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As the civil rights struggle heats up in Texas, two families?one white, one black?find common ground.
This semi-autobiographical tale is set in 1967 Texas, against the backdrop of the fight for civil rights. A white family from a notoriously racist neighborhood in the suburbs and a black family from its poorest ward cross Houston?s color line, overcoming humiliation, degradation, and violence to win the freedom of five black college students ...
As the civil rights struggle heats up in Texas, two families—one white, one black—find common ground.
This semi-autobiographical tale is set in 1967 Texas, against the backdrop of the fight for civil rights. A white family from a notoriously racist neighborhood in the suburbs and a black family from its poorest ward cross Houston’s color line, overcoming humiliation, degradation, and violence to win the freedom of five black college students unjustly charged with the murder of a policeman.
The Silence of Our Friends follows events through the point of view of young Mark Long, whose father is a reporter covering the story. Semi-fictionalized, this story has its roots solidly in very real events. With art from the brilliant Nate Powell (Swallow Me Whole) bringing the tale to heart-wrenching life, The Silence of Our Friends is a new and important entry in the body of civil rights literature.
The Silence of Our Friends Author Q&A
How much of this book's story is based on real events?
Mark Long: Creating a book like this one required us to find a balance between factual accuracy and emotional authenticity. Some details as well as names have been changed for storytelling purposes. But the facts are that in 1967 Texas Southern University students began a boycott of classes after the Student Nonviolent Coordinating Committee was banned from campus, and on May 17th they staged a sit down protest on Wheeler Avenue over conditions at the nearby city garbage dump. The protest evolved into an police riot that night when an undercover officer was shot and over 200 officers responded by pouring rifle and machinegun fire into the men’s dormitory. The police later stormed the dormitory and arrested 489 students after a policeman was shot and killed. All but 5 of the students were released the next day. They came to be called the “TSU Five” and were charged with the murder of the slain officer. Only one of the students stood trial in Victoria Texas due to publicity in Houston. His trial ended with the dismissal of all charges against the five when it was discovered that the officer was shot accidentally by another officer.
With the civil rights struggle as a backdrop to the story, how did you balance a contemporary perspective on race with the reality of race issues at the time?
Nate Powell: While visualizing and adapting Mark’s largely autobiographical work on the story, I found myself calling on my own experiences as a kid in Alabama, Mississippi, and Arkansas in the 1980’s. Though the story takes place in a specific historical framework, many of the attitudes, details, atmospheric elements, and anecdotes were extremely familiar to me — sometimes too familiar. As the pages progressed, the twenty years between our Southern childhood experiences didn’t seem like much of a difference at all, which was certainly disturbing at times.
There were frequent case-by-case conversations about accurate depictions of racism, the privilege of authorship, and inherent charge carried by racism’s role in the book. Generally speaking, we determined that this was in many ways a brutal story but a very accurate one, and respecting the very real violence carried by certain words and actions allowed us to give them their ugly space in the narrative, for better or for worse.
Is much knowledge of the civil rights movement required?
Mark Long: Everything that pushes the narrative forward is contained within the story’s pages, and a lot of the civil rights and struggle-related content is specific to Houston in 1967-68. It definitely covers what readers might need to know without having expertise on the civil rights movement. Having said that, however, I think readers are rewarded throughout the book as characters are offered windows through which they witness a much more massive social upheaval, framed within the last few months of Dr. Martin Luther King’s too-short life.
There's no easy way to categorize this book, how would you describe it?
Mark Long: I’d say it’s a culture’s own coming-of-age tale. By that, I mean it’s first and foremost an exploration of shifting boundaries: towns and neighborhoods, friends and families, customs and attitudes all on the threshold of massive (and ongoing) change. The boundaries themselves take on lives of their own at times. In a more traditional sense, it’s also equal parts a story centering on two families’ internal relationships as they find themselves in each other’s orbit, struggle narrative, friendship-betrayal tale, and courtroom drama.
Why choose to tell this story in a graphic format?
Nate Powell: As the story’s climax is dependent on sorting through multiple points of view, it’s appropriate that comics are ideal medium by which to tell a tale with so many lenses. The book offers a pretty intimate view of the world through main characters’ points of view, but bringing the narrative even closer through Mark’s eyes and balancing them all without judgment highlight the strengths of comics storytelling.
Posted July 6, 2012
as a lover of graphic novels, i was very disappointed. there was an okay plot line and complimentary pictures that showed the action, not the beautiful weaving interplay a true graphic novel should have. the topic of the book is important but the timeline is historically inaccurate to serve the author's purposes. all in all, it was a fast and unsatisfying read. i just really feel that with the great potential of that moment in history and the personal connection the author had to it, he could've done something more.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 26, 2012
When I found this one in the library I was really excited to read it, because I'm always very interested in the civil rights struggle and I had seen some pretty decent reviews of this one floating around the internet so I thought why not? Let's give it a go.
Now while I understand that the author used some of his own experiences in writing the graphic novel I thought that the story line was flat. The graphic novel started out on a high note, but it quickly went down hill because the story was so fragmented in my opinion it was hard to know what was going on because it jumped so wildly from page to page in terms of the story line.
I will say thought that the author did give a good portrayal of the south during this period and that came through in the illustrations which I thought were really good, I thought the style of the artwork suited the time period in which the grqaphic novel was set and for me the artwork was the only thing that I enjoyed about the graphic novel.
I probably wouldn't recommend this graphic novel to anyone just because of how I felt about it though don't let that stop you because I seem to be in the minority for this one. If you are going to try it be warned there are some racial slurs in it as well as a few F-Bombs as well.