Table of Contents
1 Introduction: Revisiting Old Stories of New Music
Anne-Sylvie Barthel-Calvet and Christopher Brent Murray
2 Recent Histories of Twentieth-Century Music and the Historiographical Tradition
Martin Kaltenecker
3 Continuity in the Creative Auto-Genealogies of Boulez, Stockhausen, Pousseur, and Nono
Pascal Decroupet
4 Inventing a Genre: Mauricio Kagel and Instrumental Theater
Jean-François Trubert
5 The Songs of Koma Pio and Hele Marsiale in Olivier Messiaen’s Île de feu Etudes
Christopher Brent Murray
6 A New Patronage Model in Postwar America: Luciano Berio, Philanthropy, and the Economics of Culture
Tiffany Kuo
7 Iannis Xenakis and the Men of Information Theory
Anne-Sylvie Barthel-Calvet
8 Open Works on Record: An Unsung Mediation
Jonathan Goldman
9 Making Audible the Mysteries of Sound: An Alternative Historiography for the Musical Avant-Garde from Varèse to Grisey
Pascal Decroupet