Music in East Africa: Experiencing Music, Expressing Culture / Edition 1

Music in East Africa: Experiencing Music, Expressing Culture / Edition 1

by Gregory Barz
ISBN-10:
0195141520
ISBN-13:
9780195141528
Pub. Date:
02/26/2004
Publisher:
Oxford University Press
ISBN-10:
0195141520
ISBN-13:
9780195141528
Pub. Date:
02/26/2004
Publisher:
Oxford University Press
Music in East Africa: Experiencing Music, Expressing Culture / Edition 1

Music in East Africa: Experiencing Music, Expressing Culture / Edition 1

by Gregory Barz
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Overview

Music in East Africa is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study.
Music in East Africa introduces readers to the various ways in which historical music traditions and present-day musical performances either collide, fuse, or remain mutually exclusive in contemporary East Africa. Through descriptions of performances and case studies that detail the lives of individual musicians, Gregory Barz shows how people in Uganda, Kenya, and Tanzania create, dance to, and interact with traditional East African music. Focusing on specific contexts in which music is integrated into the everyday lives of individuals and communities, Music in East Africa considers the significance of music for people as they negotiate the world around them. It looks at the defining principle of musical performance in East Africa—how drumming (and the playing of other musical instruments), singing, dancing, and drama are deeply connected to traditional cultures. The book highlights the importance of individual musicians as specialized members of communities and describes the role of musical performances in such social systems as popular entertainment and religious rituals. It also shows how traditional East African music and performance has responded to modernization, colonization, commercialism, and nationalism.
Featuring vivid illustrations and eyewitness accounts of performances, Music in East Africa incorporates numerous activities that encourage readers to engage with the music. The book is packaged with a 70-minute CD containing examples of the music discussed in the text.

Product Details

ISBN-13: 9780195141528
Publisher: Oxford University Press
Publication date: 02/26/2004
Series: Global Music Series
Edition description: Book & CD
Pages: 160
Product dimensions: 8.00(w) x 5.50(h) x 0.50(d)

About the Author

Vanderbilt University

Table of Contents

, Forward, Preface, CD Track List1. Heating Up!East AfricaTraditional Music Performance: The Example of iNgoma/iWhat is "Music" in East Africa? Greetings Conclusion2. Traditional Performances in Two Villages and a TownIntroductionCase Study #1: Nyanhugi Village, Sukumaland, TanzaniaCase Study #2: Bugwere Village, Busoga Region, Eastern UgandaCase Study #3: Kisumu Town, Western Kenya, Musical TranscriptionGender and Traditional Music Performance in East AfricaConclusion3. Fostering Social Cohesion: Competition and Traditional Musical PerformanceIntroduction: Competition as Social CohesionCase Study #1: Bulabo in Sukumaland, TanzaniaiBufumu/iiBagaalu/i and iBagiika/i Dance SocietiesiSamba/iChanges and Adaption in iBulabo/iCase Study #2: Choir Competitions in Dar es SalaamVignette 1: The Initial Evangelical EncounterVignette 2: The Emergence of Tanzanian VoicesVignette 3: A Postcolonial MomentConclusion4. Individuals in East African Musical Worlds: Gideon Mdegella and Centurio BalikoowaIntroductionVignette 1: Gideon MdegellaVignette 2: Centurio BalikoowaCommunities and Musical SpecialistsGideon Mdegella: i"Mwalimu"/iMwalimu wa Kwaya: iRitual-Musical Specialists in the Tanzanian Luteran Church/i, "I Am Able to See Very Far, but I Am Unable to Reach There", Mdegella and "First-Class Music"Centurio Balikoowa, Background, Musical InstrumentsEndere (iFlute/i)Endingidi (iTubefiddle/i)iConstruction of the/i EndingidiNtongooli (iBowl Lyre/i), Personal HistoryConclusion5. Situating Traditional Music within ModernityIntroductionVignette: Anthems and IdentityCase Study #1: iMu Kkubo Ery 'Omusaalaba/i, Basic Tenets of Kiganda Traditional Music, Issue of Timbre, Drumming, Issue of Interlocking PatternsCase Study #2: "The Roots of iBenga/i"D.O. Misiani, the "King" of BengaConclusion: Popular versus Traditional—"Modernity Happened!"6. Cooling Down!IntroductionTraditional Music and the Interrelation of the Arts in East Africa, Glossary, Resources, Index
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