The Stuff of Spectatorship: Material Cultures of Film and Television
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
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The Stuff of Spectatorship: Material Cultures of Film and Television
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
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The Stuff of Spectatorship: Material Cultures of Film and Television

The Stuff of Spectatorship: Material Cultures of Film and Television

by Caetlin Benson-Allott
The Stuff of Spectatorship: Material Cultures of Film and Television

The Stuff of Spectatorship: Material Cultures of Film and Television

by Caetlin Benson-Allott

Paperback(First Edition)

$29.95 
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Overview

Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.

Product Details

ISBN-13: 9780520300415
Publisher: University of California Press
Publication date: 04/06/2021
Edition description: First Edition
Pages: 354
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Caetlin Benson-Allott is Provost's Distinguished Associate Professor of English and Film and Media Studies at Georgetown University and editor of JCMS: Journal of Cinema and Media Studies. She is author of Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing and Remote Control.

Table of Contents

List of Figures ix

Acknowledgments xi

Introduction: Material Mediations 1

1 Collecting and Recollecting: Battlestar Galactica through Video's Varied Technologies of Memory 22

2 The Commercial Economy of Film History: Or, Looking for Looking for Mr. Goodbar 59

3 "Let's Movie": How TCM Made a Lifestyle of Classic Film 94

4 Spirits of Cinema: Alcohol Service and the Future of Theatrical Exhibition 133

5 Blunt Spectatorship: Inebriated Poetics in Contemporary US Television 171

6 Shot in Black and White: The Racialized Reception of US Cinema Violence 214

Conclusion: Expanding the Scene of the Screen 248

Appendix: Documented Incidents of Cinema Violence in the United States through December 31, 2019 255

Notes 265

Selected Bibliography 325

Index 333

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