Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986
John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot—the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today.

This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

1116817685
Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986
John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot—the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today.

This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.

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Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986

Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986

by Adam Rockoff
Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986

Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986

by Adam Rockoff

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Overview

John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot—the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today.

This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the "final girl," the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films.


Product Details

ISBN-13: 9780786469321
Publisher: McFarland & Company, Inc., Publishers
Publication date: 11/04/2011
Edition description: Reprint
Pages: 223
Product dimensions: 6.90(w) x 9.90(h) x 0.60(d)
Age Range: 18 Years

About the Author

Adam Rockoff, a lifelong horror enthusiast, is a film producer. He lives in Chicago.

Table of Contents

Acknowledgments vii

Introduction 1

1 What Is a Slasher Film? 5

2 The Pre-History of the Slasher Film 23

3 Halloween: The Night He Came Home 50

4 Deadly Prank Calls, Driller Killers and an Angry Young Woman 62

5 Friday the 13th, Prom Night and a Head in the Fish Tank 75

6 Trains of Terror, Funhouses, Horrible Holidays and a Maniac 90

7 Campus Killers, Slashing for Laughs and One Human Brain 111

8 Prowlers, Spaghetti Slashers and the Joys of Summer Camp 130

9 A Nightmare on Elm Street, Sequels Galore and the Decline of the Slasher Film 151

10 The Resurgence 178

Notes 195

Appendix: Alternative Titles 199

Bibliography 203

Index 207

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