Noggin

Noggin

by John Corey Whaley

Narrated by Kirby Heyborne

Unabridged — 8 hours, 45 minutes

Noggin

Noggin

by John Corey Whaley

Narrated by Kirby Heyborne

Unabridged — 8 hours, 45 minutes

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Overview

Travis Coates has a good head...on someone else's shoulders. A touching, hilarious, and wholly original coming-of-age story from John Corey Whaley, author of the Printz and Morris Award-winning Where Things Come Back.

Listen — Travis Coates was alive once and then he wasn't. Now he's alive again. Simple as that.

The in-between part is still a little fuzzy, but Travis can tell you that, at some point or another, his head got chopped off and shoved into a freezer in Denver, Colorado. Five years later, it was reattached to some other guy's body, and well, here he is. Despite all logic, he's still 16, but everything and everyone around him has changed. That includes his bedroom, his parents, his best friend, and his girlfriend. Or maybe she's not his girlfriend anymore? That's a bit fuzzy too.

Looks like if the new Travis and the old Travis are ever going to find a way to exist together, there are going to be a few more scars.

Oh well, you only live twice.

A Simon & Schuster audio production.


Editorial Reviews

The New York Times Book Review - A. J. Jacobs

…Whaley's themes…and characterizations are strong. Whenever I finish a novel with a high concept, I do a little test and ask if the book would hold up if the conceit were magically stripped away, if you removed the gimmicks and were left with only the emotional skeleton. Would I still enjoy Harry Potter if it were about a nerdy nonwizard at a regular old boarding school? Probably, because the characters are so wonderfully drawn…As for Noggin? Well, if it had no time-shifting or cryogenics—if it were about a kid who, say, returned to school after a couple of years abroad—I'd still recommend it, thanks to Whaley's prose. But the transplanted head is a fine bonus.

Publishers Weekly - Audio

09/01/2014
In Whaley’s novel , Travis Coates has his head surgically removed and cryogenically frozen after he dies of leukemia at age 16. Five years after his death, technological advances allow doctors to attach his head to a donor body that is taller and more muscular than the original. Travis awakens to restart life where he left off—sophomore year—,but it has only been five years, just long enough for everyone in he knows to have moved on. His best friend Kyle is struggling through college; his former girlfriend Cate is engaged to someone else. Heybourne masterfully captures the emotional roller coaster of Travis’s journey into a new life—and body. His ability to capture the inflection of this first-person narrative while conveying Travis’s emotions—and often disorientation—is truly commendable. Less praiseworthy is his portrayal of Travis’s two male friends, who are often difficult to distinguish from one another. Otherwise, Heybourne keeps listeners thoroughly engaged in this audio rendition of a truly original story. Ages 14–up. A S&S/Atheneum hardcover. (Apr.)

Publishers Weekly

★ 01/20/2014
Like baseball great Ted Williams, Travis Coates has his head surgically removed and cryogenically frozen after he dies (of leukemia at age 16). Unlike Williams, Travis is a fictional character, and five years after his death, technological advances allow doctors to attach his head to a donor body that’s taller and more muscular than the original. Whaley’s second novel (following his Printz-winning Where Things Come Back) is far more concerned with matters of the heart than with how head reattachment surgery would work. Travis awakens to restart where he left off—sophomore year—but everyone he knew has moved on. Best friend Kyle is struggling through college; former girlfriend Cate is engaged to someone else. As only the second cryogenics patient successfully revived, Travis is in uncharted territory; he’s “over” high school, but not ready to be anywhere else. Travis’s comic determination to turn back the hands of time and win Cate’s love is poignant and heartbreaking. His status in limbo will resonate with teens who feel the same frustration at being treated like kids and told to act like adults. Ages 14–up. Agent: Stephen Barr, Writers House. (Apr.)

April 2014 Teenreads.com

"NOGGIN is an incredibly imaginative way to examine the universal feeling of longing to return to the way things use to be…. Far from predictable, NOGGIN contains a few twists to keep readers guessing, but the real heart of the book is the hang up on the past—the feeling that if you could just remind someone you loved how things used to be, old feelings would quickly return. It also focuses on larger issues, like how to deal with the weight of other's expectations, and how to get a friend to be true to themselves. NOGGIN is a novel about trying for a future very different from the one you planned, and learning to be ok with the change. Funny and relatable, fans of Whaley's first novel WHERE THINGS COME BACK won't be disappointed."

BookPage

"A graceful combination of raw heartbreak and biting wit (including plenty of head puns) guides Travis through [his] existential search for life's meaning and survival. . . . While the novel's premise may be straight out of Hollywood, Travis' voice could not be any truer. Fans of John Green will welcome this smart tearjerker."

March/April 2014 Horn Book Magazine

"Readers will find it easy to become invested in Travis's second coming-of age—brimming with humor, pathos, and angst—and root for him to make peace with his new life."

