African American Actresses: The Struggle for Visibility, 1900-1960
440African American Actresses: The Struggle for Visibility, 1900-1960
440Paperback(New Edition)
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Overview
Product Details
ISBN-13: | 9780253221926 |
---|---|
Publisher: | Indiana University Press |
Publication date: | 06/14/2010 |
Edition description: | New Edition |
Pages: | 440 |
Product dimensions: | 6.00(w) x 9.00(h) x 1.10(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
Acknowledgments ix
Introduction 1
1 The Struggle for Visibility Madame Sul-Te-Wan 19
2 Early Success and Tumultuous Career Nina Mae McKinney 40
3 Negotiating Racial Difference Louise Beavers 72
4 The Masquerades and the Masks Fredi Washington 107
5 Centering the Margin Hattie McDaniel 131
6 Actress and Activist Lena Horne 174
7 Resistance to Othering Hazel Scott 215
8 Personification of Otherness Ethel Waters 244
9 Intertwining the Reel and the Real Dorothy Dandridge 282
Conclusion 326
Notes 333
Bibliography 381
Index 391
What People are Saying About This
"Gorgeous both visually and textually, this book brings to light, as the title indicates, the "struggle for visibility" faced by African American actresses during what is usually called Hollywood's "Golden Age." Regester (African and Afro-American studies, Univ. of North Carolina, Chapel Hill) organizes the book more or less chronologically, and begins with the career of Madame Sul-Te-Wan, who was a pioneering African American actress of the silents and continued working well into the sound era. The author follows this with discussions of Nina Mae McKinney, Louise Beavers, Fredi Washington, Hattie McDaniel, Lena Horne, Hazel Scott, Ethel Waters, and Dorothy Dandridgeall of whom were underutilized to a degree that seems almost criminal. Historically sound and superbly written, this volume highlights the numerous obstacles these talented women faced working in films during an overwhelmingly racist era. Pursuing their craft with elegance, style, and determination, all these women fought a constant battle against racial stereotyping, demeaning roles as servants and maids, and the racism that infected the country as a whole. An exemplary study of race in US cinema, this is easily the best book on the subject to date. Summing Up: Essential. All readers. Choice"
Gorgeous both visually and textually, this book brings to light, as the title indicates, the "struggle for visibility" faced by African American actresses during what is usually called Hollywood's "Golden Age." Regester (African and Afro-American studies, Univ. of North Carolina, Chapel Hill) organizes the book more or less chronologically, and begins with the career of Madame Sul-Te-Wan, who was a pioneering African American actress of the silents and continued working well into the sound era. The author follows this with discussions of Nina Mae McKinney, Louise Beavers, Fredi Washington, Hattie McDaniel, Lena Horne, Hazel Scott, Ethel Waters, and Dorothy Dandridgeall of whom were underutilized to a degree that seems almost criminal. Historically sound and superbly written, this volume highlights the numerous obstacles these talented women faced working in films during an overwhelmingly racist era. Pursuing their craft with elegance, style, and determination, all these women fought a constant battle against racial stereotyping, demeaning roles as servants and maids, and the racism that infected the country as a whole. An exemplary study of race in US cinema, this is easily the best book on the subject to date. Summing Up: Essential. All readers. Choice
"In this important work, Charlene Regester brings into focus the lives and careers of representative black women actresses in Hollywood across generational divides in order to reposition them beyond the confining shadow of otherness and marginality. The sum result is a re-telling and correction of history."
In this important work, Charlene Regester brings into focus the lives and careers of representative black women actresses in Hollywood across generational divides in order to reposition them beyond the confining shadow of otherness and marginality. The sum result is a re-telling and correction of history.
Gorgeous both visually and textually, this book brings to light, as the title indicates, the "struggle for visibility" faced by African American actresses during what is usually called Hollywood's "Golden Age." Regester (African and Afro-American studies, Univ. of North Carolina, Chapel Hill) organizes the book more or less chronologically, and begins with the career of Madame Sul-Te-Wan, who was a pioneering African American actress of the silents and continued working well into the sound era. The author follows this with discussions of Nina Mae McKinney, Louise Beavers, Fredi Washington, Hattie McDaniel, Lena Horne, Hazel Scott, Ethel Waters, and Dorothy Dandridge—all of whom were underutilized to a degree that seems almost criminal. Historically sound and superbly written, this volume highlights the numerous obstacles these talented women faced working in films during an overwhelmingly racist era. Pursuing their craft with elegance, style, and determination, all these women fought a constant battle against racial stereotyping, demeaning roles as servants and maids, and the racism that infected the country as a whole. An exemplary study of race in US cinema, this is easily the best book on the subject to date. Summing Up: Essential. All readers. — Choice