| Acknowledgments | 5 |
| Foreword from the Lectern | 13 |
| Case Studies | 14 |
| Janice Moore | 14 |
| Carol Mitchell | 18 |
| Greg Dickinson | 21 |
| Eric Aoki | 26 |
| Final Thoughts | 31 |
| Foreword from the Stage | 33 |
| Introduction | 41 |
| Parallels Between the Classroom and the Stage | 42 |
| Instruction and Entertainment | 43 |
| Performance Anxiety and Fun | 43 |
| The Making of Teachers and Actors | 44 |
| Cross-Fertilization and Creativity | 45 |
| Plan of the Book | 45 |
Chapter 1 | Planning and Performance | 47 |
| Warm-Up | 50 |
| Lesson Plans and Scripts | 51 |
| Roles | 52 |
| Movements and Blocking | 53 |
| Equipment and Materials as Props | 54 |
| Lighting | 55 |
| Costuming | 56 |
| Energy and Concentration | 67 |
| Audience Response | 68 |
| Exercises | 69 |
Chapter 2 | Warming Up | 61 |
| General Warm-Up Exercises | 62 |
| Vocal Warm-Up Exercises | 63 |
| Exercises for Physical Flexibility and Control | 65 |
| Warming Up for Class | 67 |
Chapter 3 | The Lecture | 69 |
| Why Lecture? | 69 |
| The Challenge to Lecture Well | 70 |
| Lessons from the Stage | 72 |
| The Teaching Objective as Through-Line | 72 |
| Lecture Notes as Script | 76 |
| The Case of Oedipus | 79 |
| Hooking Students from the Start | 83 |
| The Classroom as Set | 86 |
| The Roles You Play | 88 |
| The Roles You Could Play | 91 |
| Techniques to Enhance Your Roles | 94 |
| Pacing | 97 |
| Warming Up | 100 |
| Movements | 100 |
| Voice | 105 |
| Props | 108 |
| Lighting | 112 |
| Costumes | 114 |
| Notes | 116 |
| Impact on Students | 117 |
Chapter 4 | Questions, Answers, and Discussions | 121 |
| Problems and Challenges | 123 |
| Staying Focused: Interactions and Through-Lines | 129 |
| Lesson Plans and Scripts | 132 |
| Engaging Students and Audiences | 134 |
| Hooking Students from the Start | 135 |
| The Classroom as Set | 140 |
| The Roles You Play | 141 |
| Be a Catalyst for Growth | 146 |
| Provide Encouragement and Reinforcement | 146 |
| Nurture Creativity | 146 |
| Promote Effective Communication Skills | 147 |
| Keep Track of Time and Task | 147 |
| Delivery | 148 |
| Props | 151 |
| Warming Up | 152 |
| Reactions from Students and Audiences | 155 |
| Problems | 155 |
Chapter 5 | Energy, Creativity, and Spontaneity | 157 |
| Improvisation and Spontaneity | 158 |
| Applications in Class | 159 |
| Enhancing Creativity | 163 |
| Self-awareness | 165 |
| Creative Expression | 166 |
| A Whack and a Kick | 168 |
| Implications for Teaching | 170 |
| Synectics | 173 |
| Focusing on the Present | 176 |
| Reflection | 179 |
| An Introduction to Development, Discovery, And Drama | 181 |
Chapter 6 | The Developmental Case for Drama | 183 |
| Background | 183 |
| Conflicts on Stage | 184 |
| Classroom Climate | 185 |
| Promoting Engagement | 187 |
| Diversity | 188 |
| Effective Communication | 188 |
| Active Learning | 191 |
| The Social Context for Learning | 193 |
| Our Challenge to You | 194 |
Chapter 7 | Discovery and Drama | 195 |
| Paradigm Shifts | 198 |
| A Place for Curiosity | 200 |
| Approaches to Discovery | 200 |
| The Emotions of Discovery | 201 |
| Induction | 202 |
| Deduction | 203 |
| Case Studies and Problem-Based Learning | 204 |
| Concluding Thoughts | 207 |
Chapter 8 | Performance-Enhancing Exercises | 209 |
| Getting Started | 209 |
| Warm-Ups | 211 |
| Beginning Exercises and Ground Rules | 212 |
| Performance-Based Exercises | 213 |
| Woodchuck | 214 |
| Adverb Game | 215 |
| Rhythmic Sound and Movement | 216 |
| Space Walk | 218 |
| Energy Center | 221 |
| More Advanced Work | 224 |
| Inner Monologue | 224 |
| Objectives | 227 |
| Gibberish | 230 |
| Role Wheel | 233 |
| Summary | 235 |
Chapter 9 | Scenes for Practice, Fun, and Exploration | 237 |
| Stand and Deliver | 237 |
| Dead Poets Society | 238 |
| October Sky | 238 |
| Higher Learning | 238 |
| Music of the Heart | 239 |
| Mr. Holland's Opus | 239 |
| Dangerous Minds | 239 |
| Ferris Bueller's Day Off | 239 |
| When I Heard the Learn'd Astronomer | 239 |
| All the World's a Stage | 240 |
| What We Need Are Facts, Sir! | 241 |
| I'm Trying to Teach You | 242 |
| The Calling | 243 |
| Educating Rita | 244 |
| Who's Afraid of Virginia Woolf? | 245 |
| References with Annotations | 247 |
| Index | 265 |