Booklist

* "Travis Coates has lost his head—literally.... [A] wonderfully original, character-driven second novel. Whaley has written a tour de force of imagination and empathy, creating a boy for whom past, present, and future come together in an implied invitation to readers to wonder about the very nature of being. A sui generis novel of ideas, Noggin demands much of its readers, but it offers them equally rich rewards."

May 2014 New York Times Book Review

The premise of John Corey Whaley’s young adult novel “Noggin” – outlandish as it is – has such wonderful resonance. . . . Whaley has a gift for detail. . . . He can be very funny. . . . And, like [John] Green, he can choke you up.

June/July 2014 Justine Magazine

"We weren't sure what to expect from this one, but were pleasantly surprised by honest, funny and incredibly likeable Travis. As a walking miracle, he should be grateful, but he struggles with feeling out of step in his own life. Noggin is filled with loving relationships that remind us that even with the kindest people and the best intentions, life is complicated."

Shelf Awareness

* "What is it like to be frozen, à la Ted Williams, never believing you'll really come back—and then you do? That's the preposterous premise of John Corey Whaley's novel, conveyed with realistic emotions that keep his narrator, Travis, grounded, and the story credible—and also highly entertaining—for readers. . . . Whaley makes his hero's implausible situation absolutely convincing. The questions lurking behind Travis's sometimes rash actions plague all teenagers. . . . Ultimately this insightful story explores the challenges of intimate relationships and managing expectations. Whaley asks teens to think about the life they want to make for themselves."

February 2014 VOYA

"Whaley’s sweet and raunchy first-person narrative provides a thought-provoking look at the notions of self-awareness, the nature of identity, and the angst of a very special teen. The lively, conversational style will engage teen readers in search of an unusual, but relatable, character. At times hilarious and heart-wrenching, Noggin, with its eye-catching cover art, belongs in all library collections serving young adults."

Booklist

* "Travis Coates has lost his head—literally.... [A] wonderfully original, character-driven second novel. Whaley has written a tour de force of imagination and empathy, creating a boy for whom past, present, and future come together in an implied invitation to readers to wonder about the very nature of being. A sui generis novel of ideas, Noggin demands much of its readers, but it offers them equally rich rewards."

March 2014 School Library Journal

"Travis Coates, 16, is dying of cancer, so he accepts an offer from a cryogenic group to have his head removed and frozen with the hope that it would be attached to another body in the future and he could be reanimated. Five years later, he "wakes up" with a new body and is still 16. . . . The premise of the story is interesting. . . . The author does a good job of describing the emotions and reactions of all of the characters."

School Library Journal - Audio

06/01/2014
Gr 9 Up—Five years ago, Travis Coates died at the age of 16 after a long, hard battle with leukemia. However, Travis was offered a chance to become the 17th test subject in a very unorthodox medical experiment, which involved cryogenically freezing his head and eventually bringing him back to life once science becomes more advanced. Science moves faster than either the doctors or Travis and his family ever imagined, and soon he is back with a healthy 16-year-old body thanks to a generous young donor. Kirby Heyborne fills Travis's voice with a realistic mix of pain, confusion, and the joy of being given a second chance, as he highers and lowers his pitch and volume. He also tackles the many people in Travis's life who had to grieve his loss and must now deal with his return from the dead—albeit with a different body. Heyborne matches his voice to each character, heightening it just enough for the female characters. This is a fascinating story that is sure to ignite lively debate in the classroom or simply as a family listen in the car. Though the topic is mature, there is no graphic content and only a bit of strong language, making this an ideal listen for middle school all the way up to adult. With a bit of selling, this is sure to be a popular audio choice.—Shari Fesko, Southfield Public Library, MI

SEPTEMBER 2014 - AudioFile

When 16-year-old Travis Coates dies from leukemia, he leaves his head behind to be cryogenically preserved for future re-animation. Upon waking five years later with a healthy donor body, Travis tells his miraculous story. Kirby Heyborne embodies every aspect of Travis: his bewilderment at his best friend’s return to the closet, his denial of his girlfriend’s upcoming nuptials, his disgust at finding his own ashes secretly stored at home in an urn, and his horror and sadness at discovering his parents’ divorce. Set against all these obstacles is the unwaveringly lovable voice of Travis’s new best friend, Hatton, who dubs him “Noggin.” Heyborne grounds each of Travis’s head and body jokes with a touch of sarcasm, making the unbelievable seem plausible. M.F.T. © AudioFile 2014, Portland, Maine

Kirkus Reviews

2014-01-15
The madcap story of a boy who loses his head and finds it again. In the not-too-distant future, 16-year-old Travis Coates loses his head once—literally—after a deadly bout with cancer left him for dead. His head, cryogenically frozen as part of an experimental process to bring cancer victims back to life using donors, is the only thing that's left of him until he wakes up with it attached to the body of Jeremy Pratt in the Saranson Center for Life Preservation five years later. From there on out, Travis' life gets just as crazy as Whaley's bizarre setup. Lots of changes have taken place in five years, and Travis soon finds himself losing his head again, in the figurative sense. He has to drag his best friend back out of the closet, discovers terrible secrets about his parents, and pursues his old girlfriend, who is now 21 and engaged to another, great guy, to readers' cringe-inducing embarrassment on his behalf. Readers will recognize the Printz winner's trademark lovable characterizations in Travis' newfound BFF Hatton, who dubs him "Noggin" on his first day back at school. They'll also recognize the poignantly rendered reflections on life, love, death and everything in between. Weird? Yes. Great? Not quite, but it's pretty solid. It may be convoluted as hell, but Whaley's signature cadence and mad storytelling skillz are worth every page. A satisfyingly oddball Frankenstein-like tale of connectivity. (Fiction. 14 & up)

