought was family intimacy, they only succeed in causing one another more pain.

In Model Home, Eric Bogosian’s acid tongue meets the social commentary of Jonathan Franzen’s The Corrections. Franzen set the bar high, but Puchner clears it with ease. With his first novel, he has penned a comic masterpiece of a family’s implosion that’s troubling, touching, and darkly hilarious.

Marisa Silver
Eric Puchner cannily trades on the very characteristics that have come to define a recognizable California "experience" in order to blast them apart, revealing the uncertainty and terror beneath the glossy postcard version we cling to and dismiss…Puchner is a tender, humane observer of family life, and his lithe prose deepens our understanding of his characters.
—The New York Times
Carolyn See
The Ziller family is utterly believable here. Little Jonas, the kid whom nobody loves, is the perfect example. It's left absolutely up in the air what's to become of him—or his brother, or sister or parents. Sure, if you work hard and don't screw up, you could succeed, except for the fact that everyone screws up mightily sometime. It's actually a miracle that any one of us stays alive from breakfast to lunch. There's a terrible shame involved if you fail in America. But that shame is universal. It clings to us like an invisible, sticky veil. That's what this estimable book is about.
—The Washington Post
Publishers Weekly
Puchner’s heartrending first novel (after the collection Music Through the Floor) traces the gradual ruin of a family in the 1980s. By the time Warren Ziller’s car is repossessed—he tells the family it was stolen and tries to keep the family’s money woes a secret—he realizes he made a mistake in hauling his family from the Midwest to Southern California to get rich quick on real estate. Warren’s wife, Camille, suspects her husband’s squirrelly behaviour indicates he’s having an affair; 11-year-old son Jonas has developed strange obsessions; 16-year-old daughter Lyle is miserable and misanthropic; and college-bound son Dustin is a handsome surfer with punk rock dreams. The unhappy family’s annual camping trip inspires Warren to confess their dire financial straits, earning a momentary reprieve cut short by a natural gas explosion at their house that horribly burns Dustin. The Zillers move to one of Warren’s depressing model homes and nearly fall apart until a new crisis involving Jonas creates a tenuous unity. With careful attention to nuanced and fractured perspectives, Puchner teases a fragile beauty out of the loneliness that separates the members of this family. (Feb.)
Library Journal
Warren Ziller has bankrupted himself and his family in an unsuccessful real estate development in the California desert. When he confesses what he has done, his perfect nuclear family spirals out of control. A gas explosion at their own home forces the Zillers to live in one of the development's unsold houses, and family relations deteriorate until Jonas, the youngest son, runs away. His disappearance and eventual safe return jolts the family back to reality, allowing them to move on. VERDICT Pushcart Prize winner Puchner, a finalist for NYPL's Young Lions Award for his story collection, Music Through the Floor, mixes humor, pathos, tragedy, love, and the struggle for meaning in the convoluted folds of his first novel. Readers will feel the angst of teenage love, the frustration of plans gone wrong, and the heartbreak of the human condition. For anyone who likes fine writing on contemporary domestic crises.—Joanna M. Burkhardt, Ashaway, RI
Kirkus Reviews
Family love flickers capriciously throughout this fine domestic drama, which runs the gamut from hilarious to harrowing. Developer Warren Ziller's first big mistake was to uproot his family from their happy Wisconsin home and move them to a too-expensive house in a lush Los Angeles suburb. He's been told he can make a killing in California real estate, so he rushes to build in the desert without knowing about a planned sludge dump-his second big mistake. In the summer of 1985, facing bankruptcy, he hasn't sold a single property. His sweetly virtuous wife Camille makes educational videos; handsome oldest son Dustin surfs and leads a punk band; daughter Lyle is smart and misanthropic; 11-year-old Jonas is strange and lonely. All of them are oblivious to their impending doom as they perform "the slow, jokey, unrehearsed vaudeville of being a Ziller." Vaudeville is right: There are many laugh-out-loud moments, among them a particularly hilarious scene in which Lyle, drunk on tequila, serves some outraged customers at an ice-cream parlor. More serious developments include Lyle gleefully losing her virginity to the Mexican gatekeeper on their estate and Dustin having bravado sex with the disturbed sister of his less seducible girlfriend. Everything changes at the midpoint, when a gas explosion destroys their home and Dustin is badly burned. Family solidarity reigns supreme during the Zillers' two-month vigil at the hospital, but it's a different story when, with painful irony, they find themselves living next to the sludge dump. Another crisis erupts when Jonas runs away, but even in these dark times, humor keeps bubbling up. The inventive author maintains a swirl of action while encouraging usto ponder some fundamentals. What holds a family together: memories, rituals, crises? And how do parents guard against favoring one child over another?A wild first novel that amply confirms the promise of Puchner's story collection, Music Through the Floor (2005).
From the Publisher
"Heartrending.... With careful attention to nuanced and fractured perspectives, Puchner teases a fragile beauty out of the loneliness that separates the members of this family." ---Publishers Weekly Starred Review

