Thirteen-year-old Tommy Sanderson has disappeared in Borderland State Park near his home, and state and local police immediately begin searching for him. His two friends, Luis and Josh, are not much help. Erin Bennett narrates this spooky, partly supernatural story, which is told in the present tense with flashbacks. She portrays Elizabeth, Tommy's mother, and his sister, Kate, with empathy and controlled emotion. The steadiness of her narration moves the listener through their pain, guilt, and misery, adding a new dimension to the relationships in the story. Bennett seamlessly transitions between characters and effortlessly distinguishes their genders and ages. The psychological suspense of this eerie story and its ambiguity are powerfully enhanced by Bennett's reading. S.C.A. © AudioFile 2016, Portland, Maine

The novel is never, at any point, exactly what you expect it to be, and even when it's over you might not feel you know what really happened to 13-year-old Tommy Sanderson…Tremblay is most interested in the in-between places, in feelings that are indeterminate and perhaps unknowable, like Tommy's teenage sense of neither-here-nor-thereness…as reality slips and skitters into dark corners, writers like Tremblay keep trying to catch traces of it, in the present and in the past.

Even more head-spinning than its predecessor [A Head Full of Ghosts]—the kind of book that takes the simple premise of a lost child and twists it into a dizzying emotional vortex…The most powerful aspect of Disappearance, though, is its immediacy. Tremblay doesn’t shout or gesticulate. He whispers his tale, punctuating it with the ‘clicks and whirs’ of an air conditioner or the life-mocking ring of a child’s bicycle bell. His characters are rendered vividly and sensitively. The ambience is all shadows…immaculate storytelling.”  — NPR

“[Disappearance at Devil’s Rock] offers an abundance of fine writing.” — Washington Post

“Tightly plotted and atmospheric…Tremblay uses concise prose and smooth storytelling to evoke raw emotion in this tale of love, loss, and terror…This stunning and tantalizing work of suggestive horror is sure to please admirers of Stephen King and Peter Straub.” — Publishers Weekly (starred review) on Disappearance at Devil’s Rock

“Tremblay does a masterful job of creating two worlds often at odds with each other—the world of a single mother struggling to stay afloat and the world of her young teenage son struggling to identify his role among peers. This tense, quick-moving story, part mystery and part folktale with a dash of police procedural, moves between points of view that offer tantalizing clues and moments of discomfort. The result is a satisfying piece of fiction that shifts genres underneath the reader.”  — Booklist (starred review) on Disappearance at Devil’s Rock

“Disappearance at Devil’s Rock is a true and powerful mystery novel, full of twists and horrors that will keep even the most jaded genre reader silently turning its pages late into the night.” — New York Journal of Books

“Crackling with dark energy and postmodern wit...[this] superb novel evokes the very best in the tradition—from Shirley Jackson to Mark Z. Danielewski and Marisha Pessl—while also feeling fresh and utterly new. Deeply funny and intensely terrifying, it’s a sensory rollercoaster and not to be missed.” — Megan Abbott, author of The Fever and Dare Me

“Paul Tremblay is an astonishingly talented writer, but even better, he’s twisted, and fun. A Head Full of Ghosts is mind-bending—scary, sad, sweet, funny, sick. ... . Terrifying, hilarious, smart, and satisfying.” — Stewart O'Nan, author of The Speed Queen, The Night Country, and A Prayer for the Dying

“Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.” — Kirkus Reviews

“[B]rilliantly creepy.” — Library Journal

“The novel is stylishly written and well-conceived.” — Booklist

“Gripping and truly scary, this book feels of the moment in a way few thrillers do.” — B&N Reads

“[A] scary story, indeed.” — BookPage

“A mind-bending tale of psychological horror is unleashed, raising disturbing questions about memory and reality, science and religion, and the very nature of evil.” — Buzzfeed

“…progressively gripping and suspenseful — (Tremblay’s) ultimate, bloodcurdling revelation is as sickeningly satisfying as it is masterful.” — NPR Books

“[A] creepy, interesting read, great for horror fans.” — SFRevu

“Loved it. Highly recommended for anyone who loves engrossing literary horror-undertones of The House of Leaves (but far more accessible) and The Exorcist, and redolent of Shirley Jackson.” — Ellen Datlow

“Dark, brilliant, and impossible to predict, [this] is more than a perfect horror story. It’s a smart and savage look at American culture in all its madness, and the price girls are forced to pay by a society obsessed with spectacle and sin.” — Cara Hoffman, author of So Much Pretty and Be Safe I Love You

