"Tender combines the urge to escape the ordinary of Brideshead Revisited with the tormented devotion of McEwan's Enduring Love. It is chilling, gorgeous, and profoundly insightful about the very human urge to wreck oneself on the shoals of a great ambition."—Matthew Thomas, New York Times bestselling author of We Are Not Ourselves
"Tender rises above every other book on the shelf for its language alone; the beauty of each sentence will break your heart. But the story, full of the pleasures and terrors and betrayals of youth, will do that anyway. There is no way around it: you will weep. Spectacular."
—Andrew Sean Greer, author of The Impossible Lives of Greta Wells
"Utterly exquisite, unflinchingly observed, Tender is the story of a specific obsessive love, but also the story of youth itself, the blinding needs of heart and body, the illusion that one can change reality to suit one's desires—just by wanting to enough. McKeon's intelligence and insight shine through every page, and the words themselves perform miracles of revelation as they dance from one sentence to the next."
—Robin Black, author of Life Drawing
"Tender is compelling and deeply affecting: McKeon's prose describes the calibrations of emotions wonderfully, and the novel is great on friendship, on art, on being young and in love... I read it in a day."
—Nick Laird, author of To a Fault
"A perceptive, unexpectedly moving novel about friendship and love and all the heart-stopping moments in between."
—Jenny Offill, bestselling author of Dept. of Speculation
"Richly nuanced and utterly absorbing."
—The Guardian
"Tender is the best Irish novel I've read since The Spinning Heart, a work rich with wisdom, truth and beauty. There are no gimmicks, no deliberately eccentric characters and no wildly overblown prose masquerading as poetry. Reading it, the novelist that came to mind time and again was Anne Tyler, one of the greatest storytellers alive, whose characters arrive on the page like human beings, things happen to them, they react to these things, and then life continues. I can scarcely think of higher praise than to say that Belinda McKeon could be our Anne Tyler. There is simply not a false note anywhere in Tender."
—John Boyne, The Irish Times
"McKeon is a superb and sophisticated writer, who captures the barely articulable feelings between young people on the brink of adulthood."
—Fiona Wilson, The Times (UK)
"Belinda McKeon writes like a dream, and Tender proves that she belongs among the most revered novelists working today."
—Heidi Julavits, author of The Folded Clock
"McKeon...captures something essential about friendship, vulnerability, love, and longing. As it explores the push-pull of this achingly intimate, increasingly obsessive relationship-the way James and Catherine attract and repel each other as if they were two strong magnets turned this way and that-the story throbs with the tension between them.... McKeon regards the characters in her keenly wrought love story-for all their flaws and fragility-with insight, sensitivity, and a compassion that proves contagious."—Kirkus, Starred Review
"You'll feel immersed in the textured, nuanced exploration of the fraught emotional territory of relationships and the stress that time puts on them-and just might be able to relate."—Elle
"This insanely beautiful novel digs deep uncovering so much truth below the surface, however... and if you do cry, don't say I didn't warn you."—Bustle
"McKeon's description of human obsession is raw, her literary references to Sylvia Plath and Ted Hughes are relevant, and her introspective magnifying glass into one woman's psyche will stay with you long after putting the book down."—Glamour
"This carefully constructed tale of loss and betrayal thrums with sadness, danger, and the dizzying desire to possess."
—Financial Times
"McKeon follows her much praised debut with a fever dream of friendship, love, and obsession that is as emotionally raw as it is artfully crafted."
—Booklist, starred review
"A dreamy and absorbing story ...McKeon's novel is rife with psychological insights and truths large and small about the betrayals and passion between friends."—Travel and Leisure
"...this novel will have you fully immersed in one pair's riveting emotional rollercoaster."—Harper's Bazaar
"An invigorating and lifelike novel that earns its title..."—Flavorwire
"1990s Dublin was still a very conservative place, McKeon's pitch-perfect second novel reminds us, and her story of a passionate, defining friendship between an aspiring poet and the charismatic photographer's assistant that turns savagely proprietary has the ring of painful truth about it."—Vogue
"Dark spirits inform the frantic heart at the center of Tender, Belinda McKeon's second novel and a dead-on account of youthful obsession...in her [Catherine], McKeon has a fully-realized character—a contradictory, willful, thoughtless, self-destructive, manipulative, obsessive, and finally, sympathetic young woman...such youthful sensations as the longing to be known wholly and exclusively by another McKeon remembers and tenderly records."—New York Times Book Review
"Belinda McKeon's new novel takes the prize for having one of the most exquisite endings I've read in some time...Well before you reach the well-earned, absolutely perfect ending, McKeon lets you know unequivocally that this is a book about a rare connection...moving."—NPR
"Belinda McKeon's second novel, Tender, concerns a type of contemporary relationship pop culture loves to depict but can never seem to resist catastrophically oversimplifying: a close friendship between a gay man and a straight woman.... What McKeon does in Tender is something far more refreshing, though.... Tender preserves the emotionally (and physically) heightened experience of young love and first heartbreak.... The book becomes a time bomb as soon as Catherine's love for James and the impossibility of him feeling the same way about her are both apparent, but it's the care with which McKeon manages that explosive, the details of how and when and why it finally detonates, that give the story its devastating force.... But there's so much more going on in the book, too. Tender pulls together friendship and love and sex and politics and coming of age and finding one's calling in one messy bundle that resists all easy labels besides, possibly, "youth." Like the title, that word has many meanings, and every single one of them is tied to a sensation."