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Two days after his car—an ’85 Chrysler LeBaron with leather seats and all-power accessories—vanished from the driveway, Warren Ziller crept past the expensive homes of his neighbors, trying to match his dog’s limp. Buggy Whip Lane was shrouded in a mist that blurred his glasses. It was June, month of foggy mornings; vines of bougainvillea climbed the telephone poles and hung like tinsel from the wires. Warren tugged at Mr. Leonard’s leash, trying to keep to the narrow horse trail skirting the road. The wood chips at his feet sent up a pleasing funk of manure. He passed the Hathaways’ and Wongs’ and Dunkirks’, the Temples’ and Starchilds’, each house white as a tooth, distinguished only by a lone cactus or bronze deer in the yard or surfboard tipped against the wall. There was something very appealing about these surfboards. They looked doomed and precarious but never seemed to fall over. He’d lived here three years and the sight of them still gave him a thrill. When he tried to define California to himself, to reckon the fathomless miles he’d traveled from Wisconsin, Warren always thought of these beautiful toys on the verge of collapse.

Mr. Leonard stopped along the trail to inspect a rock and began to sing to it. A high, sorrowful croon, as if he might coax the thing into a duet. The mutt was old and arthritic, but it had never occurred to Warren that his mind might deteriorate. As dogs went, he’d always been bright and resourceful, sniffing out lost shoes or figuring out how to open doors with his paws.

“Have you noticed anything funny about Mr. Leonard?” Warren asked when he got home. His children were sitting around the kitchen table together, most likely by accident. The house smelled of McDonald’s and bare feet. Mr. Leonard limped to his bowl and stared at his meager ration of kibbles.

“You mean aside from him singing to rocks?” Lyle said, clipping her toenails into an empty sneaker on the floor. The sneaker was presumably her own.

“You’ve noticed?”

“Any rock. He can’t resist.”

“Maybe someone gave him some LSD,” Jonas suggested.

“I don’t think so,” Warren said.

“Has he been jumping out of windows, thinking he can fly?”

Dustin scoffed. “That’s a myth.”

“Dogs can’t fly?” Lyle said, laying her clippers on the table.

Camille, his wife, looked up from the sink. “There’s nothing funny about it.”

“I think it’s inspiring,” Dustin said. “That he can find love so late in life.”

“In Vietnam,” Jonas said, “they kill dogs when they’re no longer useful and use them for food. There’s a dish called Dog Seven Ways.”

“Boys! That’s enough,” Camille said.

“Yeah,” Lyle said. “Mr. Leonard can hear you.”

The mutt caught his name and came limping over to the kitchen table, tail thumping.

“How do I love thee,” Dustin said, leaning to pet him. “Let me count the ways.”

Camille walked over to Mr. Leonard and bent down to stroke his head, then looked up at them accusingly. “I hope you remember this, what a laugh riot you’re having, when you’re singing to rocks.”

A guilty hush came over the table. In the silence, Warren had a chance to take in the spectacle of his children: Dustin, his college-bound son, shirtless as usual and eating an Egg McMuffin he must have picked up on the way home from surfing, preparing for another deafening day of band practice in the garage; Lyle, his redheaded, misanthropic daughter, sixteen years old and wearing a T-shirt with DEATH TO SANDWICHES stenciled on the front, her latest protest against corporate advertising; Jonas, eleven and haunted by death . . . what could he say about Jonas? Every morning he poured granola in his bowl and then spent five minutes picking out all the raisins and dates, only to sprinkle them back on top. He liked to know where they were so “they wouldn’t surprise him.” Today he was wearing an orange windbreaker over a matching orange shirt. Warren felt something brush his heart, a draft of despair. He glanced under the table: orange corduroys, and—glaring conspicuously above Jonas’s Top-Siders—coral-colored socks.

“Jonas, you’re dressed entirely in orange.”

Jonas nodded.

“He’s exercising his individuality,” Lyle said.

Dustin clapped Jonas on the back. “I admire you for making the rest of us seem normal.”

Warren watched his orange son picking raisins from his cereal. He had enough on his mind already without worrying about the boy’s mental health. “You look like a carrot.”

“Thank you,” Jonas said politely.

