Lily White
NEW YORK TIMES BESTSELLER

“A big, fat, happy feast of a book. . . . [Isaacs’s] most confident and appealing. . . . [She] is both funny and piercing, a highly satisfying combination.” —New York Times Book Review

Critically acclaimed New York Times bestselling author Susan Isaacs's most dazzling novel of murder, sex, and humor, and of manners and morality

Meet Lily White, Long Island criminal defense lawyer. Smart, savvy, and down-to-earth, Lee can spot a phony the way her haughty mother can spot an Armani. Enter handsome career con-man Norman Torkelson, charged with strangling his latest mark after bilking her out of her life’s savings. As the astounding twists and reverses of the Torkelson case are revealed, so too is the riveting story behind Lee’s life.

Lily White is a brilliantly crafted story of con artists and true lovers, of treachery and devotion—and of one brave lawyer’s triumphant fight for justice.

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Lily White
NEW YORK TIMES BESTSELLER

“A big, fat, happy feast of a book. . . . [Isaacs’s] most confident and appealing. . . . [She] is both funny and piercing, a highly satisfying combination.” —New York Times Book Review

Critically acclaimed New York Times bestselling author Susan Isaacs's most dazzling novel of murder, sex, and humor, and of manners and morality

Meet Lily White, Long Island criminal defense lawyer. Smart, savvy, and down-to-earth, Lee can spot a phony the way her haughty mother can spot an Armani. Enter handsome career con-man Norman Torkelson, charged with strangling his latest mark after bilking her out of her life’s savings. As the astounding twists and reverses of the Torkelson case are revealed, so too is the riveting story behind Lee’s life.

Lily White is a brilliantly crafted story of con artists and true lovers, of treachery and devotion—and of one brave lawyer’s triumphant fight for justice.

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Lily White

Lily White

by Susan Isaacs
Lily White

Lily White

by Susan Isaacs

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Overview

NEW YORK TIMES BESTSELLER

“A big, fat, happy feast of a book. . . . [Isaacs’s] most confident and appealing. . . . [She] is both funny and piercing, a highly satisfying combination.” —New York Times Book Review

Critically acclaimed New York Times bestselling author Susan Isaacs's most dazzling novel of murder, sex, and humor, and of manners and morality

Meet Lily White, Long Island criminal defense lawyer. Smart, savvy, and down-to-earth, Lee can spot a phony the way her haughty mother can spot an Armani. Enter handsome career con-man Norman Torkelson, charged with strangling his latest mark after bilking her out of her life’s savings. As the astounding twists and reverses of the Torkelson case are revealed, so too is the riveting story behind Lee’s life.

Lily White is a brilliantly crafted story of con artists and true lovers, of treachery and devotion—and of one brave lawyer’s triumphant fight for justice.


Product Details

ISBN-13: 9780061256233
Publisher: HarperCollins
Publication date: 06/24/2008
Pages: 592
Product dimensions: 5.31(w) x 8.00(h) x 1.33(d)

About the Author

About The Author

Susan Isaacs is the bestselling author of eleven novels, two screenplays, and one work of nonfiction. She lives on Long Island.

Hometown:

Sands Point, New York

Date of Birth:

December 7, 1943

Place of Birth:

Brooklyn, New York

Education:

Honorary Doctorate, Queens College

Read an Excerpt

Chapter One

I was never a virgin.

Okay: In the technical sense, of course I was. But even in my dewy days, I never gazed at the world wide-eyed with wonder. If I wasn't born shrewd, at least I grew up too smart to be naive. So how come in the prime of my life, at the height of my powers, I could not foresee what would happen in the Torkelson case? Was I too street smart? Had I been around the block so many times that I finally lost my sense of direction?

A brief digression: Ages ago, soon after I became a criminal defense lawyer, Fat Mikey LoTriglio hailed me across the vast concrete expanse of the courthouse steps. "Hey, girlie!" His tomato of a face wore an expression that seemed (I squinted) amiable, pretty surprising considering he'd just been sprung from Elmira after doing two and a half years on the three counts of aggravated assault I'd prosecuted him for.

"Come over here," he called out. "Hey, I'm not gonna kill you." In Fat Mikey's world, that was not hyperbole but a promise; he got busy straightening his tie to demonstrate he was not concealing a Walther PPK. "I hear you're not working for the D.A. anymore," he boomed. I strolled over, smiling to show I didn't hold any grudges either, and offered my hand, which he shook in the overly vigorous manner of a man trying to show a professional woman that he's comfortable with professional women. Then I handed him my business card. I was not unaware that Fat Mikey was one of three organized crime figures the cops routinely picked up for questioning on matters of Mob-related mayhem. To have Fat Mikey as a client was to have an annuity.

He glanced down at my card to recall my name."Lee?"

Naturally, I didn't respond "Fat?" And to call him "Mike" after having called him "a vulture feasting on society's entrails" in my summation might seem presumptuous. So I murmured a polite "Mmm?"

