The Burning of the World: The Great Chicago Fire and the War for a City's Soul

The Burning of the World: The Great Chicago Fire and the War for a City's Soul

by Scott W. Berg
The Burning of the World: The Great Chicago Fire and the War for a City's Soul

The Burning of the World: The Great Chicago Fire and the War for a City's Soul

by Scott W. Berg

Hardcover

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Overview

WINNER OF THE MIDLAND AUTHORS AWARD FOR HISTORY • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE • A NEW YORKER BEST BOOK OF THE YEAR • The "illuminating" (New Yorker) story of the Great Chicago Fire: a raging inferno, a harrowing fight for survival, and the struggle for the soul of a city—told with the "the clarity—and tension—of a well-wrought military narrative" (Wall Street Journal)

In the fall of 1871, Chicagoans knew they were due for the “big one”—a massive, uncontrollable fire that would decimate the city. It had been bone-dry for months, and a recent string of blazes had nearly outstripped the fire department’s already scant resources. Then, on October 8, a minor fire broke out in the barn of Irishwoman Kate Leary. A series of unfortunate mishaps and misunderstandings along with insufficient preparation and a high south-westerly wind combined to set the stage for an unmitigated catastrophe.
The conflagration that spread from the Learys' property quickly overtook the neighborhood, and before long the floating embers had been cast to the far reaches of the city. Nothing to the northeast was safe. Families took to the streets with every possession they could carry. Powerful gusts whipped the flames into a terrifying firestorm. The Chicago River boiled. Over the next forty-eight hours, Chicago fell victim to the largest and most destructive natural disaster the United States had yet endured.
The effects of the Great Fire were devastating. But they were also transforming. Out of the ashes, faster than seemed possible, rose new homes, tenements, hotels, and civic buildings, as well as a new political order. The elite seized the reconstruction to crack down on vice, control the disbursement of vast charitable funds, and rebuild the city in their image. But the city’s working class recognized only a naked power grab that would challenge their traditions, hurt their chances to keep their hard-earned property, and move power out of the hands of elected officials and into private interests. As soon as the battle against the fire ended, another battle for the future of the city erupted between its entrenched business establishment and its poor and immigrant laborers and shopkeepers.
An enrapturing account of the fire’s inexorable march and an eye-opening look at its aftermath, The Burning of the World tells the story of one of the most infamous calamities in history and the new Chicago it precipitated—a disaster that still shapes American cities to this day.

Product Details

ISBN-13: 9780804197847
Publisher: Knopf Doubleday Publishing Group
Publication date: 09/26/2023
Pages: 464
Sales rank: 80,996
Product dimensions: 5.90(w) x 9.30(h) x 1.60(d)

About the Author

Born and raised in the Twin Cities, SCOTT W. BERG holds a BA in architecture from the University of Minnesota, an MA from Miami University of Ohio, and an MFA in creative writing from George Mason University, where he now teaches writing and literature. He is the author of Grand Avenues: The Story of Pierre Charles L’Enfant, the French Visionary Who Designed Washington, D.C. and 38 Nooses: Lincoln, Little Crow, and the Beginning of the Frontier's End.

Read an Excerpt

PART 1
FIRE
 
Far below the walkway that circled the top of the Cook County courthouse, Chicago spread itself out beneath Mathias Schae­fer, an ordinary fireman in the most fire-prone city in the world. Overhead, the sky was clear, the moon three-quarters full. The sun had set more than an hour earlier.
 
A hundred and twenty feet below his perch, Schaefer could see pinpricks of gaslight illumination, hear the occasional voices of men and women going home from the taverns, theaters, and churches that ringed the courthouse square, or watch the occasional shopkeeper lock up for the night. Sunday night was a quiet time downtown, a lull before the noisy, surging storm of workers who would overwhelm the central business district at the start of the new workweek. A warm October wind rushed across the city from the southwest, a wind that carried a tinge of the odor of the Union Stock Yards and of hundreds of small West Side factories before it piled the waves along the Illinois Central breakwater at the edge of Lake Michigan.
 