“A Head Full of Ghosts doesn’t end just because you close the book. Some horror, it bleeds through the pages, gets onto your hands, stays with you. You’ll be thinking about this one long after you’ve read it.” — Stephen Graham Jones, author of Demon Theory and Ledfeather

“A genuinely scary, post-modern homage to classic horror that invokes Stanley Kubrik and Shirley Jackson in equal measure, but also manages to innovate on nearly every page. [It] is unlike any horror novel you’ve read, and yet hauntingly, frighteningly familiar.” — Sara Gran, author of Claire DeWitt and the City of the Dead and Come Closer

“Part psychological thriller, part demonic possession horror, this book is a juicy, fast-paced genre bombshell that just happens to be one of the smartest novels you’ll read this year.” — The Life Sentence

“A Head Full of Ghosts is one of the best novels released this year. ...Paul Tremblay confirms what we already knew: he’s one of the greatest horror writers today.” — This is Horror (UK)

“By turns horrifying, very funny, melancholy, ironic and, with each page, dazzlingly original, A Head Full of Ghosts is a one-book rocket ride through contemporary society where, if Evil doesn’t actually exist in a Biblical sense, we’re just the folks to invent it on our own.” — The Day newspaper

“This will easily be remembered as one of the most powerfully disquieting and deeply unsettling novels of the year, and may mark something of a turning point in the mainstream horror genre.” — Shock Totem

“Paul Tremblay’s terrific A Head Full of Ghosts generates a haze of an altogether more serious kind: the pleasurable fog of calculated, perfectly balanced ambiguity.” — New York Times Book Review

…progressively gripping and suspenseful — (Tremblay’s) ultimate, bloodcurdling revelation is as sickeningly satisfying as it is masterful.

The novel is stylishly written and well-conceived.

[A] scary story, indeed.

A mind-bending tale of psychological horror is unleashed, raising disturbing questions about memory and reality, science and religion, and the very nature of evil.

Crackling with dark energy and postmodern wit...[this] superb novel evokes the very best in the tradition—from Shirley Jackson to Mark Z. Danielewski and Marisha Pessl—while also feeling fresh and utterly new. Deeply funny and intensely terrifying, it’s a sensory rollercoaster and not to be missed.

Gripping and truly scary, this book feels of the moment in a way few thrillers do.

[A] creepy, interesting read, great for horror fans.

Paul Tremblay is an astonishingly talented writer, but even better, he’s twisted, and fun. A Head Full of Ghosts is mind-bending—scary, sad, sweet, funny, sick. ... . Terrifying, hilarious, smart, and satisfying.

Loved it. Highly recommended for anyone who loves engrossing literary horror-undertones of The House of Leaves (but far more accessible) and The Exorcist, and redolent of Shirley Jackson.

A genuinely scary, post-modern homage to classic horror that invokes Stanley Kubrik and Shirley Jackson in equal measure, but also manages to innovate on nearly every page. [It] is unlike any horror novel you’ve read, and yet hauntingly, frighteningly familiar.

Dark, brilliant, and impossible to predict, [this] is more than a perfect horror story. It’s a smart and savage look at American culture in all its madness, and the price girls are forced to pay by a society obsessed with spectacle and sin.

A Head Full of Ghosts is one of the best novels released this year. ...Paul Tremblay confirms what we already knew: he’s one of the greatest horror writers today.

A Head Full of Ghosts doesn’t end just because you close the book. Some horror, it bleeds through the pages, gets onto your hands, stays with you. You’ll be thinking about this one long after you’ve read it.

Part psychological thriller, part demonic possession horror, this book is a juicy, fast-paced genre bombshell that just happens to be one of the smartest novels you’ll read this year.

This will easily be remembered as one of the most powerfully disquieting and deeply unsettling novels of the year, and may mark something of a turning point in the mainstream horror genre.

Paul Tremblay’s terrific A Head Full of Ghosts generates a haze of an altogether more serious kind: the pleasurable fog of calculated, perfectly balanced ambiguity.

By turns horrifying, very funny, melancholy, ironic and, with each page, dazzlingly original, A Head Full of Ghosts is a one-book rocket ride through contemporary society where, if Evil doesn’t actually exist in a Biblical sense, we’re just the folks to invent it on our own.

The novel is stylishly written and well-conceived.

06/01/2017
Beware the ringing phone in the middle of the night. Elizabeth, single mother of two, enters her worst nightmare when she answers a call and learns that her teenage son, Tommy, is missing. What secrets does Devil's Rock hold, and who (or what) took the boy away in the middle of the night? VERDICT An enticing supernatural story that will fill readers with trepidation as they wait to discover what happened to Tommy. (LJ 4/15/16)