Forms of Attention: Botticelli and Hamlet
Sir Frank Kermode, the British scholar, instructor, and author, was an inspired critic. Forms of Attention is based on a series of three lectures he gave on canon formation, or how we choose what art to value. The essay on Botticelli traces the artist’s sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting. In the second essay, Kermode reads Hamlet from a very modern angle, offering a useful (and playful) perspective for a contemporary audience. The final essay is a defense of literary criticism as a process and conversation that, while often conflating knowledge with opinion, keeps us reading great art and working with—and for—literature.
 
1102664697
Forms of Attention: Botticelli and Hamlet
Sir Frank Kermode, the British scholar, instructor, and author, was an inspired critic. Forms of Attention is based on a series of three lectures he gave on canon formation, or how we choose what art to value. The essay on Botticelli traces the artist’s sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting. In the second essay, Kermode reads Hamlet from a very modern angle, offering a useful (and playful) perspective for a contemporary audience. The final essay is a defense of literary criticism as a process and conversation that, while often conflating knowledge with opinion, keeps us reading great art and working with—and for—literature.
 
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Forms of Attention: Botticelli and Hamlet

Forms of Attention: Botticelli and Hamlet

Forms of Attention: Botticelli and Hamlet

Forms of Attention: Botticelli and Hamlet

Paperback(Reprint)

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Overview

Sir Frank Kermode, the British scholar, instructor, and author, was an inspired critic. Forms of Attention is based on a series of three lectures he gave on canon formation, or how we choose what art to value. The essay on Botticelli traces the artist’s sudden popularity in the nineteenth century for reasons that have more to do with poetry than painting. In the second essay, Kermode reads Hamlet from a very modern angle, offering a useful (and playful) perspective for a contemporary audience. The final essay is a defense of literary criticism as a process and conversation that, while often conflating knowledge with opinion, keeps us reading great art and working with—and for—literature.
 

Product Details

ISBN-13: 9780226431758
Publisher: University of Chicago Press
Publication date: 09/30/2011
Series: Wellek Library Lectures (Paperback)
Edition description: Reprint
Pages: 112
Product dimensions: 5.20(w) x 7.90(h) x 0.40(d)

About the Author

Frank Kermode (1919-2010) was a British literary critic who taught English literature at University College London, the University of Cambridge, Columbia University, and Harvard University. His criticism was regularly featured in the London Review of Books and the New York Review of Books, and he was the author of many books including The Sense of an Ending; The Classic; The Genesis of Secrecy; and, most recently, Concerning E. M. Forster. Kermode was knighted in 1991.

Frank Lentricchia is the Katherine Everett Gilbert Professor of Literature and Theater Studies in Trinity College of Arts and Sciences at Duke University. He is the author or editor of ten critical works, most recently Modernist Quartet, several novels, and a memoir.

Table of Contents

Foreword

Preface

1 Botticelli Recovered

2 Cornelius and Voltemand: Doubles in Hamlet

3 Disentangling Knowledge from Opinion

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