Geopoetry: Geology, Materiality, Ecopoetics
At its core, geopoetics proposes that a connection between language and geology has become a significant development in post–World War II poetics. In Geopoetry, Dale Enggass argues that certain literary works enact geologic processes, such as erosion and deposition, and thereby suggest that language itself is a geologic––and not a solely human-based––process. Elements of language extend past human control and open onto an inhuman dimension, which raises the question of how literary works approach the representation of nonhuman realms. Enggass examines the work of Clark Coolidge, Robert Smithson, Ed Dorn, Maggie O’Sullivan, Jeremy Prynne, Jen Bervin, Christian Bök, and Steve McCaffery, and he finds that while many of these authors are not traditionally connected to ecocritical writing, their innovations are central to ecocritical concerns. In treating language as a geological material, these authors interrogate the boundary between human and nonhuman realms and offer a model for a complex literary engagement with the Anthropocene.
1143401736
Geopoetry: Geology, Materiality, Ecopoetics
At its core, geopoetics proposes that a connection between language and geology has become a significant development in post–World War II poetics. In Geopoetry, Dale Enggass argues that certain literary works enact geologic processes, such as erosion and deposition, and thereby suggest that language itself is a geologic––and not a solely human-based––process. Elements of language extend past human control and open onto an inhuman dimension, which raises the question of how literary works approach the representation of nonhuman realms. Enggass examines the work of Clark Coolidge, Robert Smithson, Ed Dorn, Maggie O’Sullivan, Jeremy Prynne, Jen Bervin, Christian Bök, and Steve McCaffery, and he finds that while many of these authors are not traditionally connected to ecocritical writing, their innovations are central to ecocritical concerns. In treating language as a geological material, these authors interrogate the boundary between human and nonhuman realms and offer a model for a complex literary engagement with the Anthropocene.
29.95 Out Of Stock
Geopoetry: Geology, Materiality, Ecopoetics

Geopoetry: Geology, Materiality, Ecopoetics

by Dale Enggass
Geopoetry: Geology, Materiality, Ecopoetics

Geopoetry: Geology, Materiality, Ecopoetics

by Dale Enggass

Paperback

$29.95 
  • SHIP THIS ITEM
    Temporarily Out of Stock Online
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

At its core, geopoetics proposes that a connection between language and geology has become a significant development in post–World War II poetics. In Geopoetry, Dale Enggass argues that certain literary works enact geologic processes, such as erosion and deposition, and thereby suggest that language itself is a geologic––and not a solely human-based––process. Elements of language extend past human control and open onto an inhuman dimension, which raises the question of how literary works approach the representation of nonhuman realms. Enggass examines the work of Clark Coolidge, Robert Smithson, Ed Dorn, Maggie O’Sullivan, Jeremy Prynne, Jen Bervin, Christian Bök, and Steve McCaffery, and he finds that while many of these authors are not traditionally connected to ecocritical writing, their innovations are central to ecocritical concerns. In treating language as a geological material, these authors interrogate the boundary between human and nonhuman realms and offer a model for a complex literary engagement with the Anthropocene.

Product Details

ISBN-13: 9780826368034
Publisher: University of New Mexico Press
Publication date: 06/17/2025
Series: Recencies Series: Research and Recovery in Twentieth-Century American Poetics
Pages: 200
Product dimensions: 6.00(w) x 9.00(h) x 0.00(d)

About the Author

Dale Enggass is an associate instructor in the Honors College at the University of Utah and a founding member of the Halophyte Artist Collective. His articles and book reviews have appeared in numerous publications, including ISLE, Jacket2, and Quarterly West.

Table of Contents

Acknowledgments

Introduction. The Language of Geology and the Geology of Language
Chapter One. Printed Matter: Robert Smithson’s Depositions
Chapter Two. “The World Soul / Slumbers in Matter”: Gunslinger and The Magic Door
Chapter Three. Bedrock and Drift: Earth, Language, and Bodies in J. H. Prynne and Maggie O’Sullivan
Chapter Four. “Clastic Mates”: Sedimentary Language in Clark Coolidge and Steve McCaffery
Chapter Five. Cropping The Desert: Erasure, Erosion, and Reclamation in Jen Bervin and John C. Van DykeChapter Six. Crystal Gazing

Notes
Works Cited
Index

From the B&N Reads Blog

Customer Reviews