Someone Comes to Town, Someone Leaves Town

( 11 )

Overview

"Alan is a middle-aged entrepreneur in contemporary Toronto who has devoted himself to fixing up a house in the bohemian neighborhood of Kensington. This naturally brings him in contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings - wings, moreover, that grow back after each attempt to cut them off." "Alan understands. He himself has a secret or two. His father is a mountain, his mother is a washing machine, and among his brothers is a set of Russian ...
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Overview

"Alan is a middle-aged entrepreneur in contemporary Toronto who has devoted himself to fixing up a house in the bohemian neighborhood of Kensington. This naturally brings him in contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings - wings, moreover, that grow back after each attempt to cut them off." "Alan understands. He himself has a secret or two. His father is a mountain, his mother is a washing machine, and among his brothers is a set of Russian nesting dolls." "Now two of the three nesting dolls, Edward and Frederick, are on his doorstep - well on their way to starvation because their innermost member, George, has vanished. It appears that yet another brother, Davey, whom Alan and his other siblings killed years ago, may have returned...bent on revenge." Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's Dumpsters. But Alan's past won't leave him alone - and Davey is only one of the powers gunning for him and all his friends.
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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
The madman/genius who calls himself Cory Doctorow (Down and Out in the Magic Kingdom, Eastern Standard Tribe, et al.) is at it again, this time with a brilliantly bizarre novel about a "man" (the son of a mountain and a washing machine!) who, while trying to both evade and murder his undead brother, is on a holy mission to build a free wireless Internet in Toronto.

Alan appears to be a middle-aged entrepreneur who has just moved into a bohemian section of Toronto with the dream of writing. He is goodhearted, outgoing, and -- unbeknownst to most -- totally inhuman. With a family that is "uncatalogued and unclassified in human knowledge" (his father is a gigantic heap of dirt; his mother is an appliance; and his brothers include Russian nesting dolls, an island, and a sadistic zombie), Alan has his fair share of secrets. But so, too, does his neighbor. An enigmatic young woman with wings growing out of her back, she gets drawn into Alan's search for his vengeance-obsessed brother, as Alan becomes involved in her struggle to somehow remove her wings permanently and escape the clutches of an abusive boyfriend.

To read Doctorow is to love Doctorow. From his classic short story "Craphound," about a junk collector and his alien sidekick, to Eastern Standard Tribe, a novel about an agent provocateur in a secret society who may or may not be nuts, every story he writes is practically guaranteed to be witty, irreverent, challenging, and completely outrageous. Someone Comes to Town, Someone Leaves Town is no different: It's classic Cory. Paul Goat Allen
Toronto Globe and Mail

"His best work to date."
Cargo Magazine

"Doctorow is one of sci-fi's most exciting young writers, and one of the few with a genuine sense of humor."
Gene Wolfe

"A glorious book unlike any book you've ever read."
SciFi.com - Paul Di Filippo
"Dazzles . . .What probably carries the whole project is Doctorow's deft, deep depiction of his characters.
Locus - Damien Broderick
"A demented non-stop juggling act.
SFReviews - Thomas M. Wagner
"The one that puts [Doctorow] over the top as one of the rare, demonically original, challenging and gifted writers.
Locus - Faren Miller
"[a] loose-jointed, wandering, ramshackle compendium of casual weirdness
The Agony Column - Rick Kleffel
"Doctorow strings together wonderfully witty words into pithy sentences . . . . expect to enjoy this novel immensely.
SciFi.com Paul Di Filippo

"Dazzles . . .What probably carries the whole project is Doctorow's deft, deep depiction of his characters."
Locus Damien Broderick

"A demented non-stop juggling act."
SFReviews Thomas M. Wagner

"The one that puts [Doctorow] over the top as one of the rare, demonically original, challenging and gifted writers."
Locus Faren Miller

"[a] loose-jointed, wandering, ramshackle compendium of casual weirdness"
The Agony Column Rick Kleffel