"A girl like you from a good family—"

"Are you kidding?" I started to say, but he wouldn't let me.

"I could tell you got class, watching you at the trial," he went on. "You know how? Good posture—and not just in the morning. Plus you say 'whom.' Anyways, you really think you can make a living defending guys like me?" He didn't seem so much sexist as sincerely curious. I nodded encouragingly. "This is what you had in mind when you went to law school?" he inquired.

"No. Back then I was leaning toward Eskimo fishing rights. But this is what I'm good at."

He shook his head at my folly. "When—pardon my French—a guy's ass is in a sling, you think he's gonna hire a girl who says 'whom'?"

"If he's partial to his ass he will."

Fat Mikey's upper lip twitched. For him, that was a smile. Then, almost paternally, he shook a beefy index finger at me. "A girl like you should be more particular about the company she keeps."

Years later, I would learn how wise Fat Mikey was.

Nevertheless, from the beginning I knew there were limits to keeping bad company. I could be sympathetic to my clients without getting emotionally involved: A lot of them had sad childhoods. Many had been victims of grievous social injustice, or of terrible parents (who were themselves victims of terrible parents). Still, I never forgot they were criminals. And while I may have delighted in a bad guy's black humor, or a tough broad's cynicism, I was never one of those attorneys who got naughty thrills socializing with hoods. You'd never catch me inviting a client—let's say Melody Ann Toth, for argument's sake—to go shopping and out for Caesar salads so we could chitchat about old beaux ... or about what she might expect at her upcoming trial for robbing three branches of the Long Island Savings Bank on what might have been an otherwise boring Thursday.

For their part, most of my clients (including Fat Mikey, who retained me two years after that conversation on the courthouse steps) wouldn't think I was exactly a laugh a minute either. Whatever their personal definition of a good time was, I wasn't it. Unlike me, Fat Mikey simply did not get a bang out of crocheting afghans or listening to National Public Radio. With fists the size of rump roasts, Mikey looked like what he was: a man for whom aggravated assault was not just a profession but a pleasure. As for Melody Ann, with her pink-blonde hair that resembled attic insulation, the only reason she'd go shopping at Saks would be to knock off the Est‚e Lauder counter when she ran out of lip liner. My clients had no reason or desire to pass for upper middle class.

For that reason alone, Norman Torkelson was different right from the beginning.

Of course, a con man cannot look like a crook and expect to make a living. If Norman Torkelson had resembled the no-good rat he was, he would have been a sawed-off runt with a skinny mustache like a plucked eyebrow. But then the nine hundred or so women he had proposed marriage to would have told him: Get lost, creepo.

However, he was not sawed off; he was six feet five. Lucky for him, since in America everyone knows a man's character increases in excellence in direct proportion to his height. Not that Norman was content with mere tallness; he was clever enough to trip over his own size-thirteen feet every so often, which made him ... Some of the descriptions in the witnesses' statements taken over the years from victims of his scams were: "sensitive," "tragic, like Abraham Lincoln," and (my personal favorite) "caring." So all those women to whom he proposed said yes—Yes, my love! Yes, Norman! (or Yes, whatever alias he was using)—and got their hearts broken.

I wonder now: What if we hadn't met in the Nassau County Correctional Center? What if he hadn't been wearing the official uniform—pants and shirt in an orange that inevitably leeched the life out of every inmate's face? Would I have wanted to trace with my fingertips the lines of his Mount Rushmore face? No. I would not have.

Still (before I leave the subject of color), even the vicious glow of that orange could not hide the fact that Norman's eyes were such a startling blue they seemed more a Crayola than an eye color: Viking blue, a shade somewhere between royal and turquoise. If not for those eyes, would the hundreds of women thrilled to empty their bank accounts for him have found themselves destitute, suddenly dependent on disgusted relatives or the public dole?

However, let's not go overboard on the blue eyes business. A con man cannot afford to be suspiciously handsome, and Norman Torkelson was not. First of all, he had a too teeny nose. Instead of the cute upward tilt you'd expect from a nose like that, it hooked; in certain lights, you'd swear Norman was half man, half parakeet. So not gorgeous—an asset to a con man because true beauty evokes curiosity. And not slick. At least, he didn't seem slick. Like any professional swindler, he was just convincing enough to persuade a woman who had never met a man from Yale that he had gone to Yale.

Furthermore, a competent con man never overacts. Norman may have listened avidly when a woman spoke, but he never pretended to drown in the depths of her eyes; he didn't shift around in his seat either, crossing his leg to hide an alleged erection. Oh, one more handy imperfection: He had a slight lisp.

I heard his first words as: "I thwear I didn't do it, Mth. White." He lowered his big head and whispered, "Jethuth!"

"It's not me you have to convince, Mr. Torkelson," I told him. "I'm on your side. It's the D.A. who's a problem."

