Title: Combat Mime: A Non-Violent Approch to Stage Violence, Author: J. D. Martinez
Title: Chinese Theatre and the Actor in Performance, Author: Jo Riley
Title: The Knowing Body, Author: Janys Hayes
Title: Performing Arts and Digital Humanities: From Traces to Data, Author: Clarisse Bardiot
Title: Voice: Onstage and Off, Author: Robert Barton
Title: Reviewing Shakespeare: Journalism and Performance from the Eighteenth Century to the Present, Author: Paul Prescott
Title: Wirkungen des funktionellen Nachvollzugs physiologischer Gesangsstimmen auf die Qualitaet der Sprechstimme, Author: Ulrike Nespital
Title: Theatre of Movement and Gesture, Author: Jacques Lecoq
Title: How to Rehearse a Scene: Progressive Exercises to Enhance Scene Work, Author: Timothy Johnson
Title: New Sites For Shakespeare: Theatre, the Audience, and Asia, Author: John Russell Brown
Title: Essential Acting: A Practical Handbook for Actors, Teachers and Directors, Author: Brigid Panet
Title: The Art of Unarmed Stage Combat, Author: Robert Najarian
Title: TV Commercials: How to Make Them: or, How Big is the Boat?, Author: Ivan Cury
Title: Using Open Scenes to Act Successfully on Stage and Screen, Author: Dan Carter
Title: Performer Training: Developments Across Cultures, Author: Ian Watson
Title: Stanislavsky and Race: Questioning the
Title: Improvisation Hypermedia and the Arts since 1945, Author: Roger Dean
Title: Secrets of Acting Shakespeare: The Original Approach, Author: Patrick Tucker
Title: The Actress: Hollywood Acting and the Female Star, Author: Karen Hollinger
Title: City/Stage/Globe: Performance and Space in Shakespeare's London, Author: D.J. Hopkins

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