"Doctorow strings together wonderfully witty words into pithy sentences . . . . expect to enjoy this novel immensely."
Publishers Weekly
It's only natural that Alan, the broadminded hero of Doctorow's fresh, unconventional SF novel, is willing to help everybody he meets. After all, he's the product of a mixed marriage (his father is a mountain and his mother is a washing machine), so he knows how much being an outcast can hurt. Alan tries desperately to behave like a human being or at least like his idealized version of one. He joins a cyber-anarchist's plot to spread a free wireless Internet through Toronto at the same time he agrees to protect his youngest brothers (members of a set of Russian nesting dolls) from their dead brother who's now resurrected and bent on revenge. Life gets even more chaotic after he becomes the lover and protector of the girl next door, whom he tries to restrain from periodically cutting off her wings. Doctorow (Eastern Standard Tribe) treats these and other bizarre images and themes with deadpan wit. In this inventive parable about tolerance and acceptance, he demonstrates how memorably the outrageous and the everyday can coexist. Agent, Russell Galen. (May 5) FYI: Doctorow won the 2000 John W. Campbell Award for Best New Writer. Copyright 2005 Reed Business Information.
Library Journal
When Alan moves to an eccentric part of town hoping to write a story to be published posthumously, he introduces himself to his next-door neighbor Mimi, who shows him her deepest secret-the wings that protrude from her back only to be cut four times a year to hide their presence. Alan, too, is an oddity, the son of a mountain and a washing machine, with a set of nesting Russian dolls for brothers. Doctorow (Down and Out in the Magic Kingdom) breaks new ground in his latest novel, a nonlinear tale of the relationship between the fantastic and the freakish, of real life and cyberspace. The cast of name-shifting characters whose reality transcends the peculiarities of their circumstances and a search for identity in a world of impermanence and utter strangeness calls into question the nature of truth in a world where knowledge is both instantaneous and unreliable. Magical realism and literary iconoclasm abound in a novel that should appeal to fans of experimental fiction in a near-future setting. Copyright 2005 Reed Business Information.
Kirkus Reviews
Fine modern fantasy from up-and-coming SF writer (Down and Out in the Magic Kingdom, 2003) and happening Web editor (boingboing.net) Doctorow, with the potential to please both SF and mainstream readers. This chimera of a novel takes a plot with the geek appeal of a Neal Stephenson story and combines it with a touching family tale built out of absurdist elements that could have come from Italo Calvino or Kurt Vonnegut. We first meet Alan in Toronto, after he's made some money running a series of vaguely bohemian enterprises-bookstores, used-clothing stores, etc. He has painstakingly renovated a house in the student district as the perfect setting for writing, but he's distracted by his neighbors, primarily the sadistic punk Krishna, who is immediately hostile, and Krishna's girlfriend, Mimi, an attractive young woman who's revealed to have a set of wings, which Krishna regularly hacks off so that Mimi might pass among us. Both recognize Alan as something other than normal, and in the story's other thread, they're proven right. His mother was a washing machine, his father the mountain in which he grew up. Among his brothers are an island and three nesting-doll-like creatures, all of whom help Alan murder their resentful and dangerous brother David. Alan is further distracted when he meets Kurt, a techno-punk slowly installing wireless access points throughout the city to provide universal free Internet, a scheme that immediately engages Alan, who becomes the co-mastermind. Crisis blossoms when, with Krishna as his Renfrew, decomposing brother David returns to seek revenge, first by murdering the brothers, then targeting Mimi, now with Alan, and Kurt. Smart, clever, delightful stuff; itfalls short of perfect-there are some unconvincing moments-but it's still likely to be one of the better non-magic-and-dragon fantasies this year.
From the Publisher

Praise for Cory Doctorow

"I know many science fiction writers engaged in the cyber-world, but Cory Doctorow is a native...We should all hope and trust that our culture has the guts and moxie to follow this guy. He's got a lot to tell us."
--Bruce Sterling

"Cory Doctorow is just far enough ahead of the game to give you the authentic chill of the future...Funny as hell and sharp as steel."
--Warren Ellis, author of Transmetropolitan, on Eastern Standard Tribe

"Utterly contemporary and deeply peculiar-a hard combination to beat (or, these days, to find)."
--William Gibson, author of Neuromancer, on Eastern Standard Tribe