Warren frowned. He picked up the front page of the newspaper and was confronted with Mandy Rogers, the mentally retarded girl who’d disappeared from school. It had been two weeks since she went missing. There were signs hanging all over town: the flat, porpoisey face grinning at you from under a cowboy hat. Eerie and inescapable. Warren drove by the Rogerses’ house, its squadron of news vans, on the way to his office every day.

“I wish they’d just find that poor girl’s body,” he said.

“You don’t know she’s dead,” Camille said. “I wish you wouldn’t go putting ideas in their heads.”

“What do you think? She just wandered off?”

“Yeah, Mom,” Lyle said. “She’s waiting at the Lost and Found?”

“Maybe it’s the same guy who stole the Chrysler,” Dustin said.

“I doubt it. Car thieves don’t generally abduct people.”

Warren said this without batting an eye. There were surfboards leaning undisturbed in all their neighbors’ yards, yet Warren’s family had believed him when he’d said the Chrysler was stolen. It dismayed him, how easy it had been. A fake call to the police, a trip downtown to file a report. (The truth was he’d spent the afternoon at the office.) He’d smoothed any wrinkles of doubt by telling them there were bands of crooks who specialized in gated communities, knowing that people left their keys in the car. “Sitting ducks,” he’d called the families of Herradura Estates.

In truth, Warren had been in denial about the Chrysler. He’d hoped—despite the fact that he hadn’t made a payment in six months, had ignored the bill collector’s increasingly terse and belligerent notices—that the lender might just forget the whole business. Instead the men had come at night, while Warren was asleep. He’d gone out to the driveway with Mr. Leonard and found a dark drool of oil where his car had been. And the stain was only a herald of things to come. There was the furniture, the new Maytag washer, the house itself.

Dustin finished his breakfast, licking some grease that had run down his wrist. It was such a boyish gesture, so casually innocent, that the taste of fear eased back down Warren’s throat. He would protect this innocence at all costs. If that meant lying to his family until he found a way out of this mess, so be it.

“How are the Deadbeats?” he asked Dustin, who’d gotten up to wash his hands in the sink. Warren loved to sit in the garage while they practiced, listening to their brain-throbbing music.

“We’re not called that anymore.”

“You’re not?”

“It’s a dumb name,” Dustin said. “We’re trying to think of a better one.”

He turned his back to Warren, searching for something in the fridge. Warren was very familiar with this back. He had whole conversations with it. It was a strong back, beautiful in its gentle slopes and mesas: he’d gotten to know it the way you get to know a favorite view or painting. A back, even a silent one, was better than nothing. Still, there was a certain amount of faith involved: you had to trust it was listening, hunched over a guitar or a surfboard as if you weren’t even there.

His wife had disappeared from the kitchen. Warren got up from his stool at the counter and went to find her. The hallway, like their room itself, was decorated with shell sculptures and turd-colored macramé things and paintings not unlike the splotch of oil staining the driveway. Camille had bought them all at a store called Creativity Unleashed, which sold art by developmentally disabled people. Mandy Rogers’s disappearance had inspired her to invest in heroically unattractive art. She’d wanted to hang it all over the house, but the kids had refused to adorn their walls with “retard paintings” and the bulk had ended up in their bedroom. When Warren objected, wondering if some types of creativity weren’t better off leashed, Camille had called him hardhearted. He couldn’t tell her it was the waste of money that frightened him.

Now he found his wife in the bathroom, tugging at her tennis skirt instead of getting dressed for work. He had to remind himself it was Saturday. Camille made educational videos for the public school system, and Warren often felt guilty for not taking it as seriously as she did. It was her goodness—her belief in higher rewards than money—that he’d always been attracted to.

“Where did Jonas get orange socks?” he asked, watching her put on some lipstick.

“He picked them out at Nordstrom’s,” Camille said.

“You bought them for him?”

“How was I supposed to know he’d dress up like that?”

Warren sat on the bed to untie his sneakers. “Given the choice between a slow kid and a genius who dresses like a carrot, I might have chosen the former.”

“Any word from the police?” she asked.


“About the Chrysler! Did they learn anything?”

Warren shook his head. “Probably scattered all over the state by now,” he said.

Thankfully, Camille didn’t seem to question this and began dabbing her lips with a Kleenex. A little pink T, like a cat’s nose, stained the middle. She was still lovely: blond hair and the sort of wholesome, cheerleadery face, freckled and wide-eyed and slightly bucktoothed, that caused people to smile at her from their cars. She was a Midwesterner in the way Blackbeard was a pirate: iconic to the species. Even when she was angry at Warren she seemed hopelessly preppy, her face a cardigan pink. He wanted to tell her that his project in the desert—for which he’d sacrificed everything, his family’s own future—was a disaster. Everything they had was in peril. If she knew, they could face down the debt collectors—the angry phone calls and investors—together. It would be like before they were married, when Warren was in law school in Chicago and they were living in a run-down studio in Rogers Park, so poor they’d been forced to eat a moose Camille’s brother had shot in Michigan. They’d survived on ground moose meat all winter, using Hamburger Helper to mask the flavor. Moose Helper, they’d called it, laughing at the TV commercials they’d thought up as a joke.

