Maid as Muse: How Servants Changed Emily Dickinson's Life and Language

Maid as Muse: How Servants Changed Emily Dickinson's Life and Language

by Aífe Murray
Maid as Muse: How Servants Changed Emily Dickinson's Life and Language

Maid as Muse: How Servants Changed Emily Dickinson's Life and Language

by Aífe Murray

Hardcover(First Edition)

$37.95 
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Overview

In Maid as Muse, Aífe Murray explodes the myth of the isolated genius and presents an intimate, densely realized story of joined lives between Emily Dickinson and her domestic servants. Part scholarly study, part detective story, part personal journey, Murray's book uncovers a world previously unknown: an influential world of Irish immigrant servants and an ethnically rich one of Yankee, English-immigrant, Native American, and African American maids and laborers, seamstresses and stablemen. Murray reveals how Margaret Maher and the other servants influenced the cultural outlook, fashion, artistic subject, and even poetic style of Emily Dickinson. Irish immigrant Maher becomes the lens to a larger story about artistic reciprocities and culture-making that has meaning way beyond Dickinson. This below-stairs, bottom-up portrait of the artist and her family not only injects themes of class and ethnic difference into the story but also imparts subtle details and intimacies that make the study of Emily Dickinson urgent once again. In the kitchen pantry where she spent a good portion of each day, the outside world came to Dickinson. The "invisible" kitchen was headquarters for people mostly lost from the public record—and it was her interactions with them that changed and helped define who Emily Dickinson was as a person and a poet.

Product Details

ISBN-13: 9781584656746
Publisher: University of New Hampshire Press
Publication date: 02/09/2010
Series: Revisiting New England
Edition description: First Edition
Pages: 324
Product dimensions: 6.30(w) x 9.10(h) x 1.10(d)
Age Range: 18 Years

About the Author

AÍFE MURRAY has been in residence at the Emily Dickinson Museum; she conceived and has led several public walking tours of Amherst from the perspective of the Dickinson servants; and she created Art of Service, an artists' book collaboration with the present-day housecleaners and gardeners of the Dickinson Museum. She was an affiliated scholar with the Institute for Research on Women and Gender at Stanford University and named the 2007 Scholar in Amherst by the Emily Dickinson International Society. She lives in San Francisco.

Table of Contents

List of Illustrations
Author’s Note
Introduction: Walking Backward to Something You Know Is There
Warm and Wild and Mighty
The 1850 Housework Compromise
Turning with a Ferocity to a Place She Loved
Of Pictures, the Discloser –
Emily Dickinson’s Irish Wake
She Kept Them in my Trunk
There are things / We live among
Afterword: The Broadest Words are so Narrow
Acknowledgments
Appendix A: Emily Dickinson—Loaf Giver by Josephine Pollitt Pohl
Appendix B: Family Charts
Chronology
Notes
Bibliography
Illustration Credits
Index

What People are Saying About This

Adrienne Rich

From reams of letters, poems, archival records, photographs, maps, newspaper articles, and interviews with descendants of Irish immigrant and African American laborers and servants, Aífe Murray resurrects submerged lives and social realities in 19th century New England and beyond. Focusing on the Dickinson household through a new and revelatory lens, she makes a persuasive case that Dickinson's radical poetics were inflected by Irish and African American vernacular speech, even as she rejected standard literary and parlor diction. At center is not only the poet herself but Margaret Maher, alongside whom she worked as mistress and maid through her most productive years, and who actually preserved her poems. This is a work of re-visionary reading and hands-on research. The daring of Murray's quest and the even-handed generosity of her spirit are matched by the vitality of her own prose.

Vivian Pollak

“Imaginative, informative, and consistently lively. A deeply felt response to Dickinson’s domestic context that amplifies our understanding of nineteenth-century-American literary and social history.”

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