Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles / Edition 1

Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles / Edition 1

by Gaye Theresa Johnson
ISBN-10:
0520275284
ISBN-13:
9780520275287
Pub. Date:
02/15/2013
Publisher:
University of California Press
ISBN-10:
0520275284
ISBN-13:
9780520275287
Pub. Date:
02/15/2013
Publisher:
University of California Press
Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles / Edition 1

Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles / Edition 1

by Gaye Theresa Johnson
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Overview

In Spaces of Conflict, Sounds of Solidarity, Gaye Theresa Johnson examines interracial anti-racist alliances, divisions among aggrieved minority communities, and the cultural expressions and spatial politics that emerge from the mutual struggles of Blacks and Chicanos in Los Angeles from the 1940s to the present. Johnson argues that struggles waged in response to institutional and social repression have created both moments and movements in which Blacks and Chicanos have unmasked power imbalances, sought recognition, and forged solidarities by embracing the strategies, cultures, and politics of each others' experiences. At the center of this study is the theory of spatial entitlement: the spatial strategies and vernaculars utilized by working class youth to resist the demarcations of race and class that emerged in the postwar era. In this important new book, Johnson reveals how racial alliances and antagonisms between Blacks and Chicanos in L.A. had spatial as well as racial dimensions.

Product Details

ISBN-13: 9780520275287
Publisher: University of California Press
Publication date: 02/15/2013
Series: American Crossroads , #36
Edition description: First Edition
Pages: 262
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)

About the Author

Gaye Theresa Johnson is Associate Professor of Black Studies at the University of California, Santa Barbara.

Table of Contents

Contents
Introduction: The Future Has A Past
Chapter 1
Luisa Moreno, Charlotta Bass, and the Constellations of Interethnic Working-Class Radicalism
Chapter 2
Spatial Entitlement: Race, Displacement, and Sonic Reclamation in Post-war Los Angeles
Chapter 3
Cold Wars and Counter WAR(s): Coalitional Politics in an Age of Violence
Chapter 4
“Teeth Gritting Harmony”: Punk, Hip Hop, and Sonic Spatial Politics
Chapter 5
Space, Sound, and Shared Struggles
Conclusion
The Future Has a Past
Bibliography
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