—Flavorwire
"Everyone remembers the exquisite torments of first love - and you'll revisit them in McKeon's haunting story of naïve Catherine, brooding James and their college friends in 90's Dublin. These smart, likable people misunderstand, wound and obsess about one another. Their yearnings and screw-ups as they stumble toward adulthood make for a bewitching read."
—People
"Belinda McKeon's second novel is an honest and, at times, painful account of what its like to be young and crazy in love."
—US Weekly
"[An] emotionally virtuosic second novel, which fizzes from the start with effervescent comic dialogue... breathtaking."—Boston Globe
"With the mastery of Anne Enright...McKeon delivers a tragic and heartfelt second novel. The subtle narrative pacing and deep descriptions of both Dublin and the characters and their distinctive habits believably convey the often heartbreaking initiations of young adulthood."—Library Journal
"[McKeon] fills these early pages with cascading phrases that flex with the enthusiasm of young love.... McKeon brings this story to a close with such tenderness and honesty.... Anybody can feel the real life pulsing through this novel about misaligned affections."—Ron Charles, Washington Post
"McKeon relates an unpredictable series of events in heart-rending prose, expressing the full force of a young love's potential for disaster."—New Yorker
"Tender is written in a remarkable, fluid style that mirror's Catherine's changing emotional state as her desire to recapture the closeness she and James once shared consumes her daily life. A sensual and poetic triumph."
—Lithub
12/14/2015
At first glance, McKeon’s second work of fiction (after Irish Book of the Year–winner Solace) explores well-trod themes. Two college-aged youngsters in Dublin meet through mutual acquaintances, develop a friendship, and experience much elation and angst over the course of a year together in the late 1990s. But as the raw and claustrophobic story progresses, it becomes devastatingly clear that the path their relationship is taking is far from ordinary. For one, budding photographer James is gay and closeted, during a time when homosexuality isn’t widely accepted in Ireland. His anguish and frustration at not being able to love freely is deftly handled by McKeon, who mostly relies on what isn’t said to lend weight to his predicament. Instead, what propels the plot forward is the sheer force of Catherine’s blind love for James. She wants all of him, first emotionally, and then physically—a wrinkle that adds depth to the friends’ tragic coupling and makes their breaking apart so easy to predict and so heartbreaking to read. Catherine’s self-destructive obsession with James may verge on maddening for readers (though the author’s choice to saddle her with an interest in Ted Hughes’s Birthday Letters, written about Sylvia Plath and published in 1998, was a smart one). But the book’s final chapters, detailing the older and wiser friends’ bittersweet reunion in New York 14 years later, proves that time does heal the heart’s deepest wounds—or, as McKeon so aptly demonstrates, at least most of them. (Feb.)
09/01/2015
McKeon, whose debut, Solace, was voted Irish Book of the Year in 2012, presents a new novel set in late 1990s Dublin, where unworldly college student Catherine and daring, dashing artist James become best friends. With a 50,000-copy first printing.
★ 2015-11-18
In McKeon's exquisite second novel, two Dublin young people—poet and student Catherine and aspiring art photographer James—tumble into a friendship that, though its lines shift and blur, ultimately helps bring their identities into focus. From almost the first moment they meet, Catherine and James are inseparable. They talk on the phone for hours and write long letters to each other when they're apart, walk arm in arm, and share a special common language when they're together. Although Catherine, still adjusting to life at university and away from her rural childhood home, is studying art history and English, James, who also grew up outside the city and is just back from a stint working as an assistant to a well-known photographer in Berlin, seems (to her, at least) to know far more about, well, everything than she. With James, Catherine learns to be bold and take risks—intellectual, emotional, physical. James, too, finds a path to himself and to his future. But as their relationship, tracked over the course of a little more than a year, in 1997-'98, becomes increasingly complex and weightier and takes on new dimensions, it begins to fracture. McKeon, whose debut novel, Solace, won the 2011 Faber Prize and was voted the Irish Book of the Year, captures something essential about friendship, vulnerability, love, and longing. As it explores the push-pull of this achingly intimate, increasingly obsessive relationship—the way James and Catherine attract and repel each other as if they were two strong magnets turned this way and that—the story throbs with the tension between them. This is youth; this is yearning. These are the lessons we learn about desire and disappointment, discovered strengths and regrettable weaknesses—and how to forgive ourselves for the mistakes we made when we did not yet know how to keep ourselves from making them. McKeon regards the characters in her keenly wrought love story—for all their flaws and fragility—with insight, sensitivity, and a compassion that proves contagious.
