60 Americans

by Terrence Sanders

Overview

60 Americans is a response to the ill-gotten gains of flipper-collectors, money corrupted and trend obsessed gallerists, shopping mall inspired art fairs, nepotism and favoritism of the made-men and women of privileged MFA programs in America. 60 Americans was a group exhibition that documented the alternative perspective on what’s relevant and important in the current landscape of American contemporary art.

Product Details

ISBN-13:	9780692515815
Publisher:	Artvoices Books
Publication date:	09/06/2016
Pages:	146
Product dimensions:	8.50(w) x 10.90(h) x 0.40(d)

About the Author

Terrence Sanders has contributed to the landscape of contemporary art as an artist, gallerist, curator, publisher and editor-in-chief of Artvoices Magazine and Artvoices Art Books. Sanders mission as Editor-In-Chief of Artvoices Magazine (Established 2008) was to create a platform for emerging, neglected and under recognized artists who create important and relevant works of art. Sanders’ is the Father of noted artist Lucien Smith. Sanders has directed and curated art spaces: Terrence Sanders Gallery (New Orleans), Untitled Art Projects (Los Angeles), Sanders, Smith & Stokes (New Orleans), Artists 101 (Los Angeles), Makeshift Museum (Los Angeles). Sanders has curated over 50 exhibitions including: ’60 Americans’ ‘We Got Next’ and the ‘Saratoga Collection’. Sanders has exhibited more than 100 visual artists without representation at art fairs in Europe and the United States. 

Editorial Reviews

60 Americans is an anthology of the American condition, its collection of disparate identities serving as an example for what the entire world will eventually look like, if it hasn’t happened already.” – Jonathan Goodman

“60 Americans is an honest examination of the current climate of contemporary art from artists who live and work in America.”  - Terrence Sanders-Smith

“Diego Rivera was celebrated because of social realism. When Rockefeller invited him to do frescos at Rockefeller center and Diego depicted the Soviet Revolutionaries. Rockefeller had the frescos removed. Rockefeller stopped supporting the socio-politically charged Social Realism and started supporting Abstract Expressionism. Today the rich are still trying to find safe art to invest their money in. ‘60 Americans’ is an exhibition featuring the dangerous images with a narrative that the wealthy attempt to avoid.” – Sol Sax

“The basic premise is that real art and real artists can and should have the right to excel in a just society. Those real artists who take their work seriously and spend a lifetime working on their art become marginalized overnight through exhibitions dedicated to trends that revolve around this kind of shock and awe curating.” – Noah Becker

From the Publisher