NY Times
Ms Vogel has written a lovely, harrowing guide to the crippling persistence of one woman's memories.
Village Voice
...HOW I LEARNED TO DRIVE is a tremendous achievement, genuine and genuinely disturbing...This is, quite simply, the sweetest and most forgiving play ever written about child abuse...Vogel's delicate tactic makes sense not only as a way to redouble the dramatic effect, but as a representation of reality, a perfect case of the form fitting the subject.
Variety
With subtle humor and teasing erotic encounters, Vogel addresses the dangerous intersections of teenage temptation. She also paints a richly poetic and picturesque landscape...The play is a potent and convincing comment on a taboo subject, and its impact sneaks up on its audience.
BackStage
...HOW I LEARNED TO DRIVE turns out to be a most compelling ride.
New York Times
"The play is steeped in a gentle lyricism we associate with nostalgic portraits of American youth. The tone, the setting, the characters seem at first so familiar, so, well, normal, that it’s only by degrees that we sense the poison within the pastels. By then we feel both locked into, and complicit with, this portrait of a warping relationship. That’s the art of Drive."
USA Today
"How I Learned to Drive is one of the best plays of the decade."
USA Today
" How I Learned to Drive is one of the best plays of the decade."
