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Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1
Tav Falco's sprawling study of Memphis begins with the Civil War massacre at Fort Pillow, the Yellow Fever epidemic of 1878 and the grisly murders of the Harp Brothers. Falco traces these legends of Reconstruction-era Memphis to an equally brutal twentieth century underworld — Beale Street kingpin Jim Canaan, Edward Crump's political machine, the Dixie Mafia, and others. Also included are revelatory dialogues concerning the city's many music legends, from rockabilly icons Elvis Presley, Jerry Lee Lewis and Charlie Feathers to more underground figures such as Jim Dickinson and country blues wailer Jessie Mae Hemphill. Interwoven with these accounts is an autobiographical history of Falco's own time in Memphis, including his involvement with performance art ensemble Insect Trust, working with pop/rock maverick Alex Chilton, and the formation of his seminal rock and roll band, Panther Burns. The book also contains over 80 illuminating photographs, mostly previously unseen originals by Falco.

GHOSTS BEHIND THE SUN is Volume One of MONDO MEMPHIS, a dual encyclopedic history of Memphis written by Tav Falco and cultural critic Erik Morse. Volume Two, Morse's roman noir, BLUFF CITY UNDERGROUND, will be published in 2012.
MONDO MEMPHIS is both an original history of the gothic South and an intertext of the urban legends, rural fables and literary cliches that have made the Bluff City both a metropolis of dreams and a necropolis of terrors..
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Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1
Tav Falco's sprawling study of Memphis begins with the Civil War massacre at Fort Pillow, the Yellow Fever epidemic of 1878 and the grisly murders of the Harp Brothers. Falco traces these legends of Reconstruction-era Memphis to an equally brutal twentieth century underworld — Beale Street kingpin Jim Canaan, Edward Crump's political machine, the Dixie Mafia, and others. Also included are revelatory dialogues concerning the city's many music legends, from rockabilly icons Elvis Presley, Jerry Lee Lewis and Charlie Feathers to more underground figures such as Jim Dickinson and country blues wailer Jessie Mae Hemphill. Interwoven with these accounts is an autobiographical history of Falco's own time in Memphis, including his involvement with performance art ensemble Insect Trust, working with pop/rock maverick Alex Chilton, and the formation of his seminal rock and roll band, Panther Burns. The book also contains over 80 illuminating photographs, mostly previously unseen originals by Falco.

GHOSTS BEHIND THE SUN is Volume One of MONDO MEMPHIS, a dual encyclopedic history of Memphis written by Tav Falco and cultural critic Erik Morse. Volume Two, Morse's roman noir, BLUFF CITY UNDERGROUND, will be published in 2012.
MONDO MEMPHIS is both an original history of the gothic South and an intertext of the urban legends, rural fables and literary cliches that have made the Bluff City both a metropolis of dreams and a necropolis of terrors..
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Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1

Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1

by Tav Falco
Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1

Ghosts Behind the Sun: Splendor, Enigma & Death: Mondo Memphis Volume 1

by Tav Falco

Overview

Tav Falco's sprawling study of Memphis begins with the Civil War massacre at Fort Pillow, the Yellow Fever epidemic of 1878 and the grisly murders of the Harp Brothers. Falco traces these legends of Reconstruction-era Memphis to an equally brutal twentieth century underworld — Beale Street kingpin Jim Canaan, Edward Crump's political machine, the Dixie Mafia, and others. Also included are revelatory dialogues concerning the city's many music legends, from rockabilly icons Elvis Presley, Jerry Lee Lewis and Charlie Feathers to more underground figures such as Jim Dickinson and country blues wailer Jessie Mae Hemphill. Interwoven with these accounts is an autobiographical history of Falco's own time in Memphis, including his involvement with performance art ensemble Insect Trust, working with pop/rock maverick Alex Chilton, and the formation of his seminal rock and roll band, Panther Burns. The book also contains over 80 illuminating photographs, mostly previously unseen originals by Falco.

GHOSTS BEHIND THE SUN is Volume One of MONDO MEMPHIS, a dual encyclopedic history of Memphis written by Tav Falco and cultural critic Erik Morse. Volume Two, Morse's roman noir, BLUFF CITY UNDERGROUND, will be published in 2012.
MONDO MEMPHIS is both an original history of the gothic South and an intertext of the urban legends, rural fables and literary cliches that have made the Bluff City both a metropolis of dreams and a necropolis of terrors..

Product Details

ISBN-13: 9781840681819
Publisher: Creation
Publication date: 11/15/2011
Pages: 312
Product dimensions: 6.90(w) x 9.90(h) x 0.70(d)

About the Author

Tav Falco is an American-born musician/performer, film-maker, and photographer. He has led the psychedelic rock-and-roll group Tav Falco's Panther Burns since 1979. Their first LP, "Behind The Magnolia Curtain" (1980), produced by Alex Chilton, is now regarded as a rock and roll classic. Panther Burns still tour the world and release records regularly, and have a large cult following. Memphis has long been Falco's adopted home town and spiritual sanctuary.

Read an Excerpt

CHAPTER THE FIRST
MIGRATIONS, PLAGUES AND LOST CAUSES

The road to Memphis is a long and unholy one. As a post mortem to the 60s, I pulled the green '50 Ford up to the side screen-door of the decrepit cabin at dawn, opened all its doors and lids and stuffed in junk, old clothes, pots and pans, and art supplies. Just enough room left to squeeze in behind the steering wheel and to work the 4-speed shifter bolted in the floorboard. My partner cranked the starter motor and cast off from the old cabin inherited now by denizens of spiders, snakes, and rodents already snugly at home within its planks and clapboard walls, cozy in the morning chill and warmed by the final embers glowing in the belly of the rustediron woodstove.
The rumble of the twin smitty exhaust pipes sounded muffled as the blue-dot taillights retreated down the gravel road strewn between the ruts with pine needles brown and fragrant. I followed behind on a black and silver Norton motorbike. We hit the main road and by the time we crested Gaylor Mountain — the highest peak on the Arkansas side of the Ozarks — the '48 Mercury flathead motor underneath the hood of the old Ford had come alive breathing the thin, rarefied air through 3-deuces sitting atop Offenhauser intake manifolds. The Norton was flying down the curves swooping past Devil's Den on the right and descending into the foothills of the mountain range that begins at Alma, then around and beyond Fort Smith heading east. By the time the Arkansas River came in sight a reedy, hollow sound was coming out of one exhaust pipe of the Norton. Oil had started pumping out of the left bank of the motor passing a fine but fierce spray from under the head gasket out into the crisp, turbulent air. Running on one cylinder, the engine speed had tapered off to 2700 rpm providing a maximum forward thrust of not more than 40 mph. At Alma the green Ford had already shot by me at 90 mph. The only solution was to stop and add more oil to the tank and then pull in behind a high balling semi-tractor trailer truck and ride in the back draft of its air stream. The drag of the semi pulled me all the way across the Arkansas delta and up Crowley's Ridge, then on to Memphis. Motor oil had now soaked through the sleeve of my motorcycle jacket, penetrated my left engineer boot, and completely drenched the rear wheel of the motorbike, which remained in a constant state of controlled skid. Yet this would not be my first foray into Memphis, nor would it be my last....
Volume Two is due in 2012

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