William Faulkner Novels 1930-1935 (LOA #25): As I Lay Dying / Sanctuary / Light in August / Pylon

William Faulkner Novels 1930-1935 (LOA #25): As I Lay Dying / Sanctuary / Light in August / Pylon

William Faulkner Novels 1930-1935 (LOA #25): As I Lay Dying / Sanctuary / Light in August / Pylon

William Faulkner Novels 1930-1935 (LOA #25): As I Lay Dying / Sanctuary / Light in August / Pylon

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Overview

Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him one of America’s finest writers of the twentieth century. The four novels in this Library of America collection display an astonishing range of characters and treatments in his Depression-era fiction.

As I Lay Dying (1930) is a combination of comedy, horror, and compassion, a narrative woven from the inarticulate desires of a peasant family in conflict. It presents the conscious, unconscious, and sometimes hallucinatory impressions of the husband, daughter, and four sons of Addie Bundren, the long-suffering matriarch of her rural Mississippi clan, as the family marches her body through fire and flood to its grave in town.

Sanctuary
 (1931) is a novel of sex and social class, of collapsed gentility and amoral justice, that moves from the back roads of Mississippi and the fleshpots of Memphis to the courthouse of Jefferson and the appalling spectacle of popular vengeance. With its fascinating portraits of Popeye, a sadistic gangster and rapist, and Temple Drake, a debutante with an affinity for evil, it offers a horrific and sometimes comically macabre vision of modern life.

Light in August
 (1932) incorporates Faulkner’s religious vision of the hopeful stubbornness of ordinary life. The guileless Lena Grove, in search of the father of her unborn child; the disgraced minister Gail Hightower, who dreams of Confederate cavalry charges; Byron Bunch, who thought working Saturdays would keep a man out of trouble, and the desperate, enigmatic Joe Christmas, consumed by his mixed ancestry—all find their lives entangled in the inexorable succession of love, birth, and death.

Pylon
 (1935), a tale of barnstorming aviators in the carnival atmosphere of an air show in a southern city, examines the bonds of desire and loyalty among three men and a woman, all characters without a past. Dramatizing what, in accepting his Nobel Prize, Faulkner called “the human heart in conflict with itself,” it illustrates how he became one of the great humanists of twentieth-century literature.

The Library of America edition of Faulkner’s work publishes, for the first time, new, corrected texts of these four works. Manuscripts, typescripts, galleys, and published editions have been collated to produce versions that are free of the changes introduced by the original editors and that are faithful to Faulkner’s intentions.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Product Details

ISBN-13: 9780940450264
Publisher: Library of America
Publication date: 12/01/1985
Series: Library of America Complete Novels of William Faulkner , #2
Edition description: New Edition
Pages: 1056
Sales rank: 324,926
Product dimensions: 5.10(w) x 8.20(h) x 1.30(d)

About the Author

About The Author
William Faulkner (1897–1962) was born in Mississippi and was the recipient of the Nobel Prize for Literature and the Pulitzer Prize. 

Date of Birth:

September 25, 1897

Date of Death:

July 6, 1962

Place of Birth:

New Albany, Mississippi

Place of Death:

Byhalia, Mississippi

What People are Saying About This

Edmund Wilson

Faulkner. belongs to the full-dressed post-Flaubert group of Conrad, Joyce, and Proust.

Ralph Ellison

For all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must return to him for that continuity of moral purpose which made for the greatness of our classics.

Robert Penn Warren

For all the range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity [Faulkner's works] are without equal in our time and country.

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