Emir Kusturica
Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch—shifting from romantic realist to controversial satirist to sentimental jester.
 
Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages—dissention, disconnection, and dissonance—to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)—the famously inflammatory take on Yugoslav history after World War II—as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism.
 
Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.
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Emir Kusturica
Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch—shifting from romantic realist to controversial satirist to sentimental jester.
 
Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages—dissention, disconnection, and dissonance—to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)—the famously inflammatory take on Yugoslav history after World War II—as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism.
 
Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.
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Emir Kusturica

Emir Kusturica

by Giorgio Bertellini
Emir Kusturica

Emir Kusturica

by Giorgio Bertellini

Paperback(1st Edition)

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Overview

Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch—shifting from romantic realist to controversial satirist to sentimental jester.
 
Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages—dissention, disconnection, and dissonance—to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)—the famously inflammatory take on Yugoslav history after World War II—as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism.
 
Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.

Product Details

ISBN-13: 9780252080449
Publisher: University of Illinois Press
Publication date: 12/03/2014
Series: Contemporary Film Directors
Edition description: 1st Edition
Pages: 200
Product dimensions: 5.50(w) x 8.40(h) x 0.60(d)

About the Author

Giorgio Bertellini is an associate professor in the departments of screen arts and cultures, and romance languages and literatures, at the University of Michigan. He is the author of the award-winning Italy in Early American Cinema: Race, Landscape, and the Picturesque.
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