Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction—specifically nineteenth-century novels about the Roman Empire—he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
1100870481
Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction—specifically nineteenth-century novels about the Roman Empire—he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
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Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity

Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity

by Simon Goldhill
Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity

Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity

by Simon Goldhill

Hardcover

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Overview

How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction—specifically nineteenth-century novels about the Roman Empire—he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.

Product Details

ISBN-13: 9780691149844
Publisher: Princeton University Press
Publication date: 08/07/2011
Series: Martin Classical Lectures , #29
Pages: 360
Product dimensions: 6.50(w) x 9.30(h) x 1.20(d)

About the Author

Simon Goldhill is professor of Greek literature and culture and fellow and director of Studies in Classics at King's College, University of Cambridge. His many books include Love, Sex, and Tragedy: How the Ancient World Shapes Our Lives.

Table of Contents

List of Illustrations vii
INTRODUCTION: Discipline and Revolution: Classics in Victorian Culture 1

PART 1. ART AND DESIRE
CHAPTER ONE: The Art of Reception: J. W. Waterhouse and the Painting of Desire in Victorian Britain 23
Fleshliness and Purity 26
Visualizing Desire, Elsewhere 45
Off the Chocolate Box 62

CHAPTER TWO: The Touch of Sappho 65
Viewed in the Light of Greece 66
Touching 72
Sappho on the Strand 79

PART 2. MUSIC AND CULTURAL POLITICS
CHAPTER THREE: Who Killed Chevalier Gluck? 87
Revolutionary Opera 90
The Art of Crying and the Happy Ending 97
Disinterring a Classic 104
The German Way 112
London Fashion 116

CHAPTER FOUR: Wagner’s Greeks: The Politics of Hellenism 125
"To be half a day a Greek!" 127
Staging the Sonderweg 134
Endeavoring to Forget 140

PART 3. FICTION: VICTORIAN NOVELS OF ANCIENT ROME
CHAPTER FIVE: For God and Empire 153
Every Book Needs a Hero 153
Whose History? 163
Fictionalizing the Past 177

CHAPTER SIX: Virgins, Lions, and Honest Pluck 193
The Knebworth Apollo 193
The Fiction of the Church 202
The Best-Selling Novel in America 215
The Harry Potter Effect 223
Jews, Egyptians, and Other Clichés of the Popular Sublime 231

SEVEN: Only Connect! 245
The Life of the Author 245
Victoria’s Historian, Darwin’s Parson 251
The Fight for the Middle Ground 258
CODA 265

Notes 273
Bibliography 313
Index 341

What People are Saying About This

From the Publisher

"Goldhill's richly textured, skillfully argued, and improbably erudite journey through France, Germany, and Great Britain in the Victorian period will rightfully place him at the forefront of the burgeoning field of reception studies. Examining the varied, often wildly different influences of Greece and Rome in art, music, and fiction, with a glance at historiography, he situates the study of the classics in the political, social, intellectual, and religious currents of the time, with often surprising results. Whether revisiting opera performances, art exhibitions, or popular cultural icons such as Ben Hur or The Last Days of Pompeii, as well as the uses to which they were put in the hallowed halls of academe and seats of political power, this book is certain to open new ways of understanding how we study and evaluate the manifold meanings of the past."—Froma Zeitlin, Princeton University

"The book is wonderfully written with lots of verve and lucidity, and it dives sensitively into a rich pool of archival material with a good deal of erudition."—James I. Porter, University of California, Irvine

"In this brilliant and wide-ranging book, Goldhill explores the cultural politics of classical reception from a broadly interdisciplinary perspective. He is a voracious reader with a wonderful eye for detail, moving across various literary genres and media—including music and the visual arts—to illuminate popular discourses and scholarly polemics surrounding classics in the nineteenth century. This is a dynamic engagement with Victorian ideas about classical antiquity, far from antiquarian in its appeal."—Yopie Prins, University of Michigan

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