Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India
Ways of Remembering tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom—postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence.
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Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India
Ways of Remembering tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom—postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence.
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Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India

Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India

by Oishik Sircar
Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India

Ways of Remembering: Volume 1: Law, Cinema and Collective Memory in the New India

by Oishik Sircar

Hardcover

$135.00 
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Overview

Ways of Remembering tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom—postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence.

Product Details

ISBN-13: 9781316512814
Publisher: Cambridge University Press
Publication date: 07/04/2024
Series: Law in Context
Pages: 240
Product dimensions: 5.98(w) x 9.02(h) x 0.94(d)

About the Author

Oishik Sircar is Professor of Law, Jindal Global Law School, and Associate Member, Institute for International Law and the Humanities, Melbourne Law School. He is the author of Violent Modernities: Cultural Lives of Law in the New India (2021) and co-director of the documentary film We Are Foot Soldiers (2011).

Table of Contents

List of Figures; Acknowledgements; List of Abbreviations; 1. Law and the Aesthetics of Atrocity; 2. A Jurisprudential-Aesthetic Approach; 3. The Best Bakery Judgments: Aesthetics of Judicial Memory; 4. Bollywood's Law: Cinematic Justice and Collective Memory; 5. 'As They Ought'; Notes; Glossary; Bibliography; Index.
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