"Doctorow throws off cool ideas the way champagne generates bubbles...[he] definitely has the goods to be a major player in postcyberpunk science fiction. His ideas are fresh and his attitude highly engaging."
--San Francisco Chronicle on Down and Out in the Magic Kingdom

"Artful and confident...Like William Gibson and Bruce Sterling, Doctorow has discovered that the present world is science fiction, if you look at it from the right angle."
--Vancouver Sun on Eastern Standard Tribe

"Doctorow peppers his novel with technology so palpable you want to order it up on the web. You'll probably get the chance. But technology is not the point here. What is unexpected, shocking even, is how smart Doctorow is when it comes to the human heart, and how well he's able to articulate it....He seems smart because he makes the reader feel smart. When Doctorow talks, when Art argues, we just get it. There's nothing between the language and the meaning. The prose is funny, simple and straightforward. This is a no-BS book."
--NPR on Eastern Standard Tribe

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Product Details

  • ISBN-13: 9780765312808
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 5/30/2006
  • Edition description: REPRINT
  • Pages: 320
  • Sales rank: 995,187
  • Product dimensions: 5.50 (w) x 8.24 (h) x 0.89 (d)

Meet the Author

Cory Doctorow

Canadian-born Cory Doctorow is the UK coordinator for Creative Commons and the European Affairs Coordinator of the Electronic Frontier Foundation. He is the co-editor of the popular weblog Boing Boing, with nearly a million visitors a month; he also maintains a personal site. He won the John W. Campbell Award for Best New Writer at the 2000 Hugo Awards. His other books include two previous novels, Down and Out in the Magic Kingdom and Eastern Standard Tribe, and a story collection, A Place So Foreign and Eight More.

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Read an Excerpt

Chapter One

Alan sanded the house on Wales Avenue. It took six months, and the whole time it was the smell of the sawdust, ancient and sweet, and the reek of chemical stripper and the damp smell of rusting steel wool.

Alan took possession of the house on January 1, and paid for it in full by means of an e-gold transfer. He had to do a fair bit of hand-holding with the realtor to get her set up and running on e-gold, but he loved to do that sort of thing, loved to sit at the elbow of a novitiate and guide her through the clicks and taps and forms. He loved to break off for impromptu lectures on the underlying principles of the transaction, and so he treated the poor realtor lady to a dozen addresses on the nature of international currency markets, the value of precious metal as a kind of financial lingua franca to which any currency could be converted, the poetry of vault shelves in a hundred banks around the world piled with the heaviest of metals, glinting dully in the fluorescent tube lighting, tended by gnomish bankers who spoke a hundred languages but communicated with one another by means of this universal tongue of weights and measures and purity.

The clerks who’d tended Alan’s many stores—the used clothing store in the Beaches, the used book store in the Annex, the collectible tin-toy store in Yorkville, the antique shop on Queen Street—had both benefited from and had their patience tried by Alan’s discursive nature. Alan had pretended never to notice the surreptitious rolling of eyes and twirling fingers aimed temple-wise among his employees when he got himself warmed up to a good oration, but in truth very little ever escaped his attention. His customers loved his little talks, loved the way he could wax rhapsodic about the tortured prose in a Victorian potboiler, the nearly erotic curve of a beat-up old table leg, the voluminous cuffs of an embroidered silk smoking jacket. The clerks who listened to Alan’s lectures went on to open their own stores all about town, and by and large, they did very well.

He’d put the word out when he bought the house on Wales Avenue to all his protégés: Wooden bookcases! His cell phone rang every day, bringing news of another wooden bookcase found at this flea market, that thrift store, this rummage sale or estate auction.

He had a man he used part-time, Tony, who ran a small man-with-van service, and when the phone rang, he’d send Tony over to his protégé’s shop with his big panel van to pick up the case and deliver it to the cellar of the house on Wales Avenue, which was ramified by cold storages, root cellars, disused coal chutes and storm cellars. By the time Alan had finished with his sanding, every nook and cranny of the cellar was packed with wooden bookcases of every size and description and repair.

