Legal Stories: Narrative-Based Property Development in the Modern Copyright Era
Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. 

Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.
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Legal Stories: Narrative-Based Property Development in the Modern Copyright Era
Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. 

Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.
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Legal Stories: Narrative-Based Property Development in the Modern Copyright Era

Legal Stories: Narrative-Based Property Development in the Modern Copyright Era

by Gregory Steirer
Legal Stories: Narrative-Based Property Development in the Modern Copyright Era

Legal Stories: Narrative-Based Property Development in the Modern Copyright Era

by Gregory Steirer

Hardcover

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Overview

Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. 

Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.

Product Details

ISBN-13: 9780472076826
Publisher: University of Michigan Press
Publication date: 07/01/2024
Pages: 320
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)

About the Author

Gregory Steirer is Associate Professor of English and Film & Media Studies at Dickinson College and the author (with Alisa Perren) of The American Comic Book Industry and Hollywood.

Table of Contents

Table of Contents
Dedication
List of Illustrations 
Acknowledgments
Introduction
Chapter 1: The Modern Copyright Era’s Foundational Legal Infrastructure: Short Copyright Duration and Copyright Formalities
Chapter 2: “Only the Chessman in the Game of Telling the Story:” Warner Bros. v. CBS, the Idea-Expression Dichotomy, and the Principle of Iterative Textual Derivation
Chapter 3: From Yog-Sothery to Property: H. P. Lovecraft and the Making of the Cthulhu Mythos
Chapter 4: When Is a Copyright Not a Copyright? Unfair Competition and Cartoon and Comics Characters in the Modern Copyright Era
Chapter 5: Conan, the Syndicate: Informal Contracting and the Making of Narrative-Based Property
Coda: What Comes After? Toward a Periodization of U.S. Intellectual Property Law
Notes
Bibliography
Index
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