The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a »700-layer cake«. These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team.

Detecting hidden references is only the first step in creating an analysis; the next step is to elucidate the function of the reference within the film. For instance, what does it mean that Hitchcock’s heroine is attacked by birds, whereas Venus was depicted accompanied by a dove? And why does Melanie, our »Venus«, wear furs?

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The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a »700-layer cake«. These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team.

Detecting hidden references is only the first step in creating an analysis; the next step is to elucidate the function of the reference within the film. For instance, what does it mean that Hitchcock’s heroine is attacked by birds, whereas Venus was depicted accompanied by a dove? And why does Melanie, our »Venus«, wear furs?

68.0 In Stock
The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

by Konrad Kirsch
The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

The Second View: Hitchcock: The Birds, Edwards: The Party, Scott: Blade Runner and Gladiator, Ruzowitzky: Anatomy

by Konrad Kirsch

Hardcover

$68.00 
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Overview

Like literary texts, films often tell stories on multiple levels. Ridley Scott made an ironic reference to this when he called his legendary science-fiction film Blade Runner a »700-layer cake«. These buried structures are created in two ways: by elements that resonate throughout the film itself and by references to other films, texts, myths, paintings, historical events etc. that are adapted in a specific way by the director, the scriptwriter and the production team.

Detecting hidden references is only the first step in creating an analysis; the next step is to elucidate the function of the reference within the film. For instance, what does it mean that Hitchcock’s heroine is attacked by birds, whereas Venus was depicted accompanied by a dove? And why does Melanie, our »Venus«, wear furs?


Product Details

ISBN-13: 9783936681543
Publisher: Edition Axel Menges GmbH
Publication date: 01/16/2013
Pages: 160
Product dimensions: 8.40(w) x 10.00(h) x 0.60(d)
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