Alan worked through the long Toronto winter at his sanding. The house had been gutted by the previous owners, who’d had big plans for the building but had been tempted away by a job in Boston. They’d had to sell fast, and no amount of realtor magic—flowers on the dining-room table, soup simmering on the stove—could charm away the essential dagginess of the gutted house, the exposed timbers with sagging wires and conduit, the runnels gouged in the floor by careless draggers of furniture. Alan got it for a song, and was delighted by his fortune.

He was drunk on the wood, of course, and would have paid much more had the realtor noticed this, but Alan had spent his whole life drunk on trivial things from others’ lives that no one else noticed and he’d developed the alcoholic’s knack of disguising his intoxication. Alan went to work as soon as the realtor staggered off, reeling with a New Year’s Day hangover. He pulled his pickup truck onto the frozen lawn, unlocked the Kryptonite bike lock he used to secure the camper bed, and dragged out his big belt sander and his many boxes of sandpaper of all grains and sizes, his heat strippers and his jugs of caustic chemical peeler. He still had his jumbled, messy place across town in a nondescript two-bedroom on the Danforth, would keep on paying the rent there until his big sanding project was done and the house on Wales Avenue was fit for habitation.

Alan’s sanding project: First, finish gutting the house. Get rid of the substandard wiring, the ancient, lead-leaching plumbing, the cracked tile and water-warped crumbling plaster. He filled a half-dozen dumpsters, working with Tony and Tony’s homie Nat, who was happy to help out in exchange for cash on the barrelhead, provided that he wasn’t required to report for work on two consecutive days, since he’d need one day to recover from the heroic drinking he’d do immediately after Alan laid the cash across his palm.

Once the house was gutted to brick and timber and delirious wood, the plumbers and the electricians came in and laid down their straight shining ducts and pipes and conduit.

Alan tarped the floors and brought in the heavy sandblaster and stripped the age and soot and gunge off of the brickwork throughout, until it glowed red as a golem’s ass.

Alan’s father, the mountain, had many golems that called him home. They lived round the other side of his father and left Alan and his brothers alone, because even a golem has the sense not to piss off a mountain, especially one it lives in.

Then Alan tackled the timbers, reaching over his head with palm sanders and sandpaper of ever finer grains until the timbers were as smooth as Adirondack chairs, his chest and arms and shoulders athrob with the agony of two weeks’ work. Then it was the floorwork, but not the floors themselves, which he was saving for last on the grounds that they were low-hanging fruit.

This materialized a new lecture in his mind, one about the proper role of low-hanging fruit, a favorite topic of MBAs who’d patronize his stores and his person, giving him unsolicited advice on the care and feeding of his shops based on the kind of useless book-learning and jargon-slinging that Fortune 100 companies apparently paid big bucks for. When an MBA said "low-hanging fruit," he meant "easy pickings," something that could and should be snatched with minimal effort. But real low-hanging fruit ripens last, and should be therefore picked as late as possible. Further, picking the low-hanging fruit first meant that you’d have to carry your bushel basket higher and higher as the day wore on, which was plainly stupid. Low-hanging fruit was meant to be picked last. It was one of the ways that he understood people, and one of the kinds of people that he’d come to understand. That was the game, after all—understanding people.

So the floors would come last, after the molding, after the stairs, after the railings and the paneling. The railings, in particular, were horrible bastards to get clean, covered in ten or thirty coats of enamel of varying colors and toxicity. Alan spent days working with a wire brush and pointed twists of steel wool and oozing, stinging paint stripper, until the grain was as spotless and unmarked as the day it came off the lathe.

Then he did the floors, using the big rotary sander first. It had been years since he’d last swung a sander around—it had been when he opened the tin-toy shop in Yorkville and he’d rented one while he was prepping the place. The technique came back to him quickly enough, and he fell into a steady rhythm that soon had all the floors cool and dry and soft with naked, exposed woody heartmeat. He swept the place out and locked up and returned home.

