The Quest

The Quest

3.1 187
by Nelson DeMille
     
 

View All Available Formats & Editions


AUTHOR'S NOTE:

An earlier, shorter version of The Quest was published in paperback in 1975.

In 2013, I rewrote The Quest and doubled its length, making it, I hope, a far better story than the original, without deviating from the elements that made the story so powerful and compelling when I first wrote it. In other words, what made The Quest worth

See more details below

Overview


AUTHOR'S NOTE:

An earlier, shorter version of The Quest was published in paperback in 1975.

In 2013, I rewrote The Quest and doubled its length, making it, I hope, a far better story than the original, without deviating from the elements that made the story so powerful and compelling when I first wrote it. In other words, what made The Quest worth rewriting remains, and whatever is changed is for the better.

I was happy and excited to have this opportunity to rewrite and republish what I consider my first "big" novel, and I hope you enjoy it as much as I did when I first wrote it.

BOOK DESCRIPTION:

A sweeping adventure that's equal parts thriller and love story, Nelson DeMille's newest novel takes the reader from the war torn jungles of Ethiopia to the magical city of Rome.

While the Ethiopian Civil War rages, a Catholic priest languishes in prison. Forty years have passed since he last saw daylight. His crime? Claiming to know the true location of Christ's cup from the Last Supper. Then the miraculous happens - a mortar strikes the prison and he is free!

Old, frail, and injured, he escapes to the jungle, where he encounters two Western journalists and a beautiful freelance photographer taking refuge from the carnage. As they tend to his wounds, he relates his incredible story.

Motivated by the sensational tale and their desire to find the location of the holiest of relics, the trio agrees to search for the Grail.

Thus begins an impossible quest that will pit them against murderous tribes, deadly assassins, fanatical monks, and the passions of their own hearts.

THE QUEST is suspenseful, romantic, and filled with heart-pounding action. Nelson DeMille is at the top of his game as he masterfully interprets one of history's greatest mysteries.

Read More

Editorial Reviews

Publishers Weekly
10/14/2013
War-torn Ethiopia remains the backdrop to DeMille's (The Panther) re-imagining of this intense thriller, originally published in 1975 and set during the country's brutal revolution. Two journalists, Frank Purcell and Henry Mercado, and photographer Vivian chase the struggle outside the relative safety of Addis Ababa and share a harrowing night in the jungle where they meet a dying Italian priest. A captive for 40 years, the escapee confirms the existence of the fabled Holy Grail, the vessel used at the Last Supper, and a secret guarded by Coptic monks deep in the bush. Narrowly escaping court martial and probable torture by sadistic General Getachu of the revolutionary forces, the three are booted from Ethiopia before they can investigate with orders never to return. Despite an interlude in Rome, the mystique of the grail compels the intrigued journalists and their knowledgeable companion Colonel Gunn to sneak back to Africa for a story "good enough to pursue to the end." Divergent motives—faith, fatalism, and skepticism—and a brewing love triangle drive the often disturbing pilgrimage founded on hearsay and instinct. The explorers never earn the credibility of Dan Brown's Robert Langdon; the location of the Holy Grail in Ethiopia, despite all the tales and legend, never gains enough momentum to work as a thrilling probability. Still, DeMille creates excitement and dread through his elaborate descriptions of the jungle. Ethiopia looms at the novel's heart as the "the most blessed and most cursed land." Agent: Jennifer Joel, International Creative Management Partners. (Sept.)
Bookreporter.com

Nelson DeMille wrote THE QUEST nearly 40 years ago. It has been fully rewritten, showcasing this masterful author's historical knowledge, understanding of the human psyche, and matchless entertainment skills. The novel crosses genres with its spiritualism, wit, adventure and romance, not to mention gripping action. Full of DeMille's characteristic --- and unparalleled --- humor and intelligence, THE QUEST delivers. Boy, does it deliver.

Providence Sunday Journal
Nelson DeMille is at the absolute peak of his powers in "The Quest" (Center Street, 464 pages, $26) an epic tale that's broad in both scope and vision, harkening back to his earlier masterworks such as "The Charm School" and "By the Rivers of Babylon" as it brings the action in Africa of the mid-1970s. That's where an old priest named Father Armando emerges from a bombed-out prison after decades in captivity with the location of nothing less than the Holy Grail tucked in his mind.