He clutched the top of the white Formica barrier that separates inmates from their visitors. "Please," he begged me, "call me Norman."

Amazing: He threw his entire being behind that request. His forehead furrowed, his shoulders tensed, his Adam's apple bulged, every part of him seemed to yearn: Call me Norman.

A con man's hokey trick? Absolutely. I tried to be cool, glancing around the visitors room, a huge space filled with rows of Formica-topped tables, which resembled a school cafeteria. However, instead of patrolling teachers there were armed guards carrying semiautomatic rifles, and closed-circuit cameras.

Despite the ugly publicness of the place, I felt a private flush of gratification at my client's request: Please, call me Norman. Almost as if he had willed it, I actually eased my attach‚ case off my lap and set it by my feet, then pushed my chair back so he could get a fuller view: I carried on as if I were OD'ing on estrogen. I actually crossed my legs, movie starlet style, and began to inscribe a sexy O with my foot.

Naturally, all this took place within a microsecond. Then I realized I was being manipulated—which only proved to me what I'd already suspected. Norman Torkelson was not a great con artist. Just a fairly competent one.

"I was not—and I quote—conning Bobette out of her money!" he announced in that very instant.

"Norman," I said, uncrossing my legs, "let's get our priorities straight. The fraud by false pretenses charge is the least of your problems right now."

"Bobette and I were friends," he insisted. "She was lending me the money. I told her: 'Have your attorney draw up the proper paperwork, with whatever interest you feel is fair. I'll sign it. I won't have it any other way!'"

Lily White. Copyright © by Susan Isaacs. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Interviews


Before the live bn.com chat, Susan Isaacs agreed to answer some of our questions:

Q: In Soul Kiss, Mariah contemplates her nomadic mother's whereabouts and romanticizes the idea of traveling in her own mind. If you could travel anywhere in the world, where would be your most romantic destination?

A: On my first book tour with The Big Mama Stories, I got into a car with a friend and we drove across the entire United States and parts of Canada doing readings at bookstores and schools. I was in awe of the splendor and beauty in this country. As a Peace Corps volunteer I lived in the Caribbean, and I've lived in France and Hawaii as well. I used to think that Paris was the most romantic place in the world because it's so easy to fall in love with the people, the food, the atmosphere. Everything is so sensual, the air itself is intoxicating. I fell in love several times the year I lived in Paris. So while I still believe that Hawaii is an earthly paradise and the Caribbean, God's front yard, I think that the most romantic place in the world is wherever you are with the person you love.

Q: What have you read lately that just knocked you out?

A: I reread Dodie Smith's I Capture the Castle. Wow! It's a splendid coming-of-age novel written in the late '40s with a 17-year-old heroine who's a woman for all seasons. Cassandra Mortmain lives in the ruins of a moated castle with her father, a novelist with a decade-long writer's block, her exquisite and flaky stepmother, a kid brother, and a gorgeous older sister. The Mortmains are down on their luck, when who should knock on the castle door but two young Americans, heirs to the local manor and landlords of the castle -- so, in a sense, this is a 20th-century version of Pride and Prejudice, a story about young women and highly eligible men. But Cassandra's voice -- witty as hell, wise beyond her years and, every once in a while, lyrical enough to bring tears to your eyes -- is thoroughly modern. What a fantastic dame she is!

Q: Please provide us with your favorite recipe and tell us where you got it from.

A: Chicken soup, from my grandma Rosie: one cut-up chicken, four carrots, three celery stalks, including leaves, two parsnips, one turnip, one onion, one leek (be sure to clean out the sand), a small handful of parsley and a slightly smaller handful of dill, salt and freshly ground pepper to taste. Throw it all into a pot with 1 to 1-1/2 gallons of cool water and bring to a boil, skimming off yucky gray soup sludge that invariably forms. Then simmer for two hours. Strain and cut up chicken into bite-size pieces to put in the soup. Throw in noodles or a stray matzoh ball and have a party.

Q: A big debate these days surrounds content on the Web. Who should assume the role of "Internet watchdog" for children? The government, or parents?

A: The government does have a right to protect those who cannot protect themselves: children, animals, and so forth. But the government has given its OK to the V-chip, a device that puts the onus on the parents, where it should be. The last thing we want is government deciding what our children should or should not see. Because who in government is going to judge? President Clinton? Senator Thurmond? A blue-ribbon panel appointed by a non-partisan committee? We all know anyone of any stature isn't going to accept the job of patrolling the Internet. Further, even if you got, say, Justices Sandra Day O'Connor and Ruth Bader Ginsburg on that panel, do you think they're equipped to decide what your kid will see or hear? In other words, who's to judge the judges, who's to oversee them?

Q: What thing (crazy stunt, boring task, etc.) have you done once and will never do again?

A: What would I never do again? Well, after I wrote and coproduced "Hello Again" I swore I'd never make another movie with Disney, a studio that profoundly believes in the collaborative effort. So guess what studio bought Lily White? You got it!


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