I'll Be There

I'll Be There

by Holly Goldberg Sloan

Narrated by Laura Jennings

Unabridged — 9 hours, 28 minutes

I'll Be There

I'll Be There

by Holly Goldberg Sloan

Narrated by Laura Jennings

Unabridged — 9 hours, 28 minutes

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Overview

Emily Bell believes in destiny. To her, being forced to sing a solo in the church choir--despite her average voice--is fate: because it's while she's singing that she first sees Sam. At first sight, they are connected. Sam Border wishes he could escape, but there's nowhere for him to run. He and his little brother, Riddle, have spent their entire lives constantly uprooted by their unstable father. As Sam and Riddle are welcomed into the Bells' lives, they witness the warmth and protection of a family for the first time. But when tragedy strikes, they're left fighting for survival in the desolate wilderness, and wondering if they'll ever find a place where they can belong.

Editorial Reviews

Publishers Weekly

Screenwriter and director Sloan delivers a cinematic, psychologically nuanced first novel of star-crossed love and the power of human empathy and connection. Sloan excels at crafting memorable characters and relationships, from the central, transformative romance between 17-year-olds Sam and Emily, who meet after her disastrous church solo, to finely sketched cameos. Sam and his sensitive, possibly autistic younger brother, Riddle, live an isolated and itinerant existence, subject to the whims of their violent and deranged father, Clarence. Tension escalates as Emily's family becomes attached to the boys, growing concerned for their well-being, and an unstable Clarence takes off with his sons once again. It's agonizing but thrilling reading as Sam and Emily try to surmount the many obstacles Sloan throws at them. Her skills as a writer are never in doubt, though the story can at times feel melodramatic, especially as it turns into a survivalist epic, and a plot thread about a classmate enamored with Emily devolves into slapstick. But Emily and Sam's romance is that of the against-all-odds, meant-to-be variety, and while the ending is too perfect, it is unquestionably earned. Ages 12–up. (May)

From the Publisher

A 2012 YALSA Best Fiction for Young Adults Book
A 2011 Los Angeles Public Library Best of YA Book
A 2011 Chicago Public Library Best of the Best Book
A Colorado Blue Spruce Book Award Nominee
A South Dakota Young Adult Reading Program Book
A Connecticut Teen Nutmeg Award Nominee
A Washington Evergreen YA Book Award Nominee
A Missouri Gateway Award Nominee
A Holland Golden List Award Winner

* "Illustrates how we are all connected in big and small, positive and negative ways....[This] riveting story will keep readers interested and guessing until the end."—School Library Journal, starred review

* "[A] life-affirming exploration of the subtleties of love, compassion, and relationships. . . . Like the song it was named for, this book is hard to get out of your head."
The Horn Book, starred review

* "Sloan builds characters rich with depth and realism.... A terrific read, quick to capture the audience, this book will make readers sing the melody in their hearts."—VOYA, starred review

"[Sloan] has fashioned a cast of memorable characters with compelling stories and relationships."—Kirkus Reviews

"Sam and Riddle are wonderfully appealing characters that readers will root for....A highly suspenseful read with a dynamic, cinematic quality that keeps the pages turning to the satisfying conclusion."—Booklist

"Sloan delivers a cinematic, psychologically nuanced first novel...[and] excels at crafting memorable characters and relationships."—Publishers Weekly

Booklist

"Sam and Riddle are wonderfully appealing characters that readers will root for....A highly suspenseful read with a dynamic, cinematic quality that keeps the pages turning to the satisfying conclusion."

The Horn Book

* "[A]
life-affirming exploration of the subtleties of love, compassion, and relationships.
. . . Like the song it was named for, this book is hard to get out of your head."