From there, staged against the backdrop of the endless Ethiopian civil war, the quest of the title begins in search of it, undertaken by a trio of intrepid journalists (well, two plus a photographer), including the hard-bitten and hard-driving Frank Purcell, who's standing in for DeMille's redoubtable John Corey this time out. Purcell becomes our Robert Langdon as the book takes on the texture and feel of Dan Brown at his level best, chock full of mysticism, murderous monks, deadly assassins, and vengeful natives all on a quest to either find the Grail or make sure its secrets remain hidden forever.

This is adventure on the grandest of scales and richest of tapestries, Wilbur Smith and Fredrick Forsythe rolled into one with some Indian Jones tossed in for good measure. A masterpiece fashioned by a storyteller who simply has no rival.

From the Publisher

Nelson DeMille wrote THE QUEST nearly 40 years ago. It has been fully rewritten, showcasing this masterful author's historical knowledge, understanding of the human psyche, and matchless entertainment skills. The novel crosses genres with its spiritualism, wit, adventure and romance, not to mention gripping action. Full of DeMille's characteristic --- and unparalleled --- humor and intelligence, THE QUEST delivers. Boy, does it deliver.

Bookreporter.com

Nelson DeMille is at the absolute peak of his powers in "The Quest" (Center Street, 464 pages, $26) an epic tale that's broad in both scope and vision, harkening back to his earlier masterworks such as "The Charm School" and "By the Rivers of Babylon" as it brings the action in Africa of the mid-1970s. That's where an old priest named Father Armando emerges from a bombed-out prison after decades in captivity with the location of nothing less than the Holy Grail tucked in his mind.

From there, staged against the backdrop of the endless Ethiopian civil war, the quest of the title begins in search of it, undertaken by a trio of intrepid journalists (well, two plus a photographer), including the hard-bitten and hard-driving Frank Purcell, who's standing in for DeMille's redoubtable John Corey this time out. Purcell becomes our Robert Langdon as the book takes on the texture and feel of Dan Brown at his level best, chock full of mysticism, murderous monks, deadly assassins, and vengeful natives all on a quest to either find the Grail or make sure its secrets remain hidden forever.

This is adventure on the grandest of scales and richest of tapestries, Wilbur Smith and Fredrick Forsythe rolled into one with some Indian Jones tossed in for good measure. A masterpiece fashioned by a storyteller who simply has no rival.—Providence Sunday Journal

Kirkus Reviews
2013-10-01
DeMille (The Panther, 2012, etc.) dispatches three knights errant in search of the Holy Grail in this major revamping of his first novel. Freelance journalist Frank Purcell once spent time in a Khmer Rouge prison. Brit writer Henry Mercado was captured in World War II Europe and sent to Stalin's gulag. Vivian Smith's a mysterious young Swiss photographer. It's 1975. The three adrenalin junkies meet in Addis Ababa. Smith and Mercado ask Purcell to join a foray to cover fighting between rebels and Haile Selassie loyalists. As the trio journeys toward the front lines, they camp overnight at an abandoned colonial-era spa. There, the quest for a scoop detours. Mortally wounded Father Giuseppe Armando stumbles in from the jungle. While serving during the 1930s Italian invasion, the young Sicilian priest discovered an odd Coptic monastery. There, Armando found the Holy Grail. To prevent revelation of the secret, Coptic Christians kept him imprisoned for decades. After Father Armando dies, the journalists are captured by the psychopathic rebel Getachu, but they manage a derring-do escape. DeMille's adept enough with this age-old theme, but he stumbles with a long Rome-based middle section where the three retreat to plan anew. Some of DeMille's secondary characters, including mercenary Col. Sir Edmund Gann and Ethiopian Jewish princess Miriam, outshine the protagonists, but DeMille adds a ménage love story, with a last-night-on-earth sex scene between Purcell and Smith. That means Smith betrays her lover, Mercado. Considering Smith's and Mercado's religious fervor, Smith rotating between beds seems off-kilter, but no more so than the trio's casual disregard of the Ark of Covenant, said to be secreted in an Ethiopian Jewish village. DeMille also poses threats that never materialize, like the fierce Galla tribe roaming about. Despite some rollicking good action, particularly aboard Mia, an ancient Navion aircraft, DeMille's quest's conclusion may leave readers thinking, "Is that all there is?" However, Vivian Smith finally does make up her mind.

Read More

Product Details

ISBN-13:
9781455503155
Publisher:
Center Street
Publication date:
12/16/2014
Edition description:
Reprint
Pages:
624
Sales rank:
97,007
Product dimensions:
7.40(w) x 4.20(h) x 1.50(d)

Read an Excerpt

The Quest

A Novel


By Nelson DeMille

Center Street

Copyright © 2014 Nelson DeMille
All rights reserved.
ISBN: 978-1-4555-7642-5



CHAPTER 1

The elderly Italian priest crouched in the corner of his cell and covered himself with his straw pallet. Outside, screaming artillery shells exploded into the soft African earth, and shrapnel splattered off the stone walls of his prison. Now and then, a shell air-burst overhead and hot metal shards pierced the corrugated metal roof.

