Sharp Objects [NOOK Book]

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Overview

WICKED above her hipbone, GIRL across her heart
Words are like a road map to reporter Camille Preaker’s troubled past. Fresh from a brief stay at a psych hospital, Camille’s first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls.

NASTY on her kneecap, BABYDOLL on her leg
Since she left town eight years ago, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed ...
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Overview

WICKED above her hipbone, GIRL across her heart
Words are like a road map to reporter Camille Preaker’s troubled past. Fresh from a brief stay at a psych hospital, Camille’s first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls.

NASTY on her kneecap, BABYDOLL on her leg
Since she left town eight years ago, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed again in her family’s Victorian mansion, Camille is haunted by the childhood tragedy she has spent her whole life trying to cut from her memory.

HARMFUL on her wrist, WHORE on her ankle
As Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims—a bit too strongly. Clues keep leading to dead ends, forcing Camille to unravel the psychological puzzle of her own past to get at the story. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.

With its taut, crafted writing, Sharp Objects is addictive, haunting, and unforgettable.


From the Hardcover edition.

Winner of the 2007 CWA Ian Fleming Steel Dagger and John Creasey (New Blood) Dagger Awards

Editorial Reviews

From Barnes & Noble
Barnes & Noble Discover Great New Writers
"My sweater was new, stinging red and ugly." An edgy first line, and it provides the perfect opening for this gritty debut novel by journalist Flynn. Her protagonist, Camille Preaker, is a reporter for a second-rate Chicago newspaper. A solitary woman with a cynical bent, she appears to have carved out a workable life for herself despite a painful past and an estranged family. But when a second young girl turns up missing in Camille's hometown -- shortly after another local girl was found murdered -- Camille's editor sends her home to Missouri to cover the story. The question is, can Camille get to the bottom of the story before her demons get the best of her?

A classic whodunit, Sharp Objects is an gripping page-turner. Readers follow Camille to the field as she examines crime scenes, interviews the friends and family of the victims, and probes reticent investigators for information. After all, the world of investigative reporting is tantalizing. Take, for example, the provocative flirting between Camille and a Kansas City detective assigned to the cases. Is it sex they're after, or simply information? And the gradual unfolding of Camille's alarming past will keep readers riveted until the very last page.

Flynn writes with impressive authenticity about difficult, often painful, subject matter. As its title suggests, Sharp Objects is a cutting, incisive read. (Holiday 2006 Selection)
Patrick Anderson
To loathe one's home town is a venerable literary tradition, but I can't think of another novel that has painted a more scathing, over-the-top portrait of small-town America … Flynn generates suspense over who killed the two little girls. Just about everyone in Wind Gap seems capable of murder, including Camille's nutty mother, nasty kid sister and several members of the girls' families. A lot of writers have warned that we can't go home again, but Wind Gap truly is the home town from hell.
— The Washington Post
From The Critics

Flynn's debut novel focuses on an emotionally fragile young woman whose sanity is being severely tested by family dysfunction, smalltown incivility and murder. It is a mesmerizing psychological thriller that is also quite disturbing and, thanks to reader Lee's chillingly effective rendition, at times almost unbearably so. Camille Preaker, a novice reporter with a history of self-mutilation, is sent to her hometown in Missouri to cover the murder of one teenage girl and the disappearance of another. There, she must face a variety of monsters from the past and the present, including her aloof and patronizing mother, her obnoxiously precocious 13-year-old stepsister who dabbles in drugs, sex and humiliation, and an unknown serial killer whose mutilated victims bring back haunting memories. Lee's interpretation of mom enhances the character's detachment and airy state of denial to an infuriating degree. And her abrupt change of pace when Camille suddenly begins chanting the words carved on her body is hair-raising. But the voice Lee gives to the stepsister—tinged with a sarcastic, cynical and downright evil girly singsong—makes one's blood run cold. Simultaneous release with the Shaye Areheart hardcover (Reviews, Aug. 21). (Oct.)

Copyright 2006 Reed Business Information.