School Library Journal

Gr 7 Up—Seventeen-year-old Sam's and 10-year-old Riddle's lives have never been normal. Because of their abusive father's bad habit—stealing—they are always on the run. Sam stumbles into church wearing his cleanest dirty clothes on the day that Emily Bell sings "I'll Be There" by the Jackson Five. He can't help but feel that she is singing directly to him, and the two make a connection that later will change both of their lives. Because of many coincidences, the two eventually meet again and the relationship blossoms, but not without some hindrances. Sam's father commits a series of crimes, and he forces the boys to hit the road with him again. The brothers end up escaping their father's grip and get separated, and readers will flip pages frantically to find out if they are reunited with one another and with Emily's family. Sloan illustrates how we are all connected in big and small, positive and negative ways. Any reader who has ever questioned whether even the smallest gesture of kindness can make a difference will appreciate this book. Even though there are many characters and the scene is constantly changing, this riveting story will keep readers interested and guessing until the end.—Karen Alexander, Lake Fenton High School, Linden, MI

Kirkus Reviews

"Making a connection to a person can be the scariest thing that ever happens to you." This truth hits especially hard now that Sam Border, currently known as Sam Smith, has met Emily Bell. Sam has never known many people. His father took Sam and his younger brother Riddle away from home when they were little, never to see their mother again, and ever since they've lived a life on the run. Clarence Border, their father, is a born liar and a cruel and abusive man, and Sam has taken on the role of protector of Riddle, who seems to be autistic. Mr. Bell, a music professor, discovers Sam's gifts as a musician and Riddle's skill at drawing, talents that become important to the tale. Sloan, a film writer and director (Angels in the Outfield and Made in America), has fashioned a cast of memorable characters with compelling stories and relationships, but, curiously, has neglected a basic scriptwriter's tool, dialogue, in her debut young adult novel. Too often, she violates the old writing teacher's advice: Show, don't tell. Too much explaining, too much going on, an overreliance on incomplete sentences and an unwieldy accumulation of subplots undermine a good story. (Fiction. 12 & up)

Product Details

BN ID: 2940175489072
Publisher: Dreamscape Media
Publication date: 05/09/2016
Series: I'll Be There
Edition description: Unabridged
Age Range: 12 - 17 Years

Read an Excerpt

I'll Be There


By Goldberg Sloan, Holly

Little, Brown Books for Young Readers

Copyright © 2011 Goldberg Sloan, Holly
All right reserved.

ISBN: 9780316122795

1

The days of the week meant nothing to him.

Except Sunday.

Because on Sundays he listened to pipe organs and pianos.

If he was lucky, handheld bells, pounding drums, or electronic beat machines might vibrate while people sang and sometimes clapped and on occasion even stamped their dressed-up feet.

On Sundays, wherever he was, whenever he could, Sam Border woke early, pulled on his cleanest dirty shirt, and went looking for a church.

He didn’t believe in religion.

Unless music could be considered a religion. Because he knew God, if there was one, was just not on his side.

Sam always came in after things had started. And he always left before the service was finished. He sat in the back because he was there only to visualize the patterns in the musical notes. And maybe grab a glazed donut or a sticky cookie on the way out.

If someone tried to speak to him, Sam nodded in greeting and, if he had to, threw in a “Peace be with you.” But he had perfected the art of being invisible, and he was, even when he was younger and little, almost always left alone.

What he could remember, when he thought of the dozens and dozens of towns where he’d lived, were sounds.

Even Junction City, where he’d spent a whole winter and made a friend, was now gone, except for the ping of the rain hitting the metal roof on the apartment off the alley where the city parked all its noisy trucks.

That was three years ago. Fifteen towns ago. Another lifetime.

After Junction City they’d been outside of Reno for a while. And then in a trailer that rattled as if every screw and corresponding piece of corroded metal was ready to come undone.

The trailer was in Baja California, and it felt like living in a cardboard box, which was one of his many recurring nightmares. But he’d appreciated those five months south of the border.

Being an American automatically meant he was an outsider, so for the first time in what he could remember of his blur of a broken life, he’d felt like he could relax. He was different. It was expected.

But even fitting-in-because-you-don’t-fit-in didn’t last.

His father got them out of the country and back to the U.S. just as Sam was learning to speak Spanish and figuring out how to swim.

For weeks, while his brother and father slept, Sam had gone down right after sunrise to the crashing waves. Teaching yourself a skill, especially one that could kill you if things went wrong, wasn’t easy.

At first, he only went in up to his knees. And then, gradually, he ventured into the swell, moving his arms in the cold surf like he’d seen people do from a distance.

He was pretty sure he looked like a real idiot.