The old priest curled into a tighter ball and drew the pitifully thin pallet closer. The shelling stopped abruptly. The old man relaxed. He called out to his jailers, in Italian, "Why are they bombing us? Who is doing this thing?"

But he received no answer. The older Ethiopians, the ones who spoke Italian, had gradually disappeared over the years, and he heard less and less of his native tongue through the stone walls. In fact, he realized he hadn't heard a word of it in almost five years. He shouted in snatches of Amharic, then Tigregna. "What is it? What is happening?" But there was no answer. They never answered him. To them, he was more dead than the ripening bodies that lay in the courtyard. When you ask questions for forty years and no one answers, it can only mean that you are dead. But he knew they dared not answer. One had answered, once, when he first entered his cell. Was it forty years now? Perhaps it was less. The years were hard to follow. He could not even remember the man who had answered, except for the skull. His jailers had given him the skull of the one who had answered him. The skull was his cup. He remembered the man and his kindness each time he drank. And the jailers remembered when they filled his cup; they remembered not to speak to him. But he asked anyway. He called out again. "Why is there war? Will you release me?"

He stared at the iron door on the far wall. It had closed on a young man in 1936, when Ethiopia was an Italian colony, and the door had not opened since. Only the small pass-through at the bottom of the iron door was ever used. His sustenance came in and his waste went out once a day through that small portal. A window, no larger than a big book—really just a missing stone—above eye level, let in light, sounds, and air.

His only possessions in the cell, aside from his tattered shamma, were a washbasin, a pair of dull scissors that he used to cut his hair and nails, and a Holy Bible, written in Italian, which they had let him keep when he was first imprisoned. If it weren't for his Bible, he knew, he would have gone mad many years ago. He had read the holy book perhaps a hundred, two hundred times, and though his eyesight was growing weaker, he knew every word by heart. The Old and New Testaments brought him comfort and escape, and kept his mind from dying, and kept his soul nourished.

The old man thought of the young man who walked through the iron door in 1936. He knew every detail of the young man's face and every movement of his body. At night, he spoke to the young man and asked him many things about their native Sicily. And he knew the young man so well that he even knew what went on inside his mind and how he felt and where he went to school and the village he came from and how old his father was. The young man never got older, of course, and his stories were always the same. But his was the only face the old man knew well enough to remember. He had seen that young face in the mirror for the last time close to forty years ago and not again since, except in his mind's eye. He wept.

The old priest dried his tears on his dirty native shamma and lay back against his cell wall and breathed deeply. His mind eventually came back to the present.

Wars had ebbed and flowed around his small prison and he imagined that the world had changed considerably in his absence from it. Jailers got old and died. Young soldiers grew old as they paraded through the years in the courtyard of the small fortress outside. When he was younger, he was able to hang from the sill of the window much longer. But now he could no longer gather the energy to pull himself up for more than a few minutes a day.

The shelling had jarred loose many things in his mind. He knew that his imprisonment was at its end; if the explosions did not kill him, then the guards would, because he knew they had standing orders to kill him if they could no longer continue to guarantee his incarceration in this place. And now he could hear the sounds of fleeing garrison soldiers. And the jailers would soon open that never-opened door and do their duty. But he held nothing against them. Those were their orders and he forgave them. But it did not matter if they or the explosions killed him. His own body was failing him anyway. He was dying. There was famine in the land and the food had been poor for over a year. His lungs made a liquid sound when he coughed. Death was here. Inside his cell and outside his cell.

The old man's biggest regret, he thought, was that he would die in ignorance—that as a consequence of the two score years of being held in darkness, he knew less than the simplest peasant did about his world. He did not regret the dying—that held no special terror for him—but the thought of dying without knowing what the world had come to in his absence was a peculiarly sad thing. But then again, his calling was not of this world, but of the next, and it should have made no difference what the world had come to. Still, it would have been nice to know just a little something of the affairs of men. He could not help wondering about his friends, about his family, about the world leaders of his day.

He wrapped the shamma around himself more tightly. The sun was fading from his window and a chill wind blew down from the highlands. A small lizard, its tail partly severed by a piece of shrapnel, climbed awkwardly up the wall near his head. Outside in the stillness, he could hear the soldiers speaking in Amharic about who would have to kill him if it became necessary.