Product Details

  • ISBN-13: 9780307351487
  • Publisher: Crown Publishing Group
  • Publication date: 9/26/2006
  • Sold by: Random House
  • Format: eBook
  • Pages: 272
  • Sales rank: 30,742
  • File size: 338 KB
  • Items ship to U.S, APO/FPO and U.S. Protectorate addresses.

Meet the Author

Gillian Flynn
Gillian Flynn

GILLIAN FLYNN’s debut novel, Sharp Objects, was an Edgar Award finalist and the winner of two of Britain’s Dagger Awards. She lives in Chicago with her husband, Brett Nolan, and a rather giant cat named Roy.

Read an Excerpt

Chapter One

My sweater was new, stinging red and ugly. It was May 12 but the temperature had dipped to the forties, and after four days shivering in my shirtsleeves, I grabbed cover at a tag sale rather than dig through my boxed-up winter clothes. Spring in Chicago.

In my gunny-covered cubicle I sat staring at the computer screen. My story for the day was a limp sort of evil. Four kids, ages two through six, were found locked in a room on the South Side with a couple of tuna sandwiches and a quart of milk. They'd been left three days, flurrying like chickens over the food and feces on the carpet. Their mother had wandered off for a suck on the pipe and just forgotten. Sometimes that's what happens. No cigarette burns, no bone snaps. Just an irretrievable slipping. I'd seen the mother after the arrest: twenty-two-year-old Tammy Davis, blonde and fat, with pink rouge on her cheeks in two perfect circles the size of shot glasses. I could imagine her sitting on a shambled-down sofa, her lips on that metal, a sharp burst of smoke. Then all was fast floating, her kids way behind, as she shot back to junior high, when the boys still cared and she was the prettiest, a glossy-lipped thirteen-year-old who mouthed cinnamon sticks before she kissed.

A belly. A smell. Cigarettes and old coffee. My editor, esteemed, weary Frank Curry, rocking back in his cracked Hush Puppies. His teeth soaked in brown tobacco saliva.

"Where are you on the story, kiddo?" There was a silver tack on my desk, point up. He pushed it lightly under a yellow thumbnail.

"Near done." I had two inches of copy. I needed six.

"Good. Fuck her, file it, and come to my office."

"I can come now."

"Fuck her, file it, then come to my office."

"Fine. Ten minutes." I wanted my thumbtack back.

He started out of my cubicle. His tie swayed down near his crotch.

"Preaker?"

"Yes, Curry?"

"Fuck her."

Frank Curry thinks I'm a soft touch. Might be because I'm a woman. Might be because I'm a soft touch.

Curry's office is on the third floor. I'm sure he gets panicky-pissed every time he looks out the window and sees the trunk of a tree. Good editors don't see bark; they see leaves--if they can even make out trees from up on the twentieth, thirtieth floor. But for the Daily Post, fourth-largest paper in Chicago, relegated to the suburbs, there's room to sprawl. Three floors will do, spreading relentlessly outward, like a spill, unnoticed among the carpet retailers and lamp shops. A corporate developer produced our township over three well-organized years--1961-64--then named it after his daughter, who'd suffered a serious equestrian accident a month before the job was finished. Aurora Springs, he ordered, pausing for a photo by a brand-new city sign. Then he took his family and left. The daughter, now in her fifties and fine except for an occasional tingling in her arms, lives in Arizona and returns every few years to take a photo by her namesake sign, just like Pop.

I wrote the story on her last visit. Curry hated it, hates most slice-of-life pieces. He got smashed off old Chambord while he read it, left my copy smelling like raspberries. Curry gets drunk fairly quietly, but often. It's not the reason, though, that he has such a cozy view of the ground. That's just yawing bad luck.

I walked in and shut the door to his office, which isn't how I'd ever imagined my editor's office would look. I craved big oak panels, a window pane in the door--marked Chief--so the cub reporters could watch us rage over First Amendment rights. Curry's office is bland and institutional, like the rest of the building. You could debate journalism or get a Pap smear. No one cared.

"Tell me about Wind Gap." Curry held the tip of a ballpoint pen at his grizzled chin. I could picture the tiny prick of blue it would leave among the stubble.