The next day, he stopped at the Portuguese contractor-supply on Ossington that he liked. They opened at five a.m., and the men behind the counter were always happy to sketch out alternative solutions to his amateur construction problems, they never mocked him for his incompetence, and always threw in a ten percent "contractor’s discount" for him that made him swell up with irrational pride that confused him. Why should the son of a mountain need affirmation from runty Portugees with pencil stubs behind their ears and scarred fingers? He picked up a pair of foam-rubber knee pads and a ten-kilo box of lint-free shop rags and another carton of disposable paper masks.

He drove to the house on Wales Avenue, parked on the lawn, which was now starting to thaw and show deep muddy ruts from his tires. He spent the next twelve hours crawling around on his knees, lugging a tool bucket filled with sandpaper and steel wool and putty and wood-crayons and shop rags. He ran his fingertips over every inch of floor and molding and paneling, feeling the talc softness of the sifted sawdust, feeling for rough spots and gouges, smoothing them out with his tools. He tried puttying over the gouges in the flooring that he’d seen the day he took possession, but the putty seemed like a lie to him, less honest than the gouged-out boards were, and so he scooped the putty out and sanded the grooves until they were as smooth as the wood around them.

Next came the beeswax, sweet and spicy and shiny. It almost broke his heart to apply it, because the soft, newly exposed wood was so deliciously tender and sensuous. But he knew that wood left to its own would eventually chip and splinter and yellow. So he rubbed wax until his elbows ached, massaged the wax into the wood, buffed it with shop rags so that the house shone.

Twenty coats of urethane took forty days—a day to coat and a day to dry. More buffing and the house took on a high shine, a slippery slickness. He nearly broke his neck on the slippery staircase treads, and the Portuguese helped him out with a bag of clear grit made from ground walnut shells. He used a foam brush to put one more coat of urethane on each tread of the stairs, then sprinkled granulated walnut shells on while it was still sticky. He committed a rare error in judgment and did the stairs from the bottom up and trapped himself on the third floor, with its attic ceilings and dormer windows, and felt like a goddamned idiot as he curled up to sleep on the cold, hard, slippery, smooth floor while he waited for his stairs to dry. The urethane must be getting to his head.

The bookcases came out of the cellar one by one. Alan wrestled them onto the front porch with Tony’s help and sanded them clean, then turned them over to Tony for urethane and dooring.

The doors were UV-filtering glass, hinged at the top and surrounded by felt on their inside lips so that they closed softly. Each one had a small brass prop-rod on the left side that could brace it open. Tony had been responsible for measuring each bookcase after he retrieved it from Alan’s protégés’ shops and for sending the measurements off to a glazier in Mississauga.

The glazier was technically retired, but he’d built every display case that had ever sat inside any of Alan’s shops and was happy to make use of the small workshop that his daughter and son-in-law had installed in his garage when they retired him to the burbs.

The bookcases went into the house, along each wall, according to a system of numbers marked on their backs. Alan had used Tony’s measurements and some CAD software to come up with a permutation of stacking and shouldering cases that had them completely covering every wall—except for the wall by the mantelpiece in the front parlor, the wall over the countertop in the kitchen, and the wall beside the staircases—to the ceiling.

He and Tony didn’t speak much. Tony was thinking about whatever people who drive moving vans think about, and Alan was thinking about the story he was building the house to write in.

May smelled great in Kensington Market. The fossilized dog shit had melted and washed away in the April rains, and the smells were all springy ones, loam and blossoms and spilled tetrapak fruit punch left behind by the pan-ethnic street-hockey league that formed up spontaneously in front of his house. When the winds blew from the east, he smelled the fish stalls on Spadina, salty and redolent of Chinese barbecue spices. When it blew from the north, he smelled baking bread in the kosher bakeries and sometimes a rare whiff of roasting garlic from the pizzas in the steaming ovens at Massimo’s all the way up on College. The western winds smelled of hospital incinerator, acrid and smoky.

His father, the mountain, had attuned Art to smells, since they were the leading indicators of his moods, sulfurous belches from deep in the caverns when he was displeased, the cold non-smell of springwater when he was thoughtful, the new-mown hay smell from his slopes when he was happy. Understanding smells was something that you did, when the mountain was your father.

Once the bookcases were seated and screwed into the walls, out came the books, thousands of them, tens of thousands of them.