But he was always able to get back to the gritty beach, even on the morning when the ocean suddenly shifted gears and began to pull him sideways down the shoreline. For what seemed like miles, he slapped his arms against the waves and thrashed his legs in a fury as he swallowed mouthfuls of icy salt water.

Because something inside him, even when he most wanted to give up, just wouldn’t.

After that day, Sam figured he had once gone for a real swim. But he assumed that whatever he’d learned from the experience would disappear, like so much that had come and gone in a life dictated by his father. There were so many things that were a mystery. That’s what happens when you’ve never gone to school past second grade.

But the good thing was that he didn’t know what he didn’t know, and that made it all easier.

Emily Bell was a collector.

And what she gathered and sorted and prized was carried with her wherever she went.

Because Emily’s obsession was with other people’s lives.

Her grandmother had once said that Emily would have been the greatest spy ever born. But only if spies didn’t have to guard secrets as well as unearth them. Because Emily’s own emotional wall of self-protection was see-through. She wasn’t hiding anything about herself, so why should anyone else?

It was disarming.

Emily’s interest in personal histories made her accessible to people’s deepest emotions. It was as if she had some kind of magnet that pulled at someone’s soul, often when he or she least expected it.

And that same magnet, which had to have been shaped like a horseshoe, allowed someone to look at her and feel the need to share a burden.

Hers was a gift that didn’t have a name.

Even she didn’t understand what it all meant.

Emily just knew that the grocery store clerk’s cousin had slipped on a bath mat and fallen out a second-story open window only to be saved because the woman landed on a discarded mattress.

But what interested Emily the most about the incident was how the cousin had subsequently met a man in physical therapy who introduced her to his half brother who she ended up marrying and then running over with her car a year later after a heated argument. And that man, it was discovered, had been the one to dump the mattress in her yard.

He’d saved her so that she could later cripple him.

Emily found that not ironic but intriguing.

Because everything, she believed, was connected.

Now, at seventeen years old, Emily’s question was how she fit into the big scheme of things. Where was her minor incident that would change the course of major life events? So far it had all gone according to plan. Good parents. Decent younger brother. World’s greatest dog. Loyal best friend.

There had been no dramatic hairpin turns in her road. And not even any real bumps to speak of.

But she had lived in one town, and she had seen how small things changed big things. She saw every person as part of a ripple effect.

And, because of that, she believed in destiny.

At least that’s what she would later tell herself.

Emily took a bite of whole wheat toast and stared out the window. She did not have a beautiful singing voice. She could carry a tune, but that was the extent of the situation.

So why was she going to sing a solo at church?

The answer was right across from her, drinking coffee.

Tim Bell was a college music professor. But on Sundays he was now also the choral director of their congregation. And, as Emily chewed, she decided that he really must not care about that new position if he was going to subject the people to her rendition of “I’ll Be There.”

Because it wasn’t even a church song she had to sing.

It was a classic pop melody that the Jackson Five had made famous, and people had heard this song and seen this song performed and they all knew how it was supposed to sound.

Which made her singing it even worse.

Her father had a theory—because he had theories about everything—that love ballads could be used in places of worship and reinvented to have a spiritual dimension. Being an instructor, he knew that the key to emotional involvement with music was familiarity.

So the way Emily saw it, he was basically tricking people.

He was using songs that already made them feel good. The only problem in the scheme was her. It was just plain wrong to make her a guinea pig in the plan.

Emily had tried all week to appeal to her mother, who was always a voice of reason. But Debbie Bell was an emergency-room nurse and she said that she handled pain and he handled poetry, which meant she left music to her husband.

In desperation Emily had even worked on her little brother, Jared, who was only ten years old and, being seven years younger than her, would pretty much do anything she said. But even Jared didn’t think her singing was a big deal.

Emily shut her eyes and she could hear her own voice, sped up suddenly like a cartoon chipmunk, singing: “I’ll be there. Just call my name. I’ll be there.”

It was a total nightmare.

She would just have to grit her teeth and get through it.

But was it possible to grit your teeth and still sing?



Continues...

Excerpted from I'll Be There by Goldberg Sloan, Holly Copyright © 2011 by Goldberg Sloan, Holly. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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