Product Details

BN ID: 2940171031770
Publisher: Simon & Schuster
Publication date: 04/08/2014
Edition description: Unabridged
Age Range: 12 - 17 Years

Read an Excerpt

Noggin
Listen—I was alive once and then I wasn’t. Simple as that. Now I’m alive again. The in-between part is still a little fuzzy, but I can tell you that, at some point or another, my head got chopped off and shoved into a freezer in Denver, Colorado.

You might have done it too. The dying part, I mean. Or the choosing-to-die part, anyway. They say we’re the only species on the planet with the knowledge of our own impending doom. It’s just that some of us feel that doom a lot sooner than expected. Trust me when I tell you that everything can go from fine and dandy to dark and depressing faster than you can say “acute lymphoblastic leukemia.”

The old me got so sick so fast that no one really had time to do anything but talk about how sick he got and how fast he got that way. And the chemo and the radiation and the bone marrow transplants didn’t do anything but make him sicker faster and with much more ferocity than before.

They say you can’t die more than once. I would strongly disagree. But this isn’t a story about the old me dying. No one wants to hear about how I told my parents, my best friend, Kyle, and my girlfriend, Cate, that I was choosing to give up. That’s a story I don’t want to tell. What I do want to tell you, though, is a story about how I suddenly found myself waking up in a hospital room with my throat sore, dry and burning, like someone had shoved an entire bag of vinegar-soaked cotton balls down it. I want to tell you about how I was moving my fingers and wiggling my toes and how the doctors and nurses standing around me were so impressed with this. I’m not sure why blinking my eyes earned a round of applause and why it mattered that I was peeing into a bag, but to these people, it was like they were witnessing a true miracle. Some of the nurses were even crying.

I want to tell you a story about how you can suddenly wake up to find yourself living a life you were never supposed to live. It could happen to you, just like it happened to me, and you could try to get back the life you think you deserve to be living. Just like I did.

They told me I couldn’t talk, said it was too early to try that just yet. I didn’t know why, but I listened anyway. My mom and dad walked in, and she cried big tears and he went in to touch my face, and the nurse asked him to wait, asked him to please step aside until they were sure everything was working okay.

They gave me a small white board and a marker and told me to write my name. I did. Travis Ray Coates. They asked me to write down where I live. I did. Kansas City, Missouri. They asked me to write down my school. I did. Springside High. They asked me to write down the year. I did. Then the room got suddenly quiet, and even though it was bright and clean and I could smell medicine and bleach, I knew something was wrong.

This is when they told me that they’d done it. They’d gone through with the whole cranial hibernation and reanimation thing. They’d actually gone and cut my head off. I was so sure they’d put me under and changed their minds and that I’d gone through all that paperwork for nothing. But then my mom held up a mirror, and I saw that my head was shaved nearly bald and that my neck had bandages wrapped all around it. I looked pretty rough—my lips were purple and cracked, my cheeks were flushed, and my eyes were big and glazed over. Drugged, my eyes were drugged.

I’m going to tell you the truth here and say that I never, not once, not even for a tiny second, thought this crazy shit would work. And I never thought they did either. My parents, I mean. But I looked up at their wet eyes and felt their hands on my hands, and I knew right then that they were as happy as any two people had ever been. Their dead son lying on a bed in front of them, silent but with a beat in his chest again. Mary Shelley’s nightmare come true, right there in a hospital in Denver.

Hospitals. I knew hospitals. I knew them like most kids know their own homes, know their neighborhoods, and know which yards to avoid and which ones it’s safe to leave your bike in. I knew a nurse was only allowed to give you extra pain meds if a doctor had signed off on it first but that getting extra Jell-O only took a few smiles and maybe a joke or two, maybe a flash of the dimples. And like a factory, a hospital has its own rhythm, sounds from every room that collide in the air and echo down into your ears and repeat themselves, even in the nighttime, when the world wants so bad to appear silent and quiet and peaceful. Beeps, footsteps, the tearing of plastic, spinning wheels on carts, Wheel of Fortune on the neighbor’s TV. These were the sounds I died to, and these were the ones that welcomed me back. A world so noisy you have to lean up a bit to hear the familiar doctor as he tries to speak over it all, and just as you were starting to get used to the light, you have to close your eyes to hear him. A world that looks almost exactly the same as the one you closed your eyes to before, so much the same that you think about laughing because you got so close to being done with it all. Until you finally hear the doctor as he speaks a little louder this time.

“Welcome back, Travis Coates.”

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