Schaefer was not a watchman by occupation, and this post was a temporary assignment. His usual place was not up here but out there, “on the nozzle,” as they said. Pipemen were their own breed. First in, first to feel the heat and breathe the smoke, too often the first to die. Like so much of the paid labor in Chicago—jobs defined by pulling, lifting, pushing, shoving, sawing, stacking, hauling, throw­ing, breaking, and battering—fighting fires wore you down. Still, to be a fireman was a big step up from most menial work. It was a job a man could brag about, one he used familial or ethnic or political connections to arrange. It paid him $75 a month or more and earned him the respect of the men at the station, the gratitude of the public, and the admiration of the girls and their mothers.
 
Walking the tight circle with Schaefer were two young women, sisters of other firemen. They’d brought him supper from the Blenis House hotel down the street and across the river, a small fee to pay for the magnificent view they now enjoyed. Schaefer lived in a boardinghouse on the South Side, beyond the business district, where he roomed with a policeman, a laborer, and a sign painter. But his true home was his station, where he often slept and more often ate—unless he was posted here.
 
In this era of breakneck technological progress just before the invention of the skyscraper—an invention that would make its first appearance four blocks south of where Schaefer now stood—the courthouse was an anachronism: an archaic, quasi-medieval lump of dirty gray stone that served as a bureaucratic battlement, a vast information warehouse, and, above all, a testament to Chicago’s rising commercial supremacy over the middle and western portions of the United States. The courthouse was an ugly building, but a broad-shouldered kind of ugly that Chicagoans could appreciate. In the five stories beneath Mathias Schaefer’s feet, one and a half of which lay underground, the political and administrative engines of Chicago churned. Here were located the central offices of the police and fire departments, the mayor’s office, the chambers of the Common Council and the Board of Public Works, the city’s courts, its law library, its jail, and, not least, every scrap of paper bearing every real estate and tax record for the city of Chicago.
 
The only piece of the building that might be described as elegant was its cupola, a cylindrical two-story tower ringed with rounded windows and a balustraded balcony, above which was housed the courthouse’s giant bell. Beneath the bell, down a broad stairway and occupying the lower half of the cupola, sat the circular telegraph room, where signals were collected from 172 numbered fire alarm boxes scattered around the city. Attached to drugstores, saloons, and other establishments, or placed inside fire stations, each of  these boxes operated with the turn of a key and a single pull of an iron lever. The newfangled electrical model—the old ones used an unreliable hand crank—had been installed that summer, the keys entrusted to well-known men in their neighborhoods.
 
The telegraph room of the courthouse held twenty-five relays that could send a signal out from the building and sound a series of tones in any or all of the city’s twenty-five fire stations. All these lines, incoming and outgoing, a system of wires snaking through the city on white-pine posts, converged just below Mathias Schaefer. There, in the middle of the telegraph room, sat William Brown, the spider waiting at the center of this quivering electronic web. Brown entertained his own guest, and from below Schaefer came the soft strum of a guitar.
 
The two men operated in tandem. William Brown’s job was to send and receive the alarm signals and to set the bell to tolling. Schaefer’s task was to circle the cupola and watch over the city, to decide what was a fire and what wasn’t and then to decide where the fire was. Discernment was everything. Care was needed not to mistake the orange glow of a gasworks or the smoke from a small factory for a genuine event. To call down a false alarm was embar­rassing and unprofessional. But more to the point, it was dangerous.
 
The job was difficult enough in the day, but at night the city seen from up high, especially on a Sunday, was a sea of darkness littered with an intermittent confusion of gaslights, lanterns, and candlelit windowpanes. To round out the fire department’s night watch, additional observers stood in enclosures atop each of the city’s sixteen steam-engine stations during the hours after dark. But all these other sentries were as thrushes to Schaefer’s hawk. His was the only viewpoint that encompassed the entire city.
 
Many others had walked this cupola balcony before Schaefer, but none would afterward. If this Sunday evening in October 1871 was the last moment in the life of old Chicago—its last breath, as it were—then Mathias Schaefer might be considered the last person to see old Chicago alive.

Table of Contents

Author’s Note ix
Prologue xi
 
PART I · Fire 1
 
PART II · Flight 67
 
PART III · Aftermath 99
 
PART IV · Election 171
 
PART V · Inquest 233
 
PART Vi· Soup 247
 
PART VII · Beer 307
 
PART VIII · Fire 347
 
Acknowledgments and a Note on Sources 383
Notes 389
Selected
Bibliography 403
Index 411
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