Little kids’ books with loose signatures, ancient first-edition hardcovers, outsized novelty art books, mass-market paperbacks, reference books as thick as cinderblocks. They were mostly used when he’d gotten them, and that was what he loved most about them: They smelled like other people and their pages contained hints of their lives: marginalia and pawn tickets, bus transfers gone yellow with age and smears of long-ago meals. When he read them, he was in three places: his living room, the authors’ heads, and the world of their previous owners.

They came off his shelves at home, from the ten-by-ten storage down on the lakeshore, they came from friends and enemies who’d borrowed his books years before and who’d "forgotten" to return them, but Alan never forgot, he kept every book in a great and deep relational database that had begun as a humble flatfile but which had been imported into successive generations of industrial-grade database software.

This, in turn, was but a pocket in the Ur-database, The Inventory in which Alan had input the value, the cost, the salient features, the unique identifiers, and the photographic record of every single thing he owned, from the socks in his sock drawer to the pots in his cupboard. Maintaining The Inventory was serious business, no less important now than it had been when he had begun it in the course of securing insurance for the bookshop.

Alan was an insurance man’s worst nightmare, a customer from hell who’d messenger over five bankers’ boxes of detailed, cross-referenced Inventory at the slightest provocation.

The books filled the shelves, row on row, behind the dust-proof, light-proof glass doors. The books began in the foyer and wrapped around the living room, covered the wall behind the dining room in the kitchen, filled the den and the master bedroom and the master bath, climbed the short walls to the dormer ceilings on the third floor. They were organized by idiosyncratic subject categories, and alphabetical by author within those categories.

Alan’s father was a mountain, and his mother was a washing machine—he kept a roof over their heads and she kept their clothes clean. His brothers were: a dead man, a trio of nesting dolls, a fortune-teller, and an island. He only had two or three family portraits, but he treasured them, even if outsiders who saw them often mistook them for landscapes. There was one where his family stood on his father’s slopes, Mom out in the open for a rare exception, a long tail of extension cords snaking away from her to the cave and the diesel generator’s three-prong outlet. He hung it over the mantel, using two hooks and a level to make sure that it came out perfectly even.

Tony helped Alan install the shallow collectibles cases along the house’s two-story stairwell, holding the level while Alan worked the cordless power driver. Alan’s glazier had built the cases to Alan’s specs, and they stretched from the treads to the ceiling. Alan filled them with Made-in-Occupied-Japan tin toys, felt tourist pennants from central Florida gator farms, a stone from Marie Laveau’s tomb in the St. Louis I Cemetery in New Orleans, tarnished brass Zippos, small framed comic-book bodybuilding ads, carved Polynesian coconut monkeys, melamine transistor radios, Bakelite snow globes, all the tchotchkes he’d accumulated over a lifetime of picking and hunting and digging.

They were gloriously scuffed and non-mint: he’d always sold off the sterile mint-in-package goods as quickly as he could, squirreling away the items that were marked with "Property of Freddy Terazzo" in shaky ballpoint, the ones with tooth marks and frayed boxes taped shut with brands of stickytape not offered for sale in fifty years.

The last thing to go in was the cellar. They knocked out any wall that wasn’t load-bearing, smeared concrete on every surface, and worked in a loose mosaic of beach glass and beach china, smooth and white with spidery blue illustrations pale as a dream. Three coats of urethane made the surfaces gleam.

Then it was just a matter of stringing out the cables for the clip-on halogens whose beams he took care to scatter off the ceilings to keep the glare to a minimum. He moved in his horsehair sofa and armchairs, his big old bed, his pots and pans and sideboard with its novelty decanters, and his entertainment totem.

A man from Bell Canada came out and terminated the data line in his basement, in a room that he’d outfitted with an uninterruptible power supply, a false floor, dry fire extinguishers and a pipe-break sensor. He installed and configured the router, set up his modest rack and home servers, fished three four-pair wires through to the living room, the den and the attic, where he attached them to unobtrusive wireless access points and thence to weatherproofed omnidirectional antennae made from copper tubing and PVC that he’d affixed to the building’s exterior on short masts, aimed out over Kensington Market, blanketing a whole block with free Internet access.