Like so many other imprisoned and condemned men and women, like the martyred saints, the thing that had sustained him through his ordeal was the very thing that had condemned him in the first place. And what had condemned him was his knowledge of a secret thing. And the knowledge of that secret thing comforted him and nourished him and he would gladly have traded forty more years of his life, if he had them to trade, for one more look at the thing that he had seen. Such was his faith. The years in prison saddened him because they meant that the world had not yet learned of this thing. For if the world knew, then there would be no more reason for his solitary confinement.

He often wished they had killed him then, and spared him this living death for forty years. But he was a priest, and those who had captured him, the monks, and those who had imprisoned him, the soldiers of the emperor, were Coptic Christians, and so they had spared his life. But the monks had warned the soldiers never to speak to the priest, for any reason, or death would come to them. The monks had also told the soldiers that they had leave to kill the priest if his imprisonment and silence could not be guaranteed. And now, he thought, that day had surely come. And he welcomed it. He would soon be with his heavenly father.

Suddenly the artillery began again. He could hear its thump and crash as it walked around the walls of the small fortress. Eventually the artillery spotter made his corrections, and the rounds began to land more accurately within the walls of the compound. The sounds of secondary explosions—stockpiled petrol and ammunition—drowned out the sounds of the incoming artillery. Outside his window, the old priest could hear men screaming in pain. A nearby explosion shook the tiny cell and the lizard lost its grip and fell beside him. The deafening explosions numbed his brain and blotted out every awareness except that of the lizard. The reptile was trying to coordinate its partially severed halves, thrashing around on the reverberating mud floor, and he felt sorry for the creature. And it occurred to him that the soldiers might abandon the garrison and leave him here to die of thirst and hunger.

A shock wave lifted a section of corrugated metal off the roof and sent it sailing into the purple twilight. A piece of spent shrapnel found him and slapped him hotly across his cheek, causing him to yell out in pain. The old man could hear the sounds of excited shouts outside his iron door. The door moved almost imperceptibly. The old man stared at it. It moved again. He could hear its rusty stubbornness over the roar of the fiery hell outside. But forty years was a long time and it would not yield. There were more shouts and then quiet. Slowly, the pass-through at the base of the unyielding cell door slid open. They were coming for him. He clutched his Bible to his chest.

A long, gaunt Ethiopian slithered through the pass-through onto the mud floor and the old man was reminded of the lizard. The Ethiopian rose to his feet, looked at him, then drew a curved sword from his belt. In the half-light, the old priest could see his fine features. He was undoubtedly an Amhara from Hamitic stock. His hooked nose and high cheekbones made him look almost Semitic, but the tight, black hair and dusky skin revealed him as a descendant of Ham. With his scimitar in his hand and his shamma, he looked very biblical, and the old priest thought that this was as it should be, although he could not say why.

The old priest rose, carrying his Bible, and his knees shook so badly he could barely stand. His mouth, he noticed, was quite dry now. He surprised the Ethiopian by deliberately walking across the small cell toward him. It was better to die quickly and to die well. A chase around the cell with upraised arms to ward off the blows of the scimitar would have been grotesque.

The Ethiopian hesitated, not wanting to do his duty in the final analysis and wondering now if perhaps he could circumvent it. But having drawn the short straw, he had become the executioner. What to do? The old priest knelt and crossed himself. The Ethiopian, a Christian of the ancient Coptic Church, began to shake. He spoke in bad Italian. "Father. Forgive me."

"Yes," said the old priest, and he prayed for both of them in snatches of long- forgotten Latin. Tears welled in his eyes as he kissed his Bible.

A shot rang out above the dwindling sounds of artillery outside and he heard a cry. Another shot, then the sounds of automatic rifle fire.

The soldier said in Italian, "The Gallas are here."

He sounded frightened, thought the old man, and well he should be. The priest remembered the Gallas, the tribal people who were as merciless as the ancient Huns. They mutilated their prisoners before they killed them.

The priest looked up at the soldier holding his scimitar and saw that he was shaking in fear. The old priest yelled at him, "Do it!"

But the soldier dropped his scimitar, then drew an ancient pistol from his belt and backed away toward the door, listening for sounds outside.

The soldier seemed indecisive, thought the priest, torn between staying in the relative safety of the cell or going out to be with his comrades, and to meet the Gallas, who were now within the fortress. The soldier was also torn between killing the old priest or letting him live, which could cost him his own life if his commander discovered what he had done—or failed to do.

The old priest decided that he preferred a quick and merciful death at the hands of this soldier; the Gallas would not be quick or merciful. He stood and said to the soldier in Amharic, "Do it. Quickly." He pointed to his heart.