"It's at the very bottom of Missouri, in the boot heel. Spitting distance from Tennessee and Arkansas," I said, hustling for my facts. Curry loved to drill reporters on any topics he deemed pertinent--the number of murders in Chicago last year, the demographics for Cook County, or, for some reason, the story of my hometown, a topic I preferred to avoid. "It's been around since before the Civil War," I continued. "It's near the Mississippi, so it was a port city at one point. Now its biggest business is hog butchering. About two thousand people live there. Old money and trash."

"Which are you?"

"I'm trash. From old money." I smiled. He frowned.

"And what the hell is going on?"

I sat silent, cataloguing various disasters that might have befallen Wind Gap. It's one of those crummy towns prone to misery: A bus collision or a twister. An explosion at the silo or a toddler down a well. I was also sulking a bit. I'd hoped--as I always do when Curry calls me into his office--that he was going to compliment me on a recent piece, promote me to a better beat, hell, slide over a slip of paper with a 1 percent raise scrawled on it--but I was unprepared to chat about current events in Wind Gap.

"Your mom's still there, right, Preaker?"

"Mom. Stepdad." A half sister born when I was in college, her existence so unreal to me I often forgot her name. Amma. And then Marian, always long-gone Marian.

"Well dammit, you ever talk to them?" Not since Christmas: a chilly, polite call after administering three bourbons. I'd worried my mother could smell it through the phone lines.

"Not lately."

"Jesus Christ, Preaker, read the wires sometime. I guess there was a murder last August? Little girl strangled?"

I nodded like I knew. I was lying. My mother was the only person in Wind Gap with whom I had even a limited connection, and she'd said nothing. Curious.

"Now another one's missing. Sounds like it might be a serial to me. Drive down there and get me the story. Go quick. Be there tomorrow morning."

No way. "We got horror stories here, Curry."

"Yeah, and we also got three competing papers with twice the staff and cash." He ran a hand through his hair, which fell into frazzled spikes. "I'm sick of getting slammed out of news. This is our chance to break something. Big."

Curry believes with just the right story, we'd become the overnight paper of choice in Chicago, gain national credibility. Last year another paper, not us, sent a writer to his hometown somewhere in Texas after a group of teens drowned in the spring floods. He wrote an elegiac but well-reported piece on the nature of water and regret, covered everything from the boys' basketball team, which lost its three best players, to the local funeral home, which was desperately unskilled in cleaning up drowned corpses. The story won a Pulitzer.

I still didn't want to go. So much so, apparently, that I'd wrapped my hands around the arms of my chair, as if Curry might try to pry me out. He sat and stared at me a few beats with his watery hazel eyes. He cleared his throat, looked at his photo of his wife, and smiled like he was a doctor about to break bad news. Curry loved to bark--it fit his old-school image of an editor--but he was also one of the most decent people I knew.

"Look, kiddo, if you can't do this, you can't do it. But I think it might be good for you. Flush some stuff out. Get you back on your feet. It's a damn good story--we need it. You need it."

Curry had always backed me. He thought I'd be his best reporter, said I had a surprising mind. In my two years on the job I'd consistently fallen short of expectations. Sometimes strikingly. Now I could feel him across the desk, urging me to give him a little faith. I nodded in what I hoped was a confident fashion.

"I'll go pack." My hands left sweatprints on the chair.

I had no pets to worry about, no plants to leave with a neighbor. Into a duffel bag, I tucked away enough clothes to last me five days, my own reassurance I'd be out of Wind Gap before week's end. As I took a final glance around my place, it revealed itself to me in a rush. The apartment looked like a college kid's: cheap, transitory, and mostly uninspired. I promised myself I'd invest in a decent sofa when I returned as a reward for the stunning story I was sure to dig up.

On the table by the door sat a photo of a preteen me holding Marian at about age seven. We're both laughing. She has her eyes wide open in surprise, I have mine scrunched shut. I'm squeezing her into me, her short skinny legs dangling over my knees. I can't remember the occasion or what we were laughing about. Over the years it's become a pleasant mystery. I think I like not knowing.

I take baths. Not showers. I can't handle the spray, it gets my skin buzzing, like someone's turned on a switch. So I wadded a flimsy motel towel over the grate in the shower floor, aimed the nozzle at the wall, and sat in the three inches of water that pooled in the stall. Someone else's pubic hair floated by.

I got out. No second towel, so I ran to my bed and blotted myself with the cheap spongy blanket. Then I drank warm bourbon and cursed the ice machine.

Wind Gap is about eleven hours south of Chicago. Curry had graciously allowed me a budget for one night's motel stay and breakfast in the morning, if I ate at a gas station. But once I got in town, I was staying at my mother's. That he decided for me. I already knew the reaction I'd get when I showed up at her door. A quick, shocked flustering, her hand to her hair, a mismatched hug that would leave me aimed slightly to one side. Talk of the messy house, which wouldn't be. A query about length of stay packaged in niceties.

"How long do we get to have you for, sweetness?" she'd say. Which meant: "When do you leave?"

It's the politeness that I find most upsetting.

I knew I should prepare my notes, jot down questions. Instead I drank more bourbon, then popped some aspirin, turned off the light. Lulled by the wet purr of the air conditioner and the electric plinking of some video game next door, I fell asleep. I was only thirty miles outside my hometown, but I needed one last night away.

In the morning I inhaled an old jelly doughnut and headed south, the temperature shooting up, the lush forest imposing on both sides. This part of Missouri isn't quite mountainous, but the hills are massive, like giant rolling swells. Hitting a summit, I could see miles of fat, hardy trees broken only by the thin strip of highway I was on.

You can't spot Wind Gap from a distance; its tallest building is only three stories. But after twenty minutes of driving, I knew it was coming: First a gas station popped up. A group of scraggly teenage boys sat out front, barechested and bored. Near an old pickup, a diapered toddler threw fistfuls of gravel in the air as his mother filled up the tank. Her hair was dyed gold, but her brown roots reached almost to her ears. She yelled something to the boys I couldn't make out as I passed. Soon after, the forest began to thin. I passed a scribble of a strip mall with tanning beds, a gun shop, a drapery store. Then came a lonely cul-de-sac of old houses, meant to be part of a development that never happened. And finally, town proper.

For no good reason, I held my breath as I passed the sign welcoming me to Wind Gap, the way kids do when they drive by cemeteries. It had been eight years since I'd been back, but the scenery was visceral. Head down that road, and I'd find the home of my grade-school piano teacher, a former nun whose breath smelled of eggs. That path led to a tiny park where I smoked my first cigarette on a sweaty summer day. Take that boulevard, and I'd be on my way to Woodberry, and the hospital.

I decided to head directly to the police station. It squatted at one end of Main Street, which is, true to its word, Wind Gap's main street. On Main Street you will find a beauty parlor and a hardware store, a five-and-dime called Five-and-Dime, and a library twelve shelves deep. You'll find a clothing store called Candy's Casuals, in which you may buy jumpers, turtlenecks, and sweaters that have ducks and schoolhouses on them. Most nice women in Wind Gap are teachers or mothers or work at places like Candy's Casuals. In a few years you may find a Starbucks, which will bring the town what it yearns for: prepackaged, preapproved mainstream hipness. For now, though, there's just a greasy spoon, which is run by a family whose name I can't remember.

Main Street was empty. No cars, no people. A dog loped down the sidewalk, with no owner calling after it. All the lampposts were papered with yellow ribbons and grainy photocopies of a little girl. I parked and peeled off one of the notices, taped crookedly to a stop sign at a child's height. The sign was homemade, "Missing," written at the top in bold letters that may have been filled in by Magic Marker. The photo showed a dark-eyed girl with a feral grin and too much hair for her head. The kind of girl who'd be described by teachers as a "handful." I liked her.

Natalie Jane Keene

Age: 10

Missing since 5/12

Last seen at Jacob J. Asher Park, wearing

blue-jean shorts, red striped T-shirt

Tips: 588-7377

I hoped I'd walk into the police station and be informed that Natalie Jane was already found. No harm done. Seems she'd gotten lost or twisted an ankle in the woods or ran away and then thought better of it. I would get in my car and drive back to Chicago and speak to no one.

Turns out the streets were deserted because half the town was out searching the forest to the north. The station's receptionist told me I could wait--Chief Bill Vickery would be returning for lunch soon. The waiting room had the false homey feel of a dentist's office; I sat in an orange endchair and flipped through a Redbook.


From the Hardcover edition.
Customer Reviews
Average Rating 4
( 163 )

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  • Posted July 7, 2010

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    Disturbing But Compelling

    This was Flynn's first novel, but I read her second (unrelated) novel, Dark Places, first. Both do have points of similarity. Both have very damaged protagonists and both have great voices and striking prose. Both have disturbing themes and imagery. I liked this one much more though. Her next book has if anything an even more memorable and well-drawn protagonist and ambitious structure--but in this one the resolution made much more sense; it really held together with a wicked twist in the end.

    This isn't a genteel drawing room mystery but very gritty and noirish. This story deals with two child murders in a small Missouri town where the little girls had their teeth ripped out. The protagonist, Camille Preaker, is a reporter who returns to her hometown to cover the story. In isolation Camile might seem extreme, even repulse a reader with her self-destructive actions--she has a history as a cutter and if she's not an alcoholic, she's clearly on the way. But in the context of her family and hometown her behavior is explicable and sympathetic. Her mother is among the more well-drawn human monsters I've read in a work of fiction and yet seems just all of a piece in her setting--Flynn is very good at invoking the sharp cruelties in this small town across generations. The novel is a well-paced, compelling read I won't soon forget.

    3 out of 3 people found this review helpful.

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  • Posted January 30, 2010

    I Also Recommend:

    intriguing, freaky, suspenseful book

    Camille Preaker isn't the most likeable heroine and sometimes I think I would call her the anti-heroine. She does a lot of stupid things in this book but I always hope she succeeds. Camille is the most unusual main character I have ever read about. Her form of self-mutilation is unusual and fascinating. I'm glad I bought this book so I can re-read it because it is an unusual book and I raced thru it and the twist at the end was a huge surprise. I did not expect it at all. I look forward to reading this author's second book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 23, 2009

    Gillian Flynn Needs A Vacation from the Dark Side!

    After reviewing another Flynn novel, "Dark Places", a few posts ago, I was a little hesitant to do another one. Don't get me wrong. Flynn is a very talented author, but you really have to be in the mood for her. Her books are not frivolous beach reads, filled with rich girls shopping and sleeping around to their hearts content. Flynn's novels are dark and messy. The covers are jet black, with one small picture in the middle. I have to say that of the two, I preferred the book I am about to review, "Sharp Objects".

    This is the story of Camille Preaker, a Chicago newspaper reporter. Camille is sent back to her hometown in Missouri to report on the murders of two preteen girls. While there, she must deal with family ghosts...a mother who never loved her, a half-sister she has never met, and a sister who died long ago. Her past is not pretty, but she must confront it if she wants to report on the murders and get on with her life.

    "Sharp Objects" is hard to put down but not a fun read. Gillian Flynn just needs to go on vacation somewhere and relax to get away from her dark side. I will be reviewing "Twenties Girl" by Sophie Kinsella, the queen of chick lit, very soon! I need to get back into "summer" mode!

    MY RATING - 4

    To see my rating scale and more reviews, please check out my blog:
    http://www.1776books.blogspot.com

    1 out of 1 people found this review helpful.

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  • Posted December 26, 2011

    more from this reviewer

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    Could not put it down

    Just finished it and I could not put it down! It was creepy and interesting in a way that I haven't seen before in a murder mystery thriller horror whichever this was and I'm an avid reader mind you. If you liked this book I would definitely recommend Don't Breathe a Word by Jennifer Mcmahon (spelling?) that's the only other book I've read that even comes close to the dark thrill of this book.

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  • Anonymous

    Posted September 19, 2011

    Good book

    I knew who did it after the first 60 pages but didnt knoww how or why so i kept reading. Great twist and turns

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  • Posted July 17, 2011

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    Excellent

    Dark story about family relationships and small town living.

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  • Posted May 23, 2011

    Great read!

    Very gripping and fast-paced story. I enjoyed this book a lot and also liked her other book - Dark Places. Good book for lovers of well-written suspense novels.

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  • Posted April 6, 2011

    Excellent novel

    Great, well written first novel. Kept me guessing until the end. Dark writing but it makes for compelling reading. I would highly recommend this novel. I look forward yo reading this authors next novel.

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  • Posted February 16, 2011

    great first novel!

    After reading Dark Places I was hooked on Gillian Flynn and knew I had to read more of her work. Sharp Objects did not disappoint. She kept me pulled into Wind Gap until the end.

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  • Posted February 7, 2011

    more from this reviewer

    Fantastic and Wicked

    Excellent story. Dark, but fun.

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  • Posted January 24, 2011

    more from this reviewer

    Excellent Book

    I loved this book. Very disturbing!! But I absolutely loved it!!

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  • Posted October 13, 2010

    Nothing less than Extraordinary!

    There are many ways to find out whether a book is worthy of our time. Usually they're recommended, required for a class of some sort, or the summary seems interesting enough. And in this case, with this particular book just picking it up seems/seemed right and worth it.

    If you love the dark scene, lust, gore, and visuals...you'll fall for this novel. Barbed twisted goodness all in one!!!

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  • Posted October 3, 2010

    Could Not PUT IT DOWN!!!!!

    She is 1 of the best writers i have had the pleasure to experience in a LONG time!!!! this book and her other 1 "Dark Places" are Amazing !!!! i read them both in 2 days each . on the edge of your seat books!!!!

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  • Posted August 19, 2010

    more from this reviewer

    I Also Recommend:

    One of a kind!

    Gillian Flynn needs to write more books. After reading Sharp Objects and Dark Places (a must read as well!) Flynn has entered my list of top authors. Her main characters are unique and interesting, the plots have great twists, her writing style is addictive...if you like suspense and and something a little disturbing, this is your book.

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  • Posted August 9, 2010

    more from this reviewer

    Great Read!

    I loved this book! I was a little intimidated after reading some of the reviews of other readers saying that it was dark, but I decided to go ahead and try it out and I am SO happy that I did. I couldn't put it down. I guess Dark reads are right up my alley. Can't wait for more from this author.

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  • Posted May 5, 2010

    I Also Recommend:

    A Stab into the reality of cutting disorders and Munchausen syndrome by proxy along with a story garaunteed to keep you awake!

    I love a good mystery, but this delivered even more! A voyeuristic view into the happenings of a severely disfunctional family and the lengths to which they will go to stay together!
    Totally thrilling! Couldn't put it down!

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  • Posted March 28, 2010

    I Also Recommend:

    Defines Disturbing!(In a good way)

    This book is so twisted and unbelievablly sick, and yet I could not stop reading it! Once you start, you can't stop. The story is so thick and heavy with mystery and suspense, that you can't push through and figure things out until the very end! I recommend this book to anyone that loves a good thriller, because this one is great!

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  • Posted March 21, 2010

    more from this reviewer

    I Also Recommend:

    Amazing & Disturbing

    A disturbing story, but that one pushes you to turn each page and immerse yourself in the lives of all of the characters. This is one that you have to be prepared to read through several disturbing topics, but it is an unbelievably disturbing, and amazing good read. I could not put this down and finished it within a couple of days, and thought about if for quite some time afterwards.

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  • Anonymous

    Posted February 20, 2010

    Predictable

    I read this authors second offering first; Dark Places. It was what encouraged me to read Sharp Objects. Overall Sharp Objects is a quick read but not something I would have read had Dark Places not been so well written. The ending is very predictable, which is a bit of a disappoitment.

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  • Posted February 19, 2010

    Can't Wait For Her Next One!

    Ms. Flynn is a great story teller! Her characters are real and true. I could almost hear how they spoke. This is a great first time novel. I recomment this one to anyone who likes character studies or a good who done it type thriller. I like her writing style and could not put it down once I got into it.

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