From the Publisher
"Murphy has recreated Felice della Rovere's life with agility and tact. She successfully fleshes out the customs and historical background of her Machiavellian princess."Bruce Boucher, New York Times Book Review
"One feels in reading this vivid biography that one has gotten to know a woman of energy and talent who became 'the most powerful woman in Rome of her day.'"Publishers Weekly
"The Pope's Daughter firmly establishes the once-forgotten Felice della Rovere as one of the most powerful women of the Italian Renaissance, at the same time demonstrating that Murphy is perhaps headed for a fruitful career breathing life into history's overlooked heroines.... Though Rovere's life has been long overlooked as a subject worthy of the ever-growing genre of historical biography, in Murphy's deft hands, her fascinating life in the shadowy recesses of the Vatican offers extraordinary insights into what was possible for a strong-minded woman during the rinascimento."San Francisco Chronicle
"Murphy has achieved the near-miraculous; she has brought someone back from the dead. She has reconstructed the character of Felice della Rovere with such masterly empathy that she seems to breathe again. Along the way, she gives a magnificent portrayal of what life in Renaissance Rome was really like, showing how religion, family, and money could all combine to bring advancement to the skillful, or disaster to the unlucky. Felice was one of the skillful: Caroline Murphy has painted her vividly and unforgettably as a character to equal her mercurial father, Julius II."Iain Pears, author of An Instance of the Fingerpost
"Impossible to put down, Caroline Murphy brings to life the streets of sixteenth century Rome, the intrigues of the papal court, and the extraordinary character of Felice della Rovere. The Pope's Daughter overturns many of our assumptions about what was possible for women in Renaissance Italy." Lyndal Roper, Professor of Early Modern History, Oxford University
"A superb study.... The Pope's Daughter is a masterpiece." Damian Thompson, The Daily Telegraph
Caroline Murphy has recreated Felice della Rovere's life with agility and tact. She successfully fleshes out the customs and historical background of her Machiavellian princess, even though there is not enough foreground to evoke a strong sense of the woman herself. Felice's words rarely convey the drama of her life: she wrote no poetry; all her letters dealt with business; and she did not commission any major work of art. Still, Felice's achievements were remarkable, given her birth and sex. But to understand her personality one must read between the lines.
*#151; Thee New York Times
Felice della Rovere (1483?-1536) emerges from obscurity to rival other great Renaissance women in this rendering of her life and legacy by Renaissance art scholar Murphy (Lavinia Fontana). Offspring of what was probably a brief liaison between Cardinal Giuliano della Rovere-later Pope Julius II-and Lucrezia Normanni, daughter of an old Roman family, Felice grew up in her mother's house. Pope Julius, the great rebuilder of Rome and patron of Michelangelo, proved to be a generous father, marrying Felice into the Orsini family, which gave her social legitimacy, and providing her with the means to develop her own estates. Negotiating a complicated set of family and social relationships, Felice became a woman of stature and wealth, able to serve as a negotiator for her father in both international and Italian affairs. Felice's experience is woven into the lives of such notable figures as Catherine de Medici, Baldessar Castiglione and Michelangelo. Some of Murphy's speculations about Felice's emotions, especially in the early stages of her life, are less than convincing given the lack of evidence. Nonetheless, one feels in reading this vivid biography that one has gotten to know a woman of energy and talent who became "the most powerful woman in Rome of her day." 30 b&w illus. Agent, Melanie Jackson. (July) Copyright 2005 Reed Business Information.
Felice della Rovere was the illegitimate daughter of Pope Julius II, the pope for whom Michelangelo painted the Sistine Chapel ceiling. Although Julius II was much more discreet about his daughter than his predecessor, Pope Alexander VI, had been about his daughter Lucretia Borgia, Murphy (Renaissance art, Univ. of California, Riverside; Lavinia Fontana: A Painter and Her Patrons in Sixteenth Century Bologna) has used such primary sources as Felice's diaries, account books, and other Orsini archival materials to bring into the foreground a woman who lived in the midst of the political and cultural intrigues of Renaissance Rome. Felice was ultimately married to the head of the powerful Roman Orsini family and bore him two sons and a daughter. When Orsini died, Felice became the regent for her two young sons, which made her one of the most powerful women of the era. Murphy's chapters are short, making for a readable narrative style, and each is headed by a black-and-white illustration from the period. (There will also be an eight-page color insert.) Enhanced by an extensive bibliography, this absorbing book belongs in any collection of women's studies, Renaissance history, or the history of the popes.-Br. Benet Exton, O.S.B., St. Gregory's Univ. Lib., OK Copyright 2005 Reed Business Information.