Warren got up from the bed and kissed Camille’s neck, holding the faint bulges that had recently formed at her waist. She turned around in surprise.

“Camille . . .”

The surprise on her face melted to concern. “What is it?”

“There’s something . . .”

He couldn’t meet her eyes. Last week, making love, she’d said something to him strange and terrible, a confession of despair. I want to die. Through the bedroom window, he could see Dustin waxing his surfboard in the backyard, kneeling on the lawn while Jonas practiced his fencing moves. The sun had broken through the mist, lighting the persimmon tree near the garden into a blaze of orange fruit. Beneath it, lunging in the sunlight, his fruit-colored son looked weirdly beautiful.

“Mr. Leonard,” Warren said quietly. “Maybe it’s time we had him looked at.”

© 2010 Eric Puchner

What People are Saying About This

From the Publisher
"Heartrending.... With careful attention to nuanced and fractured perspectives, Puchner teases a fragile beauty out of the loneliness that separates the members of this family." —-Publishers Weekly Starred Review

Meet the Author

Eric Puchner's award-winning short stories have appeared in Zoetrope: All-Story, Best New American Voices 2005, and Pushcart Prize XVIII, and his short story collection, Music Through the Floor, earned him a Pushcart Prize and a Joseph Henry Jackson Award.

David Colacci has been an actor and a director for over thirty years, and has worked as a narrator for over fifteen years. He has won AudioFile Earphones Awards, earned Audie nominations, and been included in Best of the Year lists by such publications as Publishers Weekly, AudioFile magazine, and Library Journal.

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Model Home 3.6 out of 5 based on 0 ratings. 41 reviews.
Anonymous More than 1 year ago
The characters will draw you in, also loved the writing style.
Anonymous More than 1 year ago
Could not put this book down. Each page tapped too closely to many lines that are all too painfully familiar. From the squeamish teenage parties to detailed descriptions of sibling angst this read left me recognizing too much that placed me off kilter long after the last page. I could not decide if i was cheering on the characters because they were all too familiar or because they broke my heart.
Anonymous More than 1 year ago
Fantastic. The characters are well-developed and captivating. They type of characters you miss when the book ends. Puchner's thoughtful insights are there for the taking -- not forced down your throat. (And they are great). I loved Puchner's writing style. He uses more good metaphors than a... than... well, there are a lot of good metaphors. And you will cry. You'll laugh for sure, but you'll cry. If you don't, then write a countervailing review.
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TiBookChatter More than 1 year ago
Dreaming of untold riches in the real estate market, Warren Ziller moves his family to a gated community in (Rancho) Palos Verdes, California. There, they live the American dream. Nice house, nice neighborhood. But Warren has a secret. The real estate development that he's invested in has tanked, and his family has no idea what looms ahead. Once in a while a book comes up out of nowhere and just slaps you in the face. I first heard about Model Home when it was featured in this year's Tournament of Books. Simply put, it sounded like my kind of book. It was set in Southern California, it had all the family dynamics that I seem to crave, and dysfunction. lots of it. I expected to enjoy it, but I did not expect to love it as much as I did. This book will break your heart. You will re-read passages over and over again because Puchner's writing is so exquisite. His writing is both beautiful and raw, which doesn't even sound right when put together in one sentence. "You've got your whole life ahead of you, people liked to say. In truth. there was not much time, a blip, and most of what you did was a mistake. You were lucky to find a safe and proper home. In the end, even the world cast you out, withdrawing its welcome." The characters are so well-developed, that I cried for them. Their predicament is so dire at one point, so delicate and precarious that I had to pace my reading or be overwhelmed by grief. If you search for reviews on this book, you'll see that many found this book to be depressing. I didn't. It's an honest account of a family falling apart, but in many ways it's hopeful too. I want everyone to read this book. It's my fave of the year (so far) and if you happen upon the interview with Eric Puchner, discussing the book, hold off on it until you've read it because it gives a huge plot point away!
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Alicea Acevedo More than 1 year ago
great read, i reccommend it to everyone. the story moves really fast and i felt very invested in the characters.
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When you read a book and you find yourself wondering about the characters after you have finished to me this is the best recommendation you can give and this is the case with this book. The characters were well formed and interesting and as one reviewer said the ending is anticlimatic but I wonder if this is why I find myself thinking about them. Will there be a sequal?
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