The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth

by Alejandro Yarza

Overview

In fascist Spain, Francoism – like German and Italian fascism – produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain’s centuries—long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain’s historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.
This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re—imagining its visual and narrative clichés.

Product Details

ISBN-13:	9780748699247
Publisher:	Edinburgh University Press
Publication date:	12/15/2017
Pages:	336
Product dimensions:	6.14(w) x 9.21(h) x (d)

About the Author

Alejandro Yarza is Associate Professor in the Spanish and Portuguese Department and Core Faculty of the Film and Media Studies program at Georgetown University.

Table of Contents

Preface

Introduction

Chapter 1: The Petrified Tears of General Franco: Kitsch and Fascism in José Luis Sáenz de Heredia’s Raza

Chapter 2: Romancero Marroquí and the Francoist Kitsch Politics of Time

Chapter 3: Los Últimos de Filipinas: the Spatio—Temporal Coordinates of Francoism

Chapter 4: Surcos: Neorealism, Film Noir and the Puppet Master

Chapter 5: Franco, ese hombre: from Kitsch Artist to Kitsch—Man

Chapter 6: Viridiana: The World, the Flesh, and the Devil

Chapter 7: Balada triste de trompeta: Of Ghosts and Clowns

Chapter 8: Under the Sign of Saturn: The Labyrinth of Moral Choices in Francoist Spain

Works cited

What People are Saying About This

Professor Sarah Wright

Yarza takes us on a scintillating journey, from the grandiose construction of Francoist kitsch as ideology dreamed on the cinema screen to its puncturing, dismantlement and exorcism in key films. Sustained by brilliant, intuitive close readings, the book also offers the opportunity for wider reflections on the phantoms and residues stalking the construction of Spanish cinema images.

Editorial Reviews

Yarza’s book presents a journey from the very origins of Francoist kitsch to the subversion of the same. An original perspective, this work considers films through the lens of kitsch and, therefore, departs from dominant academic texts that have perhaps tended to adhere to simplistic, descriptive analysis that focuses only on the political ideology present in the films. [...] Overall, this is an observant and engaging offering to the literature on Spanish film.

Bulletin of Visual Spanish Studies - Rachel Beaney

Yarza takes us on a scintillating journey, from the grandiose construction of Francoist kitsch as ideology dreamed on the cinema screen to its puncturing, dismantlement and exorcism in key films. Sustained by brilliant, intuitive close readings, the book also offers the opportunity for wider reflections on the phantoms and residues stalking the construction of Spanish cinema images.

Professor Sarah Wright