The soldier stood frozen, but then raised his pistol. His hand shook so badly that when he fired, the bullet went high and splattered off the stone behind the old man's head.

The old priest had suffered enough, and the strange emotion of anger rose inside him. Here he was, after close to forty years in solitary imprisonment, and all he had wanted in his last moments was to die well and to die quickly, without losing his faith, like so many others did in those last seconds. But a well- meaning and inept executioner had prolonged his agony and he felt his faith slipping. He screamed, "Do it!"

He stared down the barrel of the gun and saw it spit another flame at him. And he thought of the thing that had condemned him. And the vision of that thing glowed like the fire from the gun, all golden and blinding—bright like the sun. Then everything went black.

He awoke to the miracle of being alive. The roof was mostly gone and he could see pinpoints of starlight against the sky. A bluish moon cast shadows across the floor, which was strewn with timbers and stone. Everything was unearthly still. Even the insects had abandoned the fortress.

He looked and felt around for his Bible, but could not find it in the rubble, and thought perhaps the soldier had taken it.

The old man crawled toward the door, then carefully out the pass-through. The soldier lay naked outside the door, and he saw that the man's genitals had been hacked off. The stripping, the mutilation; this was the mark of the Galla tribesmen. They might still be near.

The old man rose unsteadily. In the courtyard, naked bodies lay in the blue moonlight. His insides burned, but he felt well otherwise. It was hard to feel anything but well, walking now under the sky and taking more than five paces in any one direction.

A cool breeze picked up swirls of rubble dust, and he could smell the burned earth and the death around him. The damaged concrete buildings gleamed white in the moonlight like broken teeth. He shivered and tucked his arms in his shamma. His body was cold and clammy. He became aware that his shamma was caked with dried blood, sticking to his skin, and he moved more slowly so as not to open the wound.

It had been forty years, but he remembered the way and walked to the main gates. They lay open. He walked through them, as he'd done in dreams five thousand times, and he was free.

CHAPTER 2

The Jeep bounced slowly over the rutted track, and its filtered headlights picked out the path between the tight jungle growth. In the distance, artillery boomed and illuminated the black sky, like flashes of distant lightning.

Frank Purcell gripped the wheel and peered hard into the distorted shadows of gnarled trees and twisting vines. He hit the brakes, then shut off the hard- idling engine and killed the headlights. Henry Mercado, in the passenger seat, asked, "What's the matter?"

Purcell held up his hand for silence.

Mercado peered nervously into the encroaching jungle. Every shadow seemed to move. He cocked his silver-haired head and listened, then looked out of the corners of his eyes into the darkness, but he could see nothing.

From the back of the open-sided vehicle, on the floor among the supplies and photographic equipment, came a soft feminine voice. "Is everything all right?"

Mercado turned around in his seat. "Yes, fine."

"Then why are we stopped?"

"Good question." He whispered, "Why are we stopped, Frank?"

Purcell said nothing. He started the engine and threw the Jeep into gear. The four-wheel-drive dug into the track and they lurched forward. He moved the Jeep faster and the bouncing became rougher. Mercado held on to his seat. In the back, Vivian uncurled her slender body and sat up, grabbing on to whatever she could find in the dark.

They drove on for a few minutes. Suddenly, Purcell yanked the wheel to the right, and the Jeep crashed through a thicket of high brush and broke into a clearing.

Vivian said, "What the hell are you doing? Frank?"

In the middle of the clearing, gleaming white in the full-risen moon, were the ruins of an Italian mineral bath spa. A strange, anomalous legacy from the Italian occupation, the spa was built in ancient Roman style and sat crumbling like some Caesar's bath in another time and place.

Purcell pointed the Jeep toward the largest of the buildings and accelerated. The stuccoed structure grew bigger as the vehicle bounced across the field of high grass.

The Jeep hit the broad front steps of the building, found traction, and climbed. It sailed between two fluted columns, across the smooth stone portico, and through the front opening, coming to rest in the center of the main lobby of what had been the hotel part of the spa. Purcell cut the engine and headlights. Night creatures became quiet, then started their senseless, cacophonous noises again.

The moon shone blue-white through the destroyed vaulted ceiling and lit the pseudo-Roman chamber with an ethereal glow. Huge crumbling frescoes of classical bath scenes adorned every wall. Purcell wiped his face with his sweating palm.


(Continues...)

Excerpted from The Quest by Nelson DeMille. Copyright © 2014 Nelson DeMille. Excerpted by permission of Center Street.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >