Engendering the Fall: John Milton and Seventeenth-Century Women Writers
The narrative of the Garden of Eden infused seventeenth-century political thought no less than it reflected attitudes toward the relationship between the sexes. Within the contemporary debate over political legitimacy, theorists who supported or questioned the monarchy turned explicitly to the narrative of the Garden of Eden and Adam and Eve to articulate their theories of governmental authority.

Engaging this foundational relationship between gendered interpersonal and governmental organization, Shannon Miller turns to a body of texts produced in England that replot the story of the Garden. She sets a series of writings by women into conversation with the period's most important poetic rendering of the Fall, Milton's Paradise Lost, to illustrate how significant gender was to accounts of social and political organization, and to demonstrate how the Garden narrative plots the role of gender. Her multidirectional and multilayered conversation between numerous seventeenth-century women—such as Aemilia Lanyer, Rachel Speght, Lucy Hutchinson, Margaret Cavendish, and Mary Chudleigh—and Milton's Genesis epic crystallizes the interplay between the narrative of the Fall, the organization of political structures, and the extent to which both were shaped by cultural debates over the role of women.

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Engendering the Fall: John Milton and Seventeenth-Century Women Writers
The narrative of the Garden of Eden infused seventeenth-century political thought no less than it reflected attitudes toward the relationship between the sexes. Within the contemporary debate over political legitimacy, theorists who supported or questioned the monarchy turned explicitly to the narrative of the Garden of Eden and Adam and Eve to articulate their theories of governmental authority.

Engaging this foundational relationship between gendered interpersonal and governmental organization, Shannon Miller turns to a body of texts produced in England that replot the story of the Garden. She sets a series of writings by women into conversation with the period's most important poetic rendering of the Fall, Milton's Paradise Lost, to illustrate how significant gender was to accounts of social and political organization, and to demonstrate how the Garden narrative plots the role of gender. Her multidirectional and multilayered conversation between numerous seventeenth-century women—such as Aemilia Lanyer, Rachel Speght, Lucy Hutchinson, Margaret Cavendish, and Mary Chudleigh—and Milton's Genesis epic crystallizes the interplay between the narrative of the Fall, the organization of political structures, and the extent to which both were shaped by cultural debates over the role of women.

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Engendering the Fall: John Milton and Seventeenth-Century Women Writers

Engendering the Fall: John Milton and Seventeenth-Century Women Writers

by Shannon Miller
Engendering the Fall: John Milton and Seventeenth-Century Women Writers

Engendering the Fall: John Milton and Seventeenth-Century Women Writers

by Shannon Miller

Hardcover

$74.95 
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Overview

The narrative of the Garden of Eden infused seventeenth-century political thought no less than it reflected attitudes toward the relationship between the sexes. Within the contemporary debate over political legitimacy, theorists who supported or questioned the monarchy turned explicitly to the narrative of the Garden of Eden and Adam and Eve to articulate their theories of governmental authority.

Engaging this foundational relationship between gendered interpersonal and governmental organization, Shannon Miller turns to a body of texts produced in England that replot the story of the Garden. She sets a series of writings by women into conversation with the period's most important poetic rendering of the Fall, Milton's Paradise Lost, to illustrate how significant gender was to accounts of social and political organization, and to demonstrate how the Garden narrative plots the role of gender. Her multidirectional and multilayered conversation between numerous seventeenth-century women—such as Aemilia Lanyer, Rachel Speght, Lucy Hutchinson, Margaret Cavendish, and Mary Chudleigh—and Milton's Genesis epic crystallizes the interplay between the narrative of the Fall, the organization of political structures, and the extent to which both were shaped by cultural debates over the role of women.


Product Details

ISBN-13: 9780812240863
Publisher: University of Pennsylvania Press, Inc.
Publication date: 06/25/2008
Pages: 288
Product dimensions: 6.00(w) x 9.10(h) x 1.20(d)

About the Author

Shannon Miller is Associate Professor of English at Temple Universityand the author of Invested with Meaning: The Raleigh Circle in the New World, also published by the University of Pennsylvania Press.

Table of Contents


Introduction: Rethinking the Practices of Influence, Intertextuality, and (Modern) Subjectivities     1
Pretexts     17
Serpentine Eve: Plotting Gender in the Seventeenth-Century Garden     21
Gazing, Gender, and the Construction of Governance in Aemilia Lanyer's Salve Deus Rex Judaeorum and Milton's Paradise Lost     48
Contexts     75
Milton Among the Prophets: Inspiration and Gendered Discourse in the Mid-Seventeenth Century     79
Maternity, Marriage, and Contract: Lucy Hutchinson's Response to Patriarchal Theory in Order and Disorder     107
The Two Faces of Eve: Gendering Knowledge and the "New" Science in Paradise Lost and Margaret Cavendish's Blazing World     136
Influences     169
Rewriting Creation: Mary Chudleigh's The Song of the Three Children Paraphras'd and Paradise Lost     173
Spaces and Traces of the Garden Story in Aphra Behn and Mary Astell: Mapping Female Subjectivit(ies) Through Patriarchialist Discourse     205
Conclusion: Influencing Traditions of Interpretation     231
Notes     237
Works Cited     255
Index     269
Acknowledgments     279
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