An Abstract and Zen Look at Living The Writer's Life
So many books on writing delve specifically into the craft of writing, explaining how to structure sentences, create memorable characters, move plotline along, or write interesting dialogue. Writing Down The Bones: Freeing the Writer Within by Natalie Goldberg is not one of those books. In her writing how-to, Goldberg discusses the writing life, including why writers write, how to engage with the universe through the act of writing, and how to get past the internal blocks and censors that would prevent writers from writing.
Natalie Goldberg is a writing teacher, and in Writing Down The Bones, she promotes the act of writing practice. Writing practice is daily journal writing, handwritten and free flowing thought. Goldberg refers to this type of writing as "first thought," the rich and vibrant thought that accompanies the act of letting go. A student of Zen and meditation, Goldberg marries the two concepts, often quoting her Zen teachers and discussing making writing a part of daily life.
Those interested in understanding how to craft a novel or write memoir or delve into poetry can all benefit from this little book. No, it will not specify the secrets to public success as a writer. However, it will provide the encouragement and explain the reward with allowing oneself to be a writer. Goldberg specifically discusses the concept of what she refers to as "monkey mind," that internal censor that challenges all artists. It asks them, "Who do you think you are?" when delving into creative endeavors. She strategizes methods of dealing with money mind and shutting down the censor, returning to writing as the solution.
Goldberg is a proponent of writing mirroring life, and she challenges writers to explore all aspects of their lives in writing, explaining that avoiding uncomfortable topics will be evident to readers. Often, Writing Down The Bones gets quite abstract and new age. She explains that writing has less to do with talent than it does with practice, and she insists that writers write using all of their senses, engaging their readers with detailed explanations the environment in which the event is occurring. For writers of fast-paced or genre fiction, Goldberg's tactics may seem more useful to someone writing in other genres. However, Goldberg's perspective of writing as art and as having higher meaning as a form of art serves as a reminder to all artists the higher power they, themselves, are serving.
Goldberg meets her topics with humor and enthusiasm, challenging common writing dilemmas like where to write, how to write, when to write, and finding time. Her simple solution? Two words that can sum up all of the concepts in Writing Down The Bones: just write. Make no excuses, for the internal censor will be very creative itself in encouraging writers not to write. Just write, and appreciate life, and bring that appreciation and understanding to the page.
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