He had an idea that the story he was going to write would require some perambulatory cogitation, and he wanted to be able to take his laptop anywhere in the market and sit down and write and hop online and check out little factoids with a search engine so he wouldn’t get hung up on stupid details.

The house on Wales Avenue was done. He’d repainted the exterior a lovely robin’s-egg blue, fixed the front step, and planted a low-maintenance combination of outsized rocks from the Canadian Shield and wild grasses on the front lawn. On July first, Alan celebrated Canada Day by crawling out of the attic window onto the roof and watching the fireworks and listening to the collective sighs of the people densely packed around him in the Market, then he went back into the house and walked from room to room, looking for something out of place, some spot still rough and unsanded, and found none. The books and the collections lined the walls, the fans whirred softly in the ceilings, the filters beneath the open windows hummed as they sucked the pollen and particulate out of the rooms—Alan’s retail experience had convinced him long ago of the selling power of fresh air and street sounds, so he refused to keep the windows closed, despite the fantastic volume of city dust that blew in.

The house was perfect. The ergonomic marvel of a chair that UPS had dropped off the previous day was tucked under the wooden sideboard he’d set up as a desk in the second-floor den. His brand-new computer sat centered on the desk, a top-of-the-line laptop with a wireless card and a screen big enough to qualify as a home theater in some circles.

Tomorrow, he'd start the story.

Excerpted from Someone Comes to Town, Someone Leaves Town by Cory Doctorow.
Copyright © 2005 by Cory Doctorow.
Published in July 2005 by Tom Doherty Associates, LLC.

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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Sort by: Showing all of 12 Customer Reviews
  • Posted December 30, 2010

    strange, but really well written

    yes this book is very strange. the main character's dad is a mountian and his mom is a washing machine. cory pulls this off spectacularly with just the right mixture of techno geek and odd characters

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  • Anonymous

    Posted December 14, 2010

    Too confusing!

    Couldn't quite get a grasp on the story. The character names changed almost every paragraph. It was as if the pages were put through a shredder and then glued back together in whatever order they strips came out of the basket. Spent too much time trying to remember who was who and what was happening where to really feel involved in the story. Just can't recommend this as one of Cory Doctorow's better pieces of writing.

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  • Anonymous

    Posted January 17, 2008

    A reviewer

    The story starts out reasonably normal. The main character, Alan, buys a house, moves into the neighbourhood, renovates the house, meets his neighbours and plans to write a novel. It's only when Alan starts to recount his past that we realize that he's had a rather strange upbringing. Initially I thought Alan was speaking metaphorically when he referred to his father as the mountain and one of his brother's as an island. However when his mother is revealed to be a washing machine, and three of his brothers a trio of nesting dolls, each born 30 days apart in three violent spin cycles, there's no doubt this is not your average family. Unlike his brothers, Alan is outwardly normal and the story traces his attempts to fit into society and lead a normal life. Along the way he meets Kurt, a punk who's main passion is dumpster diving for discarded tech that he can recycle and sell on eBay in order to finance the free wireless mesh network that he's rolling out in his neighbourhood. Alan quickly joins his cause and the two become fast friends. I loved the idea of the free mesh network, so it was an amazing coincidence when Bruce Schneier wrote in Wired magazine last week that he ran an open wireless router and urged people to 'Steal this Wi-Fi'. I particularly enjoyed Cory's writing style. He seems to be able to paint the most vivid of scenes using just a few, well chosen words. I felt like I was right there with the characters, able to taste, touch, hear and see everything they experienced. The one thing I didn't like was the way Cory keep changing the names of Alan and his family throughout the entire book. Perhaps it was meant to show that they were all trying to fight for a real identity in normal society but I just found it annoying. The only consolation was each brother always had a name starting with the same letter and this letter was determined by their birth order 'i.e. Alan was the oldest, George the youngest'. All in all Someone Comes to Town, Someone Leaves Town is an imaginative, entertaining read that I thoroughly enjoyed. Highly Recommended!

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    Posted July 20, 2011

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    Posted December 29, 2009

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Sort by: Showing all of 12 Customer Reviews

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