Franco Alfano: Transcending Turandot
Franco Alfano: Transcending Turandot is the first fully documented biography in any language of Italy's last verismo composer, Franco Alfano (1875-1954), the composer chosen to complete Giacomo Puccini's swansong, Turandot, in 1924. Alfano remains one of the most undervalued composers, despite arguably representing the best of Puccini's contemporaries. His ability and prowess and his intimate friendship with Puccini, led to his selection for Turandot's completion: a daunting, enervating, and ultimately thankless task, which nearly robbed him of sight. This biography finally sheds light on Alfano's view of the events, as opposed to the all-too customary Toscanini/Puccini perspective, thereby revealing a largely unknown facet of one of the most important operatic works of the 20th-century. Konrad Dryden, a friend of the composer's late daughter, Nina Alfano, sets out to unravel and organize the facts of Alfano's life, offering a chronological presentation of the composer's vita as well as an examination of his major operas and their literary origins, providing the most complete portrait of the composer to date. Based on unpublished correspondence from international archives freshly translated by Dryden, the book also sheds light on such colleagues and contemporaries as Puccini, Toscanini, Mary Garden, Edward Johnson, Giordano, Rostand, Mascagni, and Mussolini. A selection of previously unpublished photographs is included, as well as plot synopses of Alfano's operatic works. A foreword by the legendary soprano Magda Olivero-his preferred interpreter and Li_ in the world premiere recording of Turandot-and an appendix listing the composer's opus round out this important reference.
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Franco Alfano: Transcending Turandot
Franco Alfano: Transcending Turandot is the first fully documented biography in any language of Italy's last verismo composer, Franco Alfano (1875-1954), the composer chosen to complete Giacomo Puccini's swansong, Turandot, in 1924. Alfano remains one of the most undervalued composers, despite arguably representing the best of Puccini's contemporaries. His ability and prowess and his intimate friendship with Puccini, led to his selection for Turandot's completion: a daunting, enervating, and ultimately thankless task, which nearly robbed him of sight. This biography finally sheds light on Alfano's view of the events, as opposed to the all-too customary Toscanini/Puccini perspective, thereby revealing a largely unknown facet of one of the most important operatic works of the 20th-century. Konrad Dryden, a friend of the composer's late daughter, Nina Alfano, sets out to unravel and organize the facts of Alfano's life, offering a chronological presentation of the composer's vita as well as an examination of his major operas and their literary origins, providing the most complete portrait of the composer to date. Based on unpublished correspondence from international archives freshly translated by Dryden, the book also sheds light on such colleagues and contemporaries as Puccini, Toscanini, Mary Garden, Edward Johnson, Giordano, Rostand, Mascagni, and Mussolini. A selection of previously unpublished photographs is included, as well as plot synopses of Alfano's operatic works. A foreword by the legendary soprano Magda Olivero-his preferred interpreter and Li_ in the world premiere recording of Turandot-and an appendix listing the composer's opus round out this important reference.
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Franco Alfano: Transcending Turandot

Franco Alfano: Transcending Turandot

Franco Alfano: Transcending Turandot

Franco Alfano: Transcending Turandot

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Overview

Franco Alfano: Transcending Turandot is the first fully documented biography in any language of Italy's last verismo composer, Franco Alfano (1875-1954), the composer chosen to complete Giacomo Puccini's swansong, Turandot, in 1924. Alfano remains one of the most undervalued composers, despite arguably representing the best of Puccini's contemporaries. His ability and prowess and his intimate friendship with Puccini, led to his selection for Turandot's completion: a daunting, enervating, and ultimately thankless task, which nearly robbed him of sight. This biography finally sheds light on Alfano's view of the events, as opposed to the all-too customary Toscanini/Puccini perspective, thereby revealing a largely unknown facet of one of the most important operatic works of the 20th-century. Konrad Dryden, a friend of the composer's late daughter, Nina Alfano, sets out to unravel and organize the facts of Alfano's life, offering a chronological presentation of the composer's vita as well as an examination of his major operas and their literary origins, providing the most complete portrait of the composer to date. Based on unpublished correspondence from international archives freshly translated by Dryden, the book also sheds light on such colleagues and contemporaries as Puccini, Toscanini, Mary Garden, Edward Johnson, Giordano, Rostand, Mascagni, and Mussolini. A selection of previously unpublished photographs is included, as well as plot synopses of Alfano's operatic works. A foreword by the legendary soprano Magda Olivero-his preferred interpreter and Li_ in the world premiere recording of Turandot-and an appendix listing the composer's opus round out this important reference.

Product Details

ISBN-13: 9780810869776
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 09/01/2009
Pages: 238
Product dimensions: 6.00(w) x 8.90(h) x 0.60(d)

About the Author

Konrad Dryden is professor of music and German at the University of Maryland University College-Europe and the author of Leoncavallo: Life and Works (Scarecrow Press, 2007).

Table of Contents

Foreword Magda Olivero vii

Acknowledgments ix

Archive Key xi

Introduction xiii

1 Posillipo—Leipzig—Miranda (1875-1896) 1

2 La fonte d'Enscir (1897-1899) 8

3 Resurrezione and Il Principe Zilah (1899-1909) 13

4 L'ombra di Don Giovanni (1920-1914) 32

5 La leggenda di Sakùntala, Tagore and Tragedy (1915-1921) 41

6 Turandot (1921-1925) 49

7 Mary Garden—Vienna—Rostand (1926) 59

8 Mussolini and Balzac (1927) 70

9 Metropolitan Opera Premiere (1928) 86

10 A Tale of Two Operas (1928-1929) 93

11 France and an American Saint (1930-1931) 104

12 Cyrano de Bergerac (1932-1933) 118

13 Palermo and Don Juan de Manara (1934-1941) 131

14 Wartime Phoenix (1942-1947) 146

15 Final Years (1948-1954) 158

Appendix A Opera Plots 167

Appendix B The Alfano Opus 183

Bibliography 191

Index